March 15: The Lord's Tender Mercies
♫ Music:
Day 14 - Tuesday, March 15
Title: THE LORD’S TENDER MERCIES
Scripture: Psalms 103
Bless the Lord, O my soul;
And all that is within me, bless His holy name!
Bless the Lord, O my soul,
And forget not all His benefits:
Who forgives all your iniquities,
Who heals all your diseases,
Who redeems your life from destruction,
Who crowns you with lovingkindness and tender mercies,
Who satisfies your mouth with good things,
So that your youth is renewed like the eagle’s.
The Lord executes righteousness
And justice for all who are oppressed.
He made known His ways to Moses,
His acts to the children of Israel.
The Lord is merciful and gracious,
Slow to anger, and abounding in mercy.
He will not always strive with us,
Nor will He keep His anger forever.
He has not dealt with us according to our sins,
Nor punished us according to our iniquities.
For as the heavens are high above the earth,
So great is His mercy toward those who fear Him;
As far as the east is from the west,
So far has He removed our transgressions from us.
As a father pities his children,
So the Lord pities those who fear Him.
For He knows our frame;
He remembers that we are dust.
As for man, his days are like grass;
As a flower of the field, so he flourishes.
For the wind passes over it, and it is gone,
And its place remembers it no more.
But the mercy of the Lord is from everlasting to everlasting
On those who fear Him,
And His righteousness to children’s children,
To such as keep His covenant,
And to those who remember His commandments to do them.
The Lord has established His throne in heaven,
And His kingdom rules over all.
Bless the Lord, you His angels,
Who excel in strength, who do His word,
Heeding the voice of His word.
Bless the Lord, all you His hosts,
You ministers of His, who do His pleasure.
Bless the Lord, all His works,
In all places of His dominion.
Bless the Lord, O my soul!
Poetry:
Lord, Hear My Prayer
by John Clare
Lord, hear my prayer when trouble glooms,
Let sorrow find a way,
And when the day of trouble comes,
Turn not thy face away:
My bones like hearthstones burn away,
My life like vapoury smoke decays.
My heart is smitten like the grass,
That withered lies and dead,
And I, so lost to what I was,
Forget to eat my bread.
My voice is groaning all the day,
My bones prick through this skin of clay.
The wilderness’s pelican,
The desert’s lonely owl—
I am their like, a desert man
In ways as lone and foul.
As sparrows on the cottage top
I wait till I with fainting drop.
I hear my enemies reproach,
All silently I mourn;
They on my private peace encroach,
Against me they are sworn.
Ashes as bred my trouble shares,
And mix my food with weeping cares.
Yet not for them is sorrow’s toil,
I fear no mortal’s frowns—
But thou hast held me up awhile
And thou has cast me down.
My days like shadows waste from view,
I mourn like withered grass in dew.
But thou, Lord, shalt endure for ever,
All generations through;
Thou shalt to Zion be the giver
Of joy and mercy too.
Her very stones are in thy trust,
Thy servants reverence her dust.
Heathens shall hear and fear thy name,
All kings of earth thy glory know
When thou shalt build up Zion’s fame
And live in glory there below.
He’ll not despise their prayers, though mute,
But still regard the destitute.
FORGET NOT ALL HIS BENEFITS: A REMINDER IN DARK TIMES
He sat at the head of an oval table that had clear plastic over its lace tablecloth. Leaning back in his chair, my grandfather led a Bible study and a Russian lesson for me and my brothers each Saturday afternoon. He was a small man, balding, with a tiny mustache. Yet to us, he was large —a man with strong hands and a strong back who could fix anything. He would patiently turn each spoke on our bicycle wheels so they spun straight. With my grandmother, my Dad, and his sister he had come to the United States, via Chicago, in the late 1940s as a refugee from Ukraine. His blue eyes behind glasses were courageous yet careful—skeptical of popular culture in this adopted land. The world was not safe. He had experienced that under occupation of Nazi forces in his village, and again as he and his family fled Stalinist Russia. He had an unexplained scar on one muscular arm.
My grandfather required Scripture memorization of us at that table on Saturdays. Later in the evening he taught us to pray too, kneeling with Grandma on the spotless linoleum facing the pads on butter-colored kitchen chairs. “Bless the Lord, O my soul,” he would say to us across that table, and get us to say it back. At points in the passage his cadence would slow and his voice would get soft with passion. “Slow to anger, and abounding in mercy,” he would say. And it was like he was speaking to himself. Anger was part of our upbringing. Immigrant life is hard with many unknowns—from the past, from new realities, with so much incongruity. We feared the wrath of my grandfather and my Dad. Yet as quickly as their anger flared, it would be gone. We knew we were loved. And we had the sense that there was mercy from them—and, by extension, from God.
Children rarely understand death or the limits of life. So when Grandpa lingered over “his days are like grass; as a flower of the field so he flourishes” and “the wind passes over it and it is gone” we had no real idea of what it meant. He did.
Grandpa went to be with the Lord first. A few years later, on the week of my grandmother’s funeral, the family cleaned out their house (we got to pick what we’d keep). It was soon sold. And the place where we’d learned to eat borscht and varenikes and pierogies belonged to someone else—someone with no grasp of the struggle behind those brown-brick walls.
Ah, “but the mercy of the Lord is from everlasting to everlasting,” Grandpa had us memorize. As if knowing we’d need those words someday, he drilled them into us. Artwork for today’s devotional, “all flesh is grass,” speaks with subtle hues of temporality; the music of “Bless the Lord” raises our eyes; and Clare’s poem assures us: God hears heart cries in bleak places.
