March 22
:
God Is Not Willing That Any Should Perish!

♫ Music:

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Day 18 - Saturday, March 22
Title: God Is Not Willing That Any Should Perish!
Scripture #1: 2 Peter 3:9 (NKJV)
The Lord is not slack concerning His promise, as some count slackness, but is longsuffering toward us, not willing that any should perish but that all should come to repentance.
Scripture #2: 1 Timothy 2:3–6 (NKJV)
For this is good and acceptable in the sight of God our Savior, who desires all men to be saved and to come to the knowledge of the truth. For there is one God and one Mediator between God and men, the Man Christ Jesus, who gave Himself a ransom for all.
Scripture #3: Isaiah 45:22 (NKJV)
“Look to Me, and be saved, all you ends of the earth! For I am God, and there is no other.”

Poetry & Poet:
The Grammar of Affection”
by Jay Parini

Without syntax there is no immortality,
says my friend,
who has counted beads along a string
and understood that time is
water in a brook
or words in passage,
caravans amid the whitest dunes,
a team of horses in the mountain trace.

There is always movement, muttering,
in flight to wisdom,
which cannot be fixed. The kingdom
comes but gradually,
breaking word by wing or day by dream.

We proceed on insufficient knowledge,
trusting in what comes, in what comes down
in winding corridors,
in clamorous big rooms,
above a gorge on windy cliffs.

In places where discovered sounds make sense,
where subjects run through verbs
to matter in the end, a natural completion
in the holy object of affections
as our sentence circles round again:

This grammar holds us, makes us shine.

WHEN GOD PURSUES WANDERERS

To be truly lost is horrific. It brings dread that can paralyze, freezing our minds in frantic terror. Whether in dark woods at night, or on a snowy remote road with a failed GPS, we can feel helpless. We are the sheep in the painting by Alfred Usher Soord. We look up from a perilous place and see the strong arm of the shepherd—like our Savior—reaching. He came. We didn’t deserve His pursuit. We knew not to stray, yet we did. And now we’re desperate, vulnerable. And there is a divine syntax to all of this. The sentences circle around in “a grammar that holds us,” says poet Jay Parini­­––words enfolded in action.

In the painting, we can’t see the shepherd’s face. No matter. The sheep can; there’s a quiet recognition in the animal’s look. Body language of this seasoned keeper of sheep is telling. The wide sweep of his right arm is calculated—ready to grip the scruff of that soft woolly neck. The shepherd’s left arm clings to a piece of boulder, and the long staff—normally used to pull sheep to safety—looks like an afterthought. This isn’t about tools. It’s about care, about knowledge of sheep, about shrewd insight into dangerous places and the ways of predators (note the birds of prey approaching).

This shepherd is not willing for this sheep to perish. The painting is based on Jesus’ parable about sheep recounted by the apostle Matthew (18:12-14). It’s interesting that the context of the parable was less about sheep and more about caring for the faith of children. Just as the shepherd left a safe flock to go out after a stray, “In the same way your Father in heaven is not willing that any of these little ones should perish,” Jesus says (18:14).

Peter, who wrote the words in one of our Scriptures today (2 Pet. 3:9) knew about wandering, about the agony of doubt in the face of fear. Peter had, in one of his earliest encounters with the Savior, told Jesus to go away. “I am a sinful man,” he cried out to Jesus (Luke 5:8). But Jesus didn’t go away. He knew Peter’s heart. The exclamation was one of brokenness at the prospect of sitting in a boat with The Messiah. Isaiah felt the same way. “I am ruined!” he said upon seeing God’s glory. “I am a man of unclean lips” (Isa. 6:5).

Everyone knows God is out there, somewhere. Romans 1:19 tells us that what is “known about God is evident” among us all. C.S. Lewis, in The Problem of Pain says it’s the Numinous—that inner feeling that He is there. That real presence could be fearful to some, a dread. The sheep on that cliff had no idea the shepherd was coming. When he saw a shape up above, perhaps he was afraid momentarily. But the quiet tones of “God so loved the world” in our music today underscores the moment. An embrace is coming.

