April 12: My Lord and God!
♫ Music:
Day 50 - Wednesday, April 12
Title: MY LORD AND GOD!
Scripture: John 20:24–29
But one of the twelve, Thomas (called the Twin), was not with them when Jesus came. The other disciples kept on telling him, “We have seen the Lord”, but he replied, “Unless I see in his own hands the mark of the nails, and put my finger where the nails were, and put my hand into his side, I will never believe!”
Just over a week later, the disciples were indoors again and Thomas was with them. The doors were shut, but Jesus came and stood in the middle of them and said, “Peace be with you!”
Then he said to Thomas, “Put your fingers here—look, here are my hands. Take my hand and put it in my side. You must not doubt, but believe.”
“My Lord and my God!” cried Thomas.
“Is it because you have seen me that you believe?” Jesus said to him. “Happy are those who have never seen me and yet have believed!”
Poetry & Poet:
“At the Ruined Monastery in Amalfi”
by Jay Parini
On a hill, approaching Easter,
well above the sea’s bland repetitions
of the same old story
and the town’s impenitent composure,
I survey old grounds.
The fire-winged gulls ungulf the tower.
Lesser grackles, nuns and tourists,
scatter on the grass.
The brandy-colored light of the afternoon
seeps through the stonework;
creeping flowers buzz and flutter
in the limestone cracks.
Wisteria-chocked loggias drip with sun.
A honeycomb of cells absorbs the absence
it has learned to savor;
court and cloister close on silence,
the auroral prayers long since burned off
like morning fog.
The business of eternity goes on behind our
backs.
In the chapel dark,
I’m trying to make out a worn inscription
on a wind-smudged altar,
but the Latin hieroglyphs have lost their
edge.
Remember me, Signore,
who has not yet learned to read your hand,
its alphabet of buzz and drip and flutter.
PROOF OF LIFE
Silence. Loneliness. The doubts gnawed at my mind, paralyzing me, impeding even my ability to converse normally with others. And it was hard because I really did love Christ. My life was oriented around his, entwined in his, entangled even. Mine were not the doubts of the detached Enlightenment rationalist, but the doubts of a lover. What if I had to break up with him? The pain was unbearable.
Indeed, I think that’s what so many of us miss when interpreting Thomas. Thomas is not an empirical skeptic, but rather a broken-hearted lover. He is not simply saying, “Unless I have scientific evidence, I will not assent to this in my brain.” Rather, he is saying, “He broke my heart! I believed in him, even to the point of death. And now he is dead and hope is gone. And you expect me to believe after that? After he has drawn from me every ounce of love I can offer and shattered it in the shattering of his heart? No––unless I can encounter intimacy with Christ – a living encounter with those very wounds that were the death of me-in-him––I will not, cannot believe.”
Christ’s answer is beautiful. He allows Thomas to encounter the intimacy of his body in exactly those places that most caused his doubt. The passion of the moment is nicely captured in the red gashes in Pascal Lamb by Robert Besana. And the yellow symbolizing hope is not artificial or plastic, but spotted and gritty, indicating earthy closeness.
But there is more. As celebrated in the song “Christ is Risen Indeed!” Christ implies that, while Thomas is blessed, we are even more blessed who have not seen and who yet believe. And his observation has been proven correct; we are indeed blessed with even more than Thomas. We are given personal encounters with Christ through his spirit. We can taste his body and blood in the bread and wine. And the wounds of those around us are the very wounds of Christ. “Inasmuch as ye have done it unto one of the least of these my brethren…”
Furthermore, Thomas’s narrative is also true of Christ’s mystical body, the Church. The ancient, derelict building in poet Jay Parini’s “At the Ruined Monastery in Amalfi” arguably represents the difficulty of Christianity’s historical instantiation: how can historical institutions with all their corruptibility and imperfections also somehow be vessels of life? Can such cracked detritus really be part of resurrection? Can these bones live? And we are tempted to say with Thomas, “Unless I put my fingers in the holes in his hands and side…” But when we do, we notice something: life amidst the ruins. Somehow, by fixing our gaze directly on those places where things seem to be crumbling, we see resurrection springing forth. “Creeping flowers buzz and flutter/in the limestone cracks.” And yes, it takes a particular kind of faith to see this, and it is indeed for such faith that we pray with the poet: “Remember me, signore.”
Prayer:
Remember us, Lord Jesus Christ. As you ministered to Thomas, heartbroken and in need of your intimate touch, may you minister to us who reach out amidst darkness to discover proof of your life through the wounds in your hands, feet, and sides. We ask this in your name, O Christ, who lives and reigns with the Father and the Holy Spirit, one God, forever and ever.
Amen.