Prayer:
O God, you know our frame. You are mindful of our fragility. We are but dust. Forgive us for living as if all that is around us had permanence. So soon, all of it—and we—will be gone. Yet you remain. Your mercy, everlasting, is our hope and the rock to which we cling. Thank you for the promises of your Word to us, and even more for your love that swept us up out of the mire and wiped us clean with your blood. We are yours. And we claim the promise that as we live our lives in reverence of you, in obedience, that you will do good—that you will be good—to our children, and their children, and children after them. May our legacy be one grounded in your timeless salvation and righteousness.
All this we pray in Jesus, name,
Amen.
Dr. Michael A. Longinow
Chair, Department of Digital Journalism & Media
School of Fine Arts & Communication
Biola University
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Artwork:
All Flesh Is Grass
Grace Carol Bomer
2021
Oil and wax and gold on panel
16 x 20 in.
Private Collection
Artist Grace Carol Bomer's inspiration for All Flesh Is Grass comes from Isaiah 40:8, which describes humankind as the grass that flourishes only for a short time: “The grass withers and the flowers fall, but the word of our God endures forever.” It is a reminder that we are temporary, that we live inside of the construct of time. The good news is that the Timeless One—God—is eternal and outside of time itself and the eternal Word of God, who created time, became flesh (grass) to die as we die, but also came “to destroy death and the one who has the power of death, that is the devil” (Hebrews 2:14–15).
About the Artist:
Grace Carol Bomer was born in Alberta, Canada, and pursued a career in teaching before she became a professional painter. She moved to North Carolina to study art at the University of North Carolina at Asheville, and then established her Soli Deo Gloria Studio there. As an abstract expressionist characterized by sumptuous color, textures, and palpable light, Bomer seeks to explore themes that center around “the human condition surprised by the grace of God.” She is the recipient of numerous awards and recognitions for her art. Her work has been featured in numerous solo and juried exhibitions, and is held in many public, private, and corporate collections including Wachovia Bank, Westinghouse, Holiday Inns, Inc., and Cessna Corp.
www.gracecarolbomer.com
About the Music:
“103 (Bless The Lord)” from the album Horizon
Lyrics;
Bless the Lord, oh my soul
And all that’s in me, bless His holy name
Bless the Lord, oh my soul
And forget not all His benefits
And forget not all His benefits
(2x)
Who redeems
Who restores
Who renews your youth like the eagle soars
Who forgives every sin,
Who is raising us to new life again
Oh my soul will,
Oh my soul will bless the Lord.
High as the heavens are above the earth
So great His steadfast love
Toward those who fear him
Bless the Lord
Bless the Lord, oh my soul
Fas as the east is from the west
So far does He remove our trespasses from us
Bless the Lord
Bless the Lord, oh my soul
About the Performers:
The Prestonwood Choir and Orchestra
Prestonwood Baptist Church is a Southern Baptist multisite megachurch, with locations in Plano, Texas, and Prosper, Texas. It is one of the largest churches in America.
https://en.wikipedia.org/wiki/Prestonwood_Baptist_Church
https://prestonwood.org/
About the Composer:
Michael Neale (b. 1972) is a Dove award–winning songwriter, national best-selling author and veteran worship leader and speaker. Michael is influencing a generation of worshipers and creators in the local church. His mission is helping people experience God through songs and stories. His songs have been recorded by artists such as Michael W. Smith, Natalie Grant, Rebecca St. James, Kutless, Anthony Evans, Phillips, Craig & Dean, and Shane & Shane, just to name a few. He is author of the bestseller The River, its sequel Into the Canyon, and the devotional Your Great Name, based on his song by the same title. Neale serves as the lead worship pastor of Prestonwood Church in Plano, Texas, while leading and speaking at conferences around the country.
https://michaelneale.com/#about
About the Poet:
John Clare (1793–1864) was an English poet. The son of a farm laborer, he became known for his poetic celebrations of the English countryside and sorrows at its disruption and loss. Clare grew up in a time of massive changes in small towns and the countryside as the Industrial Revolution swept across Europe. Many agricultural workers moved from the country to crowded cities, as factory work and the promise of wages beckoned. This period of time saw rural pastures plowed up, trees and hedges uprooted, wetlands drained and commons enclosed. His early work expresses delight in nature and the cycle of the rural year. Poems such as "Winter Evening," "Haymaking," and "Wood Pictures in Summer" mark the beauty of the world and the certainties of rural life. At this time he often used poetic forms such as the sonnet and the rhyming couplet. His later poetry tends to be more meditative and uses forms similar to the folk songs and ballads of his youth. His work underwent major re-evaluation in the late twentieth century and he is now often seen as a major nineteenth-century poet. His biographer Jonathan Bate called Clare "the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self."
https://en.wikipedia.org/wiki/John_Clare
About the Devotion Author:
Dr. Michael A. Longinow
Chair, Department of Digital Journalism and Media
Adviser, Print Journalism; Adviser, The Chimes
Co-Adviser, Media Narrative Projects
Department of Digital Journalism and Media
School of Fine Arts and Communication
Biola University
Michael Longinow is the chair of the department of digital journalism and media and the advisor of Biola’s student newspaper, The Chimes. Longinow attended Wheaton College, earning a B.A. in political science, and completed a Ph.D. at the University of Kentucky. He has not only been an educator but has also worked as a freelance reporter for the Chicago Tribune and Chicago Sun-Times. He was a founding adviser member of the Association of Christian Collegiate Media (ACCM) and now serves as its national executive director. Longinow is a frequent workshop presenter and panelist at national conventions and has written chapters for five books dealing with journalism, history, media, religion, and the popular culture of American evangelicalism. Longinow lives in Riverside, California, with his wife, Robin, and their three children, Ben, Matt, and Sarah.