February 18: John Prepares the Way and Baptizes Christ
♫ Music:
Week One Introduction | February 18–21
The Beginning of the Good News of Jesus Christ
The gospel of Matthew begins with a genealogy of Christ, devoting two full chapters to His virgin birth and childhood. The gospel of Luke goes into even more detail by including John the Baptist’s birth narrative as well as the dedication of the Christ child in the temple with Simeon and Anna. Then there is the beautiful, poetic passage of Christ’s incarnation in the gospel of John. The gospel of Mark on the other hand, does not mention anything at all about the birth of Jesus but instead plunges right into Christ’s baptism and early ministry.
New Testament scholar Dr. Mark Strauss declares, “Mark writes with a powerful and energetic literary style, full of drama, mystery, and color. Mark is fond of the word euthys, often translated ‘immediately,’ which appears 41 times. It serves to propel the narrative forward with speed and urgency. This is a Gospel on steroids!” In the first chapter alone, Mark recounts the forerunner’s role in preparing the way for the Messiah, the baptism of Jesus, Christ’s forty days of temptation in the wilderness, His announcement that “the Kingdom of God is at hand,” the calling of the disciples, and concludes with an account of Christ’s miraculous, nonstop rounds of preaching, teaching, healing, and deliverance. One event seems to smash into the next as Mark’s action-packed gospel explodes before us.
In paraphrases of the New Testament, Mark 1:1 reads, “The beginning of the good news of Jesus Christ.” Here, in his introduction, Mark references Genesis 1:1 and in so doing proclaims that the earthly ministry and mission of Christ initiates a fresh start, a brand-new dawn in God’s providential story of redemption. All of creation will be renewed through the salvific work Christ is about to accomplish. This is indeed the greatest good news, freely offered to all mankind!
Wednesday, February 18 | Ash Wednesday
Mark 1:1-11 (NKJV)
The beginning of the gospel of Jesus Christ, the Son of God. As it is written in the Prophets:
“Behold, I send My messenger before Your face,
Who will prepare Your way before You.”
“The voice of one crying in the wilderness:
‘Prepare the way of the Lord;
Make His paths straight.’ ”
John came baptizing in the wilderness and preaching a baptism of repentance for the remission of sins. Then all the land of Judea, and those from Jerusalem, went out to him and were all baptized by him in the Jordan River, confessing their sins.
Now John was clothed with camel’s hair and with a leather belt around his waist, and he ate locusts and wild honey. And he preached, saying, “There comes One after me who is mightier than I, whose sandal strap I am not worthy to stoop down and loose. I indeed baptized you with water, but He will baptize you with the Holy Spirit.”
It came to pass in those days that Jesus came from Nazareth of Galilee, and was baptized by John in the Jordan. And immediately, coming up from the water, He saw the heavens parting and the Spirit descending upon Him like a dove. Then a voice came from heaven, “You are My beloved Son, in whom I am well pleased.”
Poetry
"Meeting Ourselves"
by Nicholas Vachel Lindsay
We met ourselves as we came back
As we hiked the trail from the north.
Our foot-prints mixed in the rainy path
Coming back and going forth.
The prints of my comrade's hob-nailed shoes
And my tramp shoes mixed in the rain.
We had climbed for days and days to the North
And this was the sum of our gain:
We met ourselves as we came back,
And were happy in mist and rain.
Our old souls and our new souls
Met to salute and explain—
That a day shall be as a thousand years,
And a thousand years as a day.
The powers of a thousand dreaming skies
As we shouted along the trail of surprise
Were gathered in our play:
The purple skies of the South and the North,
The crimson skies of the South and the North,
Of tomorrow and yesterday.
Everybody Called: John Prepares the Highway
Today, everybody gets called to the water; everybody gets called to the ashes. I use that word intentionally here—everybody—because of two realities foundational to our faith: an all-encompassing call to repentance and salvation and the essential importance of the body. Jesus was born, bodily, from Mary; He suffered in His body and fully died; and He was the firstborn of the bodily Resurrection. His call to salvation is therefore offered to all of humanity and meant for the whole of who we are: spirit, soul, and body. It is through baptism and on Ash Wednesday that we enact and remember how we are destined for death and burial, destined for “water and ashes”—yes, all of us, and yes, even our bodies. But in Christ, we are also destined beyond this.