Prayer:
O God, sometimes I’m so far from you that I can’t find my way back. It’s dark, cold. The voice of the accuser is harsh, screaming in my ears. I feel helpless but whisper a prayer. And I hear your soft but firm footsteps. You come to me with a reminder that you never left. You were closer than my very breath. And when I cried to you, you not only heard but your arms encircled me. Thank you, my Savior, my Shepherd. Thank you for pursuing me. And open my eyes to the lost ones all around me who need someone to go find them as you did me, in rocky unseen places.
Amen

Dr. Michael A. Longinow
Chair, Department of Digital Journalism and Media
Adviser, Print Journalism; Adviser, The Chimes
Co-Adviser, Media Narrative Projects
Department of Digital Journalism and Media
School of Fine Arts and Communication
Biola University

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.



About the Art:
The Parable of the Lost Sheep
Alfred Usher Soord
1900
Oil on canvas
275 x 182 cm

The Parable of the Lost Sheep by artist Alfred Soord depicts a sheep stranded halfway down a steep cliff as a shepherd hangs perilously over the edge and, risking his own life, tries to save it. The parable of the lost sheep demonstrates that God's love is unconditional and that each and every person is important to Him, even those who are marginalized or have strayed from God's path. The painting also features a soaring eagle, which throughout Scripture represent God’s handiwork, sovereignty, and power. The most familiar biblical reference to eagles is: “But they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint” (Isaiah 40:31, KJV).

About the Artist:

Alfred Usher Soord (1868–1915) was a British painter primarily known for his painting The Parable of the Lost Sheep. For several years Soord studied part-time at the York School of Art and afterwards at the Herkomer School of Painting at Bushey. Soord’s most famous picture, The Lost Sheep, was exhibited in 1898 in the Royal Academy. By 1916, over three hundred thousand reproductions of it had been sold in England and America; the work continues to be extremely popular more than a century after its creation. Soord also worked as a magazine illustrator.
https://transformationsandwhispers.blogspot.com/2012/02/alfred-usher-soord-lost-sheep.html

About the Music: “God So Loved the World” from the album Eternity

Lyrics:
God so loved the world.
God so loved the world,
That He gave His only begotten Son,
That whoso believeth, believeth in Him,
Should not perish, should not perish,
But have everlasting life.

For God sent not His Son into the world,
To condemn the world.
God sent not His Son into the world,
To condemn the world;
But that the world through Him might be saved.

God so loved the world.
God so loved the world,
That He gave His only begotten Son,
That whoso believeth, believeth in Him,
Should not perish, should not perish,
But have everlasting life.

Everlasting life, everlasting, everlasting life.
God so loved the world.
God so loved the world.
God so loved the world.

About the Composer:
John Stainer (1840–1901) was an English composer and organist whose music was very popular during his lifetime. His work as a choir trainer and organist set standards for Anglican church music that are still influential. He served many years as the organist at Magdalen College, Oxford, and subsequently as the organist at St. Paul's Cathedral in London. He was also active as an academic, holding the position of professor of music at Oxford University.
https://en.wikipedia.org/wiki/John_Stainer
https://www.hymnologyarchive.com/john-stainer

About the Performers:

The National Lutheran Choir, founded in 1986 by Dr. Larry Fleming and currently under the direction of Dr. David Cherwien, seeks to strengthen, renew, and preserve the heritage of sacred choral music through the highest standards of performance. The choir performs music from the entire spectrum of sacred choral music—with and without instrumental accompaniment. The ensemble presents a wide range of choral works in concert and worship settings; leads workshops in choral techniques, hymnody, and liturgy; commissions and publishes new compositions; and broadcasts and records extensively.
http://www.nlca.com/

About the Poetry and Poet:
Jay Parini (b. 1948) is an American writer and academic. He is known for novels, poetry, biography, screenplays, and criticism. He has published novels about Leo Tolstoy, Walter Benjamin, Paul the apostle, and Herman Melville.
https://en.wikipedia.org/wiki/Jay_Parini

About the Devotion Writer:
Dr. Michael A. Longinow
Chair, Department of Digital Journalism and Media
Adviser, Print Journalism; Adviser, The Chimes
Co-Adviser, Media Narrative Projects
Department of Digital Journalism and Media
School of Fine Arts and Communication
Biola University

Michael A. Longinow grew up in a liturgical church where he learned to sing “Come to my heart, Lord Jesus, there is room in my heart for Thee” in Sunday School. Prior to entering academia at Asbury University, Longinow was a reporter and writer for daily newspapers in metro Chicago and metro Atlanta. He teaches the skills, theory, history, and ethics of investigative journalism in the Communications Division of the School of Fine Arts & Communication. He lives in Yorba Linda, and he and his wife Robin look for creative ways to sneak off and see their grandchildren in far-flung cities around the Southwest.


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