February 17: Faithful to the End
♫ Music:
Day 4 - Saturday, February 17
Title: FAITHFUL TO THE END
Scripture #1: Acts 20:24 (NKJV)
But none of these things move me; nor do I count my life dear to myself, so that I may finish my race with joy, and the ministry which I received from the Lord Jesus, to testify to the gospel of the grace of God.
Scripture #2: 2 Timothy 4:6–8 (NKJV)
For I am already being poured out as a drink offering, and the time of my departure is at hand. I have fought the good fight, I have finished the race, I have kept the faith. Finally, there is laid up for me the crown of righteousness, which the Lord, the righteous Judge, will give to me on that Day, and not to me only but also to all who have loved His appearing.
Poetry & Poet:
“The Runners”
by Irving Feldman
Here or there hundreds of them, phantom-like,
bobbing in place at street corners, then
lifting their knees suddenly and leaping
into the densest, loudest traffic
(of briefest trajectories, of shortest views),
in transit yet at ease, breathing, loping,
like bearers of distance and pure directions,
darting half naked out of nowhere and
where, where in the world are they running to?
swift and solitary, silent beings
who, should you now step into the path,
have dodged away, or, if you raise a hand
to stay them or speak, immediately
are gone: who are these runners who create
in their gliding such fine, singular spaces
among the street’s vociferous jargons?
—as if each one were a still, wordless message
or question one would answer if one could grasp it,
this one, that one, sliding past, going away,
while you stand there, your hand raised to no purpose,
your hidden heart rejoicing that the quick heel
won’t soon, won’t ever, be overtaken,
although you, as you have longed to, suddenly
disburden yourself and follow follow.
FAITHFUL TO THE END
Paul, no doubt refusing to take part in Rome’s social and civic life, the cornerstone of which was making offerings to the emperor and pagan gods, likely fell prey to Nero’s rounding up of Rome’s Christians. After being held in the Mamertine Prison, previously known as the Tullianum dungeon––a notorious place of “neglect, darkness and stench” according to the Roman historian Sallust––Paul was duly convicted and sentenced to death. As a Roman citizen, Paul was afforded the mercy of beheading by the sword as opposed to the fate his fellow Apostle Peter embraced––that of crucifixion. Mattia Preti’s The Martyrdom of Saint Paul sets the scene for us with almost cinematic-like monumentality and kinetic energy.
The artist has seated us in a viewing gallery so as not to miss even the slightest twitch of muscle, texture of flesh or fleeting glance. We are as if frozen in time moments before the pinnacle of the action unfolds. A fleshy golden statue of Nero in the guise of Hercules towers above the scene, pressing and making present his right to oversee this lowly Christian’s demise.
Paul, at the bottom of the canvas, serves as the composition’s center point. His aged flesh radiates with a silverfish-green pallor, demarking his advanced years of ascetical struggle in the faith that he helped to establish far and wide. With hands bound behind his back, stripped to the waist, and enrobed in white and deep crimson, the divine light of grace illuminates the Apostle’s face––the same light that toppled him from his horse on the Road to Damascus so many years before. The Apostle fixates on the open Scriptures before him, as a supernatural gust of wind gently stirs to turn the page. We have been denied access to Paul’s fiery eyes. The deep shadow of his brow beckons us to contemplate the surety of his hope.
Preti bids us to bear witness to Saint Paul as he enters into his agonia––the Greek term used aplenty in the Gospel and Paul’s own epistles that bespeaks the great struggle for victory. We are led to believe that this prone position is not unfamiliar to Paul––if not for the occasion of execution––at least for his posture during prayer. Only a great artist could so convincingly convey the depths of the Christian mysterium tremendum, or awe-inspiring mystery.
Lent beckons us to pour ourselves out in repentance as a drink offering as we approach the Feast of Feasts. Our faithfulness during this journey may be challenged as we glimpse clear-eyed into the depths of our own sin. But in moments of doubt or struggle, Saint Paul provides us an example for the ages, as he remained faithful to the end. As we struggle through Lent let us not forget our reward, which is the divine light of Christ’s Resurrection. He has destroyed death to bestow life. His love casts out all fear.
Prayer:
O Lord and Master of my life, take from me the spirit of sloth, despair, lust of power, and idle talk. But give rather the spirit of chastity, humility, patience, and love to Thy servant. Yea, O Lord and King, grant me to see my own transgressions, and not to judge my brother, for blessed art Thou, unto ages of ages.
- St. Ephrem the Syrian
Dr. James Anno
Associate Curator of European Art
The Museum of Fine Arts, Houston
Houston, Texas
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Art:
The Martyrdom of Saint Paul
Mattia Preti
c. 1656–1659
Oil on canvas
179.5 x 187.3 cm.