As we make a parallel journey through Lent and Mark’s Gospel, we touch the temporal transcendence of the Good News. Christ’s work is both retroactive and future-facing. Its power reaches back to the first breath of creation and forward to our very own. It is unbound by the “before and after” of our days yet is deeply present with them. The creative offerings for today represent this mystery. The layered lines of Vachel Lindsay’s poem remind us that “Our old souls and our new souls / Met to salute and explain— / That a day shall be as a thousand years,” while our music exclaims the eternal reality: “Here begins the Good News!”
John Patrick Cobb’s art provides a visceral entry into this journey. I was blessed to meet John and experience his immersive Ikon Chapel first-hand in 2021, witnessing how he incorporated the likenesses of friends and strangers into the paintings—elevating neighbors, plumbers, and janitors to symbolize the foundational figures of our faith. He doesn’t depict distant ideals; he paints the "everybody" of our communities, neighborhoods, and streets.
In Baptism by Water, a contemporary John the Baptist figure calls us to the river. This symbolism furthers John’s role in making straight a highway to Christ, a highway that reaches back to the beginning and stretches into the eternal. Cobb appropriately reaches back in time to include Adam and Eve entering the water alongside contemporary figures. As the crowd descends the rocks, the centuries compress into the redemptive now. We find Mark’s same urgency even amidst the sacred work. The figures don't just stand by the shore; they descend en masse, drawn into the water as if by a Divine “immediately.” In board shorts and boxers, the descending figures draw our eyes down into the depths of burial, even as our original selves, Adam and Eve, enter the waters in the distance.
This layering captures the essence of baptism: our death and resurrection in Christ—a story Jesus has given us that is “stronger than death,” as our song today hauntingly expresses. In this layered immediacy, I am reminded of a response Karl Barth powerfully gave when asked when he was saved: “I was saved at 3 o’clock on a Friday afternoon, on a hill outside the city of Jerusalem, in the year 33 A.D.”
And it is the highway Christ made on that hill outside of Jerusalem that leads us to the water and ashes today. We are invited to walk it even as we acknowledge the hard truth that everybody has missed the mark and “all have fallen short of the glory of God.” Yet as we begin our Lenten journey, we also walk in faith and freedom; the highway has been cleared, we are “justified freely by his grace through the redemption that came by Christ Jesus.” So, we are all invited to make our way to Christ, the One in whom our Good News begins, who was formed like us from the dust of the earth, and who has gone into the water with us. Today, everybody gets called to the water; everybody gets called to the ashes.
Prayer
Infinite God, You hold time in your hands. Thank you for meeting me even in the ashes of this broken world, calling for repentance and bringing salvation. During this season of Lent, may I hear Your call in the present and every day, find You in deep waters as I turn my heart to You, and follow on the highway that draws us closer in love.
Steven Homestead
Artist, Composer, Writer, and Curator
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab near the top of the page.
About the Artwork | 1
Baptism by Water
John Patrick Cobb
1999
Egg tempera and gold leaf on panel
36 × 77 in.
Ikon Chapel
Photo by Victoria Emily Jones
Used with kind permission from the artists
About the Artwork | 2
Ikon Chapel Installation
John Patrick Cobb
11x16-ft handmade portable wooden chapel
Photo by Victoria Emily Jones
Used with kind permission from the artists
Austin artist John Patrick Cobb has created renderings of biblical imagery for more than three decades. Cobb’s works are inspired by his travels throughout Europe and the religious paintings he encountered in chapels. He is admired for his meticulous and exacting approach to painting and his use of traditional techniques, using gold leaf and egg tempera, and classic methods that date back to Byzantine iconographers to create paintings of biblical characters and scenes that resemble early Renaissance portraits. This work, entitled The Ikon Chapel, features nineteen paintings installed in an 11x16-ft. handmade, wooden chapel that can be assembled in a gallery space. For more than thirty years, Cobb has worked to create a series of egg tempera and gold leaf paintings to present in a temporary free-standing chapel that can be entered by viewers. The tempera paintings depict his friends, family, and neighbors as saints and prophets in our modern world. “It’s really an American chapel,” Cobb said, describing his use of a variety of modern individuals. According to Cobb, painting people of all races, genders, and ages is an effort to bridge a span that goes back to holy imagery of the Middle Ages.
