March 3
:
Jesus Heals the Paralytic on the Sabbath

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Day 10 - Friday, March 3
Title: JESUS HEALS THE PARALYTIC ON THE SABBATH
Scripture: John 5:1–15

Some time later came one of the Jewish feast-days and Jesus went up to Jerusalem. There is in Jerusalem near the sheep-gate a pool surrounded by five arches, which has the Hebrew name of Bethzatha (the Pool of Bethesda). Under these arches a great many sick people were in the habit of lying; some of them were blind, some lame, and some had withered limbs. (They used to wait there for the “moving of the water”, for at certain times an angel used to come down into the pool and disturb the water, and then the first person who stepped into the water after the disturbance would be healed of whatever he was suffering from.) One particular man had been there ill for thirty-eight years. When Jesus saw him lying there on his back—knowing that he had been like that for a long time, he said to him, “Do you want to get well again?”

“Sir,” replied the sick man, “I just haven’t got anybody to put me into the pool when the water is all stirred up. While I’m trying to get there somebody else gets down into it first.”

“Get up,” said Jesus, “pick up your bed and walk!”

At once the man recovered, picked up his bed and walked.

This happened on a Sabbath day, which made the Jews keep on telling the man who had been healed, “It’s the Sabbath, you know; it’s not right for you to carry your bed.”

“The man who made me well,” he replied, “was the one who told me, ‘Pick up your bed and walk.’”

Then they asked him, “And who is the man who told you to do that?”

But the one who had been healed had no idea who it was, for Jesus had slipped away in the dense crowd. Later Jesus found him in the Temple and said to him, “Look: you are a fit man now. Do not sin again or something worse might happen to you!”

Then the man went off and informed the Jews that the one who had made him well was Jesus.

Poetry & Poet: 
“Black Rook in Rainy Weather”

by Sylvia Plath

On the stiff twig up there
Hunches a wet black rook
Arranging and rearranging its feathers in the rain.
I do not expect a miracle
Or an accident

To set the sight on fire
In my eye, I seek
No more in the desultory weather some design,
But let spotted leaves fall as they fall,
Without ceremony, or portent.

Although, I admit, I desire,
Occasionally, some backtalk
From the mute sky, I can't honestly complain:
A certain minor light may still
Leap incandescent

Out of the kitchen table or chair
As if a celestial burning took
Possession of the most obtuse objects now and then —
Thus hallowing an interval
Otherwise inconsequent

By bestowing largesse, honor,
One might say love. At any rate, I now walk
Wary (for it could happen
Even in this dull, ruinous landscape); skeptical,
Yet politic; ignorant

Of whatever angel may choose to flare
Suddenly at my elbow. I only know that a rook
Ordering its black feathers can so shine
As to seize my senses, haul
My eyelids up, and grant

A brief respite from fear
Of total neutrality. With luck,
Trekking stubborn through this season
Of fatigue, I shall
Patch together a content

Of sorts. Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles. The wait's begun again,
The long wait for the angel.
For that rare, random descent.

JESUS HEALS THE PARALYTIC ON THE SABBATH

I once met a middle-aged man who walked with a walker because the pain in his back doubled him over. When asked how he became injured, the man said, “My friends—I asked them to help me move, and they all abandoned me that day. I had to move my house by myself, and in the process I hurt my back.”

Reading the story of the man at the pool of Bethesda, I think of this man. When asked about his injury, the man with the walker revealed his true pain; when asked about his healing, the man by the poolside revealed his true need. 

“‘Sir,’ replied the sick man, ‘I just haven’t got anybody’” (John 5:7). 

“My friends … they all abandoned me.”

Thirty-eight years of compounding, resounding loneliness. This might hurt more than the condition which left him immobilized. And on this day, of all days—a day of feasting as a community, with the sounds of celebration and smells of a meal-out-reach swirling in the air— Jesus touches the bruised heart with his words. In response, the man’s cry of pain sounds like loneliness. 

Still, the man seems to cling to the hope offered by the pool. After thirty-eight years of waiting, did he ever wonder if miracles still happen? 

Do we?

Or are we, like the one who watches the rook in Plath’s poem, not expecting “a miracle/Or an accident”? So convinced are we that miracles don’t occur that when we encounter one, we won’t even label it a coincidence or mistake. 

How do we explain away others’ reports of miracles? Are they, in our mind’s and in the mind of the man by the pool, simply more able, or more socially connected? Surely, that might be true some of the time, but every time? Or, is it just dumb luck that they get what they need—and just our luck that we don’t? 

Jesus does not let the man sit alone. In restoring his health, the Good Physician restores the man to the capacity for community. In the following scenes, we see the man sought out by others and seeking others out in response—reversing his social isolation. 

Curious about his response, I asked the man, gripping his walker, if he had ever forgiven his friends. 

“Sure,” he hesitated, “Yeah, of course.”

I invited him to say the words out loud in prayer.

“Jesus, I forgive my friends for abandoning me.” Those words awkwardly, but earnestly, stumbled out of his mouth. 

Then, we walked together. I replaced his walker with my arm. We didn’t walk far or fast, but by the end of our walk, he was upright. When he left that day, he wasn’t using the walker any more. 

“Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles…”

Prayer:
Good Physician, you know what we need before we even ask. Triune God, you long to restore us to community. Miracle worker, help us to see the miracles you perform before us every day, and give you praise. And when we feel alone, help us to remember we always have you. In Jesus’ name,
Amen.


Chase Andre, M.A.
Instructor in Communication Core and Digital Learning
Department of Communication Studies
Biola University

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.

 

 

 

About the Artwork:
Healing the Paralytic at Bethesda
Baptistery wall painting
Artist unknown
c. 232
Paint and plaster
145 x 88 cm
Yale University Art Gallery
New Haven, Connecticut 

This fragment of a wall painting from a baptistery was excavated in Dura-Europos in Syria by the Yale-French team during the years 1928–1937. It represents one of the earliest depictions of one of Christ’s miracles. In the ancient eastern city and walled fortification of Dura-Europos, this artifact was found in the remains of a home, the earliest identified Christian house church. The mural paintings that originally decorated the walls of the Dura-Europos house church were removed as soon as they were discovered, and taken to the Yale University Art Gallery in New Haven, Connecticut. This image of Jesus’ healing of the paralytic, which once was in the baptistery area of this very early church, is the oldest known representation of any of Jesus’ miracles in Christian art.
https://www.wikidata.org/wiki/Q49289775
https://aleteia.org/2019/10/12/the-first-painting-of-any-of-jesus-miracles-dates-from-the-3rd-century/

About the Artist:
Artist Unknown 

About the Music: “Get Up” from the album The Book of John in Song

Lyrics:
Verse 1

Get up, pick up your mat and walk
Get up, now is the time to move on
Get up, the Healer, He has now come
Get up, get up, you can get up

Verse 2
Rise up, and shout out your victory song
Rise up, now is the time to move on
Let go of all the wrong that’s been done
Get up, get up, you can get up
Rise up, rise up, you can rise up

Bridge
The past is left behind
Your new life has begun
Your brokenness is healed
Your hopes can be fulfilled
Get up, you can get up
Get up, you can get up

Chorus
Let us sing praises to our Healer
Let us sing praises to our God
He’s giving us a new beginning
So we can leave the past behind

Instrumental

Chorus
Let us sing praises to our Savior
Let us proclaim it to the world
He’s offering all a new beginning
So let us leave the past behind

Vamp
Get up, get up, get up, you can get up 
Rise up, rise up, rise up, you can rise up
Get up  you can get up
Rise up, you can rise up
Rise up, you can get up

About the Composer:
Tommy Walker is an American worship leader, composer of contemporary worship music, recording artist, and author. Since 1990, he has been the worship leader at Christian Assembly, a church affiliated with the International Church of the Foursquare Gospel in Los Angeles, California. Some of Walker's most well-known songs include "Only A God Like You," "No Greater Love," "Mourning Into Dancing," "He Knows My Name," and "That's Why We Praise Him." In addition to his responsibilities as a church leader, he has taken the CA Worship Band on numerous overseas trips, including several trips to Southeast Asia and the Philippines. He has worked alongside such Christian leaders as Franklin Graham, Greg Laurie, Jack Hayford, Bill Hybels, and Rick Warren, and at Promise Keepers events.
https://en.wikipedia.org/wiki/Tommy_Walker_(worship_leader)
https://www.tommywalkerministries.org/

About the Performers: California Baptist University Choir and Orchestra featuring Leon McCray

The California Baptist University Choir and Orchestra are located in Riverside, California. The ensembles are composed of over 150 vocalists and instrumentalists who separately and together give approximately fifty concerts annually. The goal of the ensembles is to “use their gifts to worship and to lead others to worship.” The CBU Choir and Orchestra have recorded over seventeen albums. 
https://music.calbaptist.edu/ensembles/uco/

About the Poetry and Poet:
Sylvia Plath
(1932–1963) was an American poet, novelist, and short-story writer. She graduated from Smith College in Massachusetts, and later from Cambridge University in England. Hailed for advancing the confessional genre of poetry, Plath’s poetry collections include The Colossus and Other Poems. She also garnered fame for her semi-autobiographical novel The Bell Jar. Though she died in 1963, Plath was posthumously awarded the Pulitzer Prize for Poetry in 1982.
https://en.wikipedia.org/wiki/Sylvia_Plath
https://www.poetryfoundation.org/poets/sylvia-plath

About Devotion Author:
Chase Andre, M.A.

Instructor in Communication Core and Digital Learning
Department of Communication Studies
Biola University

Chase Andre is an Instructor in communication core and digital learning for Biola’s Department of Communication Studies and holds a master's degree from Fuller Theological Seminary in intercultural studies with an emphasis in just peacemaking, and graduated with a bachelor's degree from Biola. Teaching in Biola’s Department of Communication Studies since 2014, Chase's integrative approach to education helps students practically follow Jesus's teachings in how they live, speak, work, and act—particularly as peacemakers and reconcilers at the sites of intercultural conflict. He has researched and engaged in fair housing advocacy, communication in the global, networked society, and Martin Luther King Jr.’s communicative action. Outside the classroom, Chase serves business and nonprofit leaders as a communication consultant. He speaks at national conferences, and leads workshops and retreats. Chase, his wife, Alicia Miller Andre, and their two kids, Silas and Nariah, live in Los Angeles, where overpriced coffee and underpriced tacos are a regular part of their diet.

 

 

 

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