Museum of Fine Arts
Houston, Texas
The exact details of St. Paul’s death are largely unknown, but tradition holds that he was beheaded in Rome and thus died as a martyr for his faith. The date of Paul's death is believed to have occurred after the Great Fire of Rome in 64 AD, but before the last year of Roman Emperor Nero's reign in 68 AD. Though it is not clear where he was finally arrested––Ephesus, the Macedonian city Troas, or Nicopolis––Paul was brought back to Rome, where he was imprisoned and put on trial. A legend later developed that after Paul was decapitated, his severed head rebounded three times, giving rise to a source of water each time that it touched the ground—which is how the St. Paul at the Three Fountains earned the name (San Paolo alle Tre Fontane).
https://en.wikipedia.org/wiki/Paul_the_Apostle
About the Artist:
Mattia Preti (1613–1699) was an Italian baroque artist who worked in Italy and Malta. He was also a member of the Order of Saint John. While in Rome during the 1630s and 1640s, Preti achieved his first success. His easel paintings, particularly his early ones, are painted in the style of Caravaggio. His mature style, which reached its epitome in Naples from 1653 to 1660, is intensely dramatic, uniting a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian artists like Paolo Veronese and Tintoretto. In 1661 Preti went to the island of Malta, where he remained for the rest of his life. While receiving most of the island's church commissions, he also worked for patrons from across Europe.
https://en.wikipedia.org/wiki/Mattia_Preti
https://www.getty.edu/art/collection/person/103JYA
About the Music:
“I Have Finished the Race” (Single)
Lyrics:
I have kept the faith,
I have entered the gates.
He says, 'Come to me, and I will give you rest.'
Like the angels and saints,
I have fought the good fight.
Finally, I see Him face to face.
I have finished, finished the race.
Every tear from my eyes,
He's wiped away.
No more death,
No more mourning,
I am clothed in God’s glory
I have finished, finished the race.
My Shepherd has called,
He has called me by name,
To abide in Him in Paradise.
He restores my soul,
For His love has conquered all.
I am with the One who never dies!
I have finished, finished the race.
Every tear from my eyes,
He's wiped away.
No more death,
No more mourning,
I am clothed in God’s glory
I have finished, finished the race.
I am now at peace,
Kneeling at His feet,
Singing praise to God before His throne.
This is not goodbye,
I am by His side.
Oh, Jesus, He has called me home!
I have finished, finished the race.
Every tear from my eyes,
He's wiped away.
No more death,
No more mourning,
I am clothed in God’s glory
I have finished, finished the race.
I have finished, finished the race.
About the Composers/Performers:
Francesca LaRosa and Hannah Schaefer
Francesca LaRosa is an American Catholic composer and singer-songwriter. After graduating from Ball State University Muncie, Indiana, with a music education degree, she became the music director at her home parish for four years. It was as a music director that she started writing psalms and mass settings for her parish. After a lot of prayer and discernment, she left to begin writing and self-publishing her psalm music, mass settings, and other pieces. LaRosa feels her mission is to help others grow in their faith by memorizing the sacred Word of God, as well as prayers and hymns, through music. Together with her husband, David, she continues to compose the psalms in multiple styles and languages every week, as well as create the best resources possible for music directors and cantors.
https://francescalarosa.com/
Hannah Schaefer (b. 1996) is an American Catholic musician who writes, plays, and sings a Christian pop style of music. She released All the Way, an extended play, in 2015, and her first album, Who I Am, in 2020. Before embarking on her Christian music career, she was accepted into the Jacob's School of Music at Indiana University but decided not to attend. Schaefer won the John Lennon Songwriting Contest in the gospel/inspirational category in 2015.
https://en.wikipedia.org/wiki/Hannah_Schaefer
About the Poetry and Poet:
Irving Feldman (b. 1928) is an American poet and former professor of English. Feldman worked as a merchant seaman, farmhand, and factory worker through his university education. After an undergraduate education at the City College of New York (B.A., 1950), Feldman completed his M.A. degree at Columbia University in 1953. His first academic appointments were at the University of Puerto Rico and the University of Lyon in France. Upon returning to the continental United States in 1958, he taught at Kenyon College in Gambier, Ohio, until 1964, when he was appointed professor of English at the University at Buffalo. He retired from teaching in 2004.
https://en.wikipedia.org/wiki/Irving_Feldman
https://www.poetryfoundation.org/poets/irving-feldman
About the Devotion Writer:
Dr. James Anno
Associate Curator of European Art
The Museum of Fine Arts, Houston
Houston, Texas
James is a parishioner at St. Joseph Orthodox Church in Houston. He is a husband and a father of three. Prior to Houston, James and his family lived in Naples, Italy, where he worked as a curator at the Capodimonte Museum.