About the Artist | 1 & 2
John Patrick Cobb (b. 1954) is an American artist currently residing in Texas. Cobb studied at the Rhode Island School of Design before spending an extended period of time traveling on a Vespa through Europe. He eventually returned to Austin, Texas, and earned his B.F.A. degree from St. Edward’s University. In 1983, at twenty-nine years of age, Cobb finished a painting of a priest he had started while attending St. Edward's University. He was in what he called "a dark place." However, the priest helped him emerge from his depression and rediscover his faith. When Cobb was commissioned to paint a mural covering the interior of Chapel on the Dunes, in Port Aransas, Texas, he was so inspired by that experience that he decided to create a second chapel, one that would house a series of paintings expressing faith-related experiences. The Chapel Ikon series of paintings features people from his Austin community and reflects the sacred and divine in ordinary and everyday life.
About the Photographer | 1 & 2
Victoria Emily Jones blogs at ArtandTheology.org, exploring ways in which the arts can stimulate renewed engagement with the Bible, support the church’s observance of the liturgical year, and function as a mode of theology. She is an artistic director of the Eliot Society, an Annapolis-based nonprofit that seeks to foster spiritual formation through the arts, and her writings appear in ArtWay, the Visual Commentary on Scripture, and the Encyclopedia of the Bible and Its Reception.
About the Music
“Here Begins The Good News” from the album The Song of Mark
There are stories that cannot be silenced.
There are stories that are stronger than death.
There are stories that can raise us from our fears.
Here begins the Good News,
Here begins the victory song.
Here begins the Good News of Jesus Christ. (repeat 2x)
“Prepare the way,” Isaiah cried.
(The Good News is coming.)
“Make God a path that’s straight and wide!”
(The reign of God is near.)
“Prepare the way of the Lord,”
“Make a straight path for our God to ride.”
When John was in the wilderness,
(The Good News is coming.)
He called the people to confess.
(The reign of God is near.)
Repent and be baptized,
And you shall see the reign of God.
When John was by the riverside,
(The Good News is coming.)
Then Jesus came to be baptized.
(The reign of God is near.)
Here begins the Good News,
Here begins the (Good News) victory song.
Here begins the (victory song) Good News of Jesus Christ.
Here begins the victory song.
Here begins the Good News.
Here begins the victory song.
Here begins the Good News of Jesus Christ.
“Prepare the way of the Lord,”
(Here begins the victory song.)
“Make a straight path for our God.”
(Here begins the Good News of Jesus Christ.)
Here begins the Good News of Jesus Christ.
About the Composer
Marty Haugen (b. 1950) is liturgical music composer and workshop presenter. His first job was as a worship leader in a Catholic parish in Minnesota in 1973. He began composing there in response to the poor quality of some of the music he was required to lead. Haugen holds a B.A. degree in psychology from Luther College and an M.A. degree in pastoral studies from the University of St. Thomas in St. Paul, Minnesota. His works include two settings of the liturgy for Lutheran use, "Holden Evening Prayer" and "Now the Feast and Celebration,” and settings of the Catholic Mass, including the Mass of Creation. Haugen has also composed other works, including liturgical settings, choral arrangements, sacred songs, and hymns, including "Gather Us In," "Eye Has Not Seen," "We Are Many Parts,” and "Shepherd Me, O God," as well as psalm settings and paraphrases. Haugen is a performing musician, and has recorded a number of CDs.
About the Performers
The Marty Haugen Singers refers to the collective vocal performances of liturgical composer Marty Haugen and his collaborators, as there isn't a formally named group with that exact title. Instead, Marty Haugen's own recordings and musical works feature him and the musicians with whom he works.
About the Poetry and Poet
Nicholas Vachel Lindsay (1879–1931) was an American poet. He is considered a founder of modern singing poetry, as he referred to it, in which verses are meant to be sung or chanted. Part of the success and great fame that Lindsay achieved—albeit briefly—was due to the singular manner in which he presented his poetry––"fundamentally as a performance, as an aural and temporal experience...meant...to be chanted, whispered, belted out, sung, amplified by gesticulation and movement, and punctuated by shouts and whoops."
About the Devotion Writer
Steven Homestead is an artist and writer with a passion for the Arts and the Church. For more than a decade, he has served as a leader for various arts ministries in Southern California, including Saddleback, Mariners, and Shepherd Heart Ministry Consulting. He is the co-founder of the Network of Christians in the Visual Arts and recently launched the Kaleidoscope Creative Nexus. In all his work, Steven seeks to promote honor, champion voice, share wonder, and develop unity. Discover more at stevenhomestead.com.

