March 9: The First Word: “Father, Forgive Them”
♫ Music:
Week Two Introduction
Title: The 1st Word: “Father, Forgive Them”
March 9 - March 15
The Dutch holocaust survivor and author of The Hiding Place, Corrie ten Boom, told a powerful personal story of forgiveness. Her sister and elderly father had died in Ravensbrück concentration camp at the savage hands of heartless Nazi butchers. After the war she returned to Germany bringing Christ’s message of forgiveness to the beleaguered people there, as these German citizens struggled to return to some sense of normalcy. At the conclusion of one of her talks, a man she immediately recognized as her former prison guard came forward and extended his hand as he earnestly asked for her forgiveness. Ten Boom said taking his hand and actually forgiving him was the hardest thing she ever did. But as a result of her faltering grace, Corrie experienced the most intense love she had ever known.
Therapists, ministers, and social workers all encourage the victims they council to forgive those who have hurt them if they themselves want to be made whole. The majority of the world’s religions teach some form of forgiveness. Yet Christ’s teachings on forgiveness are more radical and extreme. Dr. Preston Sprinkle writes, “Jesus’s command to ‘love your enemies’ was the most popular verse in the early church. And enemy-love was the hallmark of the Christian faith. Other religions taught that people should love their neighbors. They even taught forgiveness for those who wronged them. But actually loving your enemy? Only Jesus and his followers took love this far.” Christ’s extraordinary first word from the cross was a prayer to God the Father asking forgiveness to those who had sinned against him.
Outrageous love is at the very center of all true forgiveness and it comes from God. In fact, the unfathomable love of God thrives on forgiveness. Creating humans with free will and then watching them fall into sin required a perfect sacrifice which Christ fulfilled through His unique death on the cross. Hebrews 9:22 reads, “Without the shedding of blood there is no forgiveness of sins.” All of us are Christ's crucifiers desperately needing to be washed in His cleansing blood. When He prayed, “Father, forgive them for they know not what they do” Christ was praying for you and me as well as those who unwittingly condemned and crucified the King of Glory. And now, for Christians who immerse themselves in his continual forgiveness, “Father forgive them” becomes a way of life that consistently repays evil with good.
Day 5 - Sunday, March 9
Title: Divine Generosity: Father Forgive Them
Scripture #1: Luke 23:32–34 (NKJV)
There were also two others, criminals, led with Him to be put to death. And when they had come to the place called Calvary, there they crucified Him, and the criminals, one on the right hand and the other on the left. Then Jesus said, “Father, forgive them, for they do not know what they do.”
Scripture #2: Isaiah 53:12 (NKJV)
Therefore I will divide Him a portion with the great, and He shall divide the spoil with the strong, because He poured out His soul unto death, and He was numbered with the transgressors, and He bore the sin of many, and made intercession for the transgressors.
Poetry & Poet:
from “The Synthetic a Priori”
by Kathleen Graber
Yesterday I spoke to a friend who is despairing: back home,
waiting tables, he’s dating a woman whose marriage has only
just come to an end. When he wakes, he discovers he does not
recognize himself. One afternoon, walking home from school,
I hit my best friend in the face with a book. It may well be
that she hit me. Thin pages flew out into the street. More punches
were thrown & I came away bruised. In that book, a novel
by Emily Brontë, the land is violent & unjust & we are violent
& unjust upon it. Even worse, our greatest passions
change nothing at all. Before one of us hit the other,
there must have been a cause, but I can’t recall it, which makes it
seem nonlinear now, &, thus, apocryphal, both impossible
& impossibly real. I failed, though I tried, to offer comfort.
It’s not that our lives don’t resemble our lives. I’ve been alone
so often lately I sometimes catch myself watching myself—
breathing in the fresh spears of rosemary or admiring the shallots,
peeling their translucent wrappers away, centering one on the board,
making the first careful cut, lifting the purple halves.