Dr. Karl Persson
Assistant Professor of Literature
Chair of the Literature Department
Our Lady Seat of Wisdom College
Barry’s Bay, Ontario, Canada
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Translation of the Bible for the 2023 Lent Project:
J.B. Phillips New Testament Translation of the Bible
J.B. Phillips (1906-1982) was well-known within the Church of England for his commitment to making the message of truth relevant to today's world. Phillips' translation of the New Testament brings home the full force of the original message. The New Testament in Modern English was originally written for the benefit of Phillips' youth group; it was later published more widely in response to popular demand. The language is up-to-date and forceful, involving the reader in the dramatic events and powerful teaching of the New Testament. It brings home the message of Good News as it was first heard two thousand years ago.
https://www.biblegateway.com/
About the Artwork:
Paschal Lamb
Robert Besana
2015
Mixed media, ballpoint pen on canvas
36 x 48 inches
Philippine artist Robert Besana is drawn to religious themes, as evident across his oeuvre which showcases a modern reimagining of old masters. “I’m personally overwhelmed with the amount of imagery the church has produced and how it transcends through generations and different cultures,” he explained. He reuses these images to reinforce and strengthen his concepts, which are more intimate and personal in the context of catharsis. The artist also adopts these images as crucial elements to retell stories in a more contemporary point of view. In this painting he reimagines The Incredulity of Saint Thomas by Italian Renaissance master Caravaggio. Besana’s collection of work invites reflection through an appreciation of beauty, and in the scenes depicted within the borders of the canvas, audiences are privileged to partake of a story of virtue and victory, piety and persecution, and triumphs over trials.
About the Artist:
Robert Besana (b. 1976) is a painter who graduated from the Philippine Women’s University’s Fine Arts program in 2003 and completed his master’s degree in 2009. He is currently the program director of the School Of Multimedia Arts of Asia Pacific Colleges in Makati, and provides consultancy advice for the Technical Committee For Multimedia Arts for CHED's Humanities Technical Panel and National Capital Region's Quality Assurance committee. Since his student days he has been participating in numerous local group exhibits, as well as garnering awards from various local competitions.
http://www.imagomundiart.com/artworks/robert-besana-now-where-would-i-land/
https://www.manilatimes.net/2018/05/27/weekly/the-sunday-times/robert-besanas-contemporary-martyrdom/401270/
About the Music: “Christ is Risen Indeed!” from the album Everlasting God
Lyrics:
How can it be, the One who died
Has borne our sin through sacrifice
To conquer every sting of death
Sing, sing hallelujah
For joy awakes as dawning light
When Christ's disciples lift their eyes
Alive He stands, their friend and king
Christ, Christ, He is risen
Christ is risen, He is risen indeed!
Oh, sing hallelujah
Join the chorist' and all the redeemed
Christ is risen, He is risen indeed
Where doubt and darkness once had been
They saw Him and their hearts believed
But blessed are those who have not seen
Yet, sing hallelujah
Once bound by fear now bold in faith
They preached the truth and power of grace
And pouring out their lives they gained
Life, life everlasting
Christ is risen, He is risen indeed!
Oh, sing hallelujah
Join the chorist and all the redeemed
Christ is risen, He is risen indeed
The power that raised Him from the grave
Now works in us to powerfully save
He frees our hearts to live His grace
Go tell of His goodness
Christ is risen, He is risen indeed!
Oh, sing hallelujah
Join the chorist' and all the redeemed
Christ is risen, He is risen indeed
Christ is risen, He is risen indeed!
Oh, sing hallelujah
Join the chorist' and all the redeemed
Christ is risen, He is risen indeed
He is risen, He's alive, He's alive!
Heaven's gates are opened wide
He's alive, He's alive!
Now in heaven glorified
He's alive, He's alive!
Heaven's gates are opened wide
He's alive, He's alive!
Now in heaven glorified
About the Composers:
Keith and Kristyn Getty occupy a unique place in the world of contemporary Christian music today as preeminent modern hymn writers. In reinventing the traditional hymn form, they have created a distinguished catalog of songs teaching Christian doctrine and crossing genres by connecting the world of traditional and classical composition with contemporary and globally accessible melodies. These modern hymns are rooted in the traditions of Celtic and English hymnody handed down to the North Ireland–born couple and their longtime writing partner, Stuart Townend. Their best-known hymn, “In Christ Alone” (penned by Keith and Stuart and recorded by Keith and Kristyn), echoes this heritage and has been voted one of the best-loved hymns of all time in the UK.
https://www.gettymusic.com/
About the Performers:
Praise and Harmony Singers is the ministry of Keith Lancaster, Sharon Lancaster, and Acappella Ministries. Since its inception, the aim of the project has been to equip congregations for excellence in worship by training leaders and inviting all of God's people to sing and worship the Lord.
https://sovereigngracemusic.org/about/
https://acappella.org/praise-and-harmony/praise-and-harmony-recording/
About the Poetry and Poet:
Jay Parini (b. 1948) is an American writer and academic. He is known for novels, poetry, biography, screenplays, and criticism. He has published novels about Leo Tolstoy, Walter Benjamin, Paul the Apostle, and Herman Melville.
https://en.wikipedia.org/wiki/Jay_Parini
About Devotion Author:
Dr. Karl Persson
Assistant Professor of Literature
Chair of the Literature Department
Our Lady Seat of Wisdom College
Barry’s Bay, Ontario, Canada