Before stories, we were too busy for stories, too busy
hunting & suffering to invent the tales of our own
resurrections. Caught out in the kitchen’s brightness last night,
the handle of the skillet cast its simple, perfected form
across the stove—pierced, like the eye of the needle, so that
it can be hung from a hook, as pans, presumably, have always been.
Outside the wind picked up. Thunder. The dog trotted off,
hid her head beneath the chair. But today: a charity sale
at Trinity Chapel & sun on the tar of the buckled walks.
In the cracks, beads of water spin into light. Tell yourself
it’s simple: this is where it’s been heading all along. Tell yourself
something you have no faith in has already begun to occur.
DIVINE GENEROSITY: FATHER FORGIVE THEM
Andrew Peterson’s song, “Tenebrae,” is named after a service that many churches hold on Good Friday, in which the final words of Christ are read sentence by sentence, and the lights in the sanctuary are slowly turned off until the congregation leaves in silence and darkness. It’s not a service I grew up with, but as an adult I find it to be one of the richest moments of the church year.
When you leave a Tenebrae service, the world seems irredeemable. You’ve just witnessed the death of your maker. You feel the absolute injustice of it and your complicity in it, everything seems hopeless and gray. As Kathleen Graber describes in her poem, “the land is violent & unjust & we are violent/& unjust upon it”. You feel what it might have felt like to be a disciple, aware that you had abandoned your Lord and that he is gone now. The light that had illuminated the world and your heart had been replaced by darkness.
Some may ask why it’s necessary or even helpful to stop at Good Friday and live, for a few days, as though Christ’s death had not been swallowed in victory. I think it’s important, first, because it helps me to feel the weight of Christ’s death, something that’s easy to lose in the busyness and the long habit of celebrating Easter year after year. It counteracts the kind of doublethink that has me stopping at the drug store on Good Friday to pick up the last few chocolate eggs to lay out on Easter morning.
I also think it’s necessary because some part of me is always trying not to think about the fact that sin, my sin, meant the light of the world had to be extinguished. I think this has gotten harder in recent years because as a culture we are becoming less sure that forgiveness is necessary or even good. There are some understandable reasons to think this way. We are concerned about the way that forgiveness has been used to let the guilty off or has minimized the suffering of victims. We’ve become less willing to turn a blind eye to abuse the way we have in the past.
In many ways this change has been a good thing, but it comes with costs. If we believe that holding someone accountable means leaving no recourse for reconciliation, it can cut us off from the logic of the gospel. It can also leave us living in fear, lest our own sins are discovered. The core message of the gospel is that we are all unrighteous. We all need a path back into grace, and the only possible path is through the forgiveness of the very one we have offended. It’s only in acknowledging this that we can receive the full reality of Christ’s work for us, that we can come out of hiding and accept the terrible mercy that we need.
Prayer:
Father, forgive us, for we know not what we do. We try so hard to be righteous, and we are so afraid to be found out in our sin. Thank you for sending the Light to expose us in our sin, thank you that in his willing submission to death he made forgiveness possible for even us. Please give us the freedom to accept it.
Amen.
Dr. Janelle Aijian
Associate Director of Torrey Honors College
Associate Professor of Philosophy
Torrey Honors College
Biola University
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Art:
Father, Forgive Them!
Wayne Forte
2013
30 x 36 in.
Charcoal and acrylic on rag paper
Private Collection
As He hung dying on the cross, an anguished Jesus prayed to the Father for His tormentors, including the Roman soldiers who had mocked and beat him, and the angry mob that had called for His crucifixion. “Father, forgive them” is a prayer of unmatched mercy, forgiveness, and love.
About the Artist:
Wayne Forte (b. 1950) was born in Manila, Philippines, and studied at the University of California at Santa Barbara and Irvine (B.A. 1973; M.F.A. 1976). Wayne has taught courses at Biola University and Gordon College, Orvieto Campus, Italy. Wayne was educated to paint in the self-referential modernist tradition but longed for that passion of an earlier age, a passion for the spiritual and the transcendent found in the biblical narrative paintings of artists Gruenwald, Rubens, Rembrandt, and Caravaggio. His goal is to create paintings with powerful messages about faith that can resonate with contemporary viewers. A conversion experience on the island of Hawaii led Forte to look at art once again in sacred terms, this time as a tool for evangelizing the world. Forte saw his true calling was to bring art back into the church after centuries of neglect and sometimes open distrust of religious imagery. After nearly four decades of what he terms “persistence and humility,” he remains true to his mission.
http://sacredartpilgrim.com/collection/view/122
https://wayneforte.com/
About the Music: “Last Words (Tenebrae)” from the album Resurrection Letters: Prologue
Lyrics:
Father, forgive them,
For they know not what they do.
Forgive them, they know not what they do.
Today you will be with me in Paradise.
You will be with me today.
Behold your son, behold your mother, behold your son.
My God, my God why have you forsaken me?
Why have you forsaken me?
I thirst, I thirst
It is finished, it is finished
Father, into your hands, into your hands,
I commit my spirit.
About the Composers/Performers: Andrew Peterson and Ben Shive
Andrew Peterson (b. 1974) is an American Christian author and musician who plays folk, rock, and country gospel music. Peterson is a founding member of the Square Peg Alliance, a group of Christian songwriters. He has toured with Caedmon's Call, Fernando Ortega, Michael Card, Sara Groves, Ben Shive, and other members of the Square Peg Alliance. Peterson is the author of The Wingfeather Saga series of children’s and young adult fantasy novels. The four-part series is currently being adapted into an animated TV show. Andrew’s second nonfiction book, The God of the Garden: Thoughts on Creation, Culture, and the Kingdom, followed his memoir, Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making. In 2008, driven by a desire to cultivate a strong Christian arts community, Andrew founded a ministry called the Rabbit Room, which has led to a yearly conference, countless concerts and symposiums, and the Rabbit Room Press, which has published over thirty books to date.
https://www.andrew-peterson.com/
https://en.wikipedia.org/wiki/Andrew_Peterson_(musician)
https://www.rabbitroom.com/
Benjamin Aaron Shive (b. 1979) is an American Christian musician, keyboardist, arranger, and music producer, who mainly plays acoustic Christian pop and folk rock music. He has released two studio albums, The Ill-Tempered Klavier (2008) and The Cymbal Crashing Clouds (2011). He is a GMA Dove Award–winning music producer, for his production on Christmas Is Here by singer-songwriter Brandon Heath. Talking about his musical journey, he is quoted as saying, “When I was sixteen, I sat at my dad’s PC and listened to Rich Mullins’ A Liturgy, A Legacy, and A Ragamuffin Band for the first time. When he sang “And the Holy King of Israel loves me here in America,” something changed in me. Rich’s songs opened windows that looked out over the vast landscape of the gospel. He made a case for the beauty of God and it won me over. I make music to serve the person who needs to know that the Holy King of Israel loves them wherever they are. That’s everybody.”
https://en.wikipedia.org/wiki/Ben_Shive
http://www.benshive.com/about
About the Poetry and Poet:
Kathleen Graber (b. 1959) in an American poet. She earned a B.A. and an M.F.A. at New York University. Graber’s poems engage themes of grief, yearning, and the intersection of mental and geographical landscapes. In a 2007 interview, Graber stated, “I do believe poetry changes the world: it changes the world by changing the way we think about the world.” Graber is the author of The Eternal City (2010), which was chosen as a finalist for the National Book Award. Graber’s honors include a Rona Jaffe Writers Award, an Artist Fellowship from the New Jersey State Council on the Arts, and a Hodder Fellowship in Creative Writing at Princeton University. She has taught at New York University and Virginia Commonwealth University.
https://www.poetryfoundation.org/poets/kathleen-graber
About the Devotion Writer:
Dr. Janelle Aijian
Associate Director of Torrey Honors College
Associate Professor of Philosophy
Torrey Honors College
Biola University
Janelle Aijian is an associate professor of philosophy teaching in the Torrey Honors College at Biola University. She studies religious epistemology and early Christian ethics, and lives with her husband and their two children in La Mirada, California.