April 7
:
My Heart is Wounded Within Me

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Day 37 - Thursday, April 7
Title: MY HEART IS WOUNDED WITHIN ME
Scripture: PSALM 109:1-20

Do not keep silent,
O God of my praise!
For the mouth of the wicked and the mouth of the deceitful
Have opened against me;
They have spoken against me with a lying tongue.
They have also surrounded me with words of hatred,
And fought against me without a cause.
In return for my love they are my accusers,
But I give myself to prayer.
Thus they have rewarded me evil for good,
And hatred for my love.

Set a wicked man over him,
And let an accuser stand at his right hand.
When he is judged, let him be found guilty,
And let his prayer become sin.
Let his days be few,
And let another take his office.
Let his children be fatherless,
And his wife a widow.
Let his children continually be vagabonds, and beg;
Let them seek their bread also from their desolate places.
Let the creditor seize all that he has,
And let strangers plunder his labor.
Let there be none to extend mercy to him,
Nor let there be any to favor his fatherless children.
Let his posterity be cut off,
And in the generation following let their name be blotted out.

Let the iniquity of his fathers be remembered before the Lord,
And let not the sin of his mother be blotted out.
Let them be continually before the Lord,
That He may cut off the memory of them from the earth;
Because he did not remember to show mercy,
But persecuted the poor and needy man,
That he might even slay the broken in heart.
As he loved cursing, so let it come to him;
As he did not delight in blessing, so let it be far from him.
As he clothed himself with cursing as with his garment,
So let it enter his body like water,
And like oil into his bones.
Let it be to him like the garment which covers him,
And for a belt with which he girds himself continually.
Let this be the Lord’s reward to my accusers,
And to those who speak evil against my person.

But You, O God the Lord,
Deal with me for Your name’s sake;
Because Your mercy is good, deliver me.
For I am poor and needy,
And my heart is wounded within me.
I am gone like a shadow when it lengthens;
I am shaken off like a locust.
My knees are weak through fasting,
And my flesh is feeble from lack of fatness.
I also have become a reproach to them;
When they look at me, they shake their heads.

Help me, O Lord my God!
Oh, save me according to Your mercy,
That they may know that this is Your hand—
That You, Lord, have done it!
Let them curse, but You bless;
When they arise, let them be ashamed,
But let Your servant rejoice.
Let my accusers be clothed with shame,
And let them cover themselves with their own disgrace as with a mantle.

I will greatly praise the Lord with my mouth;
Yes, I will praise Him among the multitude.
For He shall stand at the right hand of the poor,
To save him from those who condemn him.

Poetry: 
The Gardener

by Suanne Underwood Rhodes

I haven’t talked to you about
a dark space I dug up.
Clods and rocks I can pick out of soil,
blue-veined clay I can nourish;
weeds, yank up; shade, cut back.
But this

hollow where no seed is meant to grow
astounds. I go back to basics, 
trusting my hands to find the dirt
as it always was, humid and maternal, 
easily worked to hatch seeds,
but this

breach of earth voids every breathing
speck so that the spade of my hand
weighs more than death, and the leaves
I touch are stillborn. Tell me,
must I keep tending, must I
turn this 

blank into myself and vanish,
or is the hole an entrance
into some new ground that is yet
familiar, tilled and fertile, vast
as my loss, tenderly sown with
this? 

MY HEART IS WOUNDED WITHIN ME 

Christ in the Gethsemane Garden was painted by Russian artist Arkhip Ivanovich Kuindzhi at a time when Russia was undergoing great social, religious, and political upheaval that promised a new dawn––but in reality brought further suffering and darkness to its people. In today’s painting, Kuindzhi illustrates our Lord withdrawing from his disciples in the Garden of Gethsemane for a time of deep and anguished prayer before His betrayal, arrest, and crucifixion. Fully realizing the darkness of the suffering and pain to come, Jesus knew the sacrifice and cost of obedience to the Father’s will––“My soul is overwhelmed with sorrow to the point of death.” (Mark 14:34).

Kuindzhi depicts the Lord isolated in a bright spotlight just as he enters a dark and foreboding part of the garden. Within the deep shadows of tangled trees, we can barely make out several crouching figures––they are Christ’s persecutors lying in wait to arrest Him. Unjustly accused, misunderstood, and alone, Jesus experienced the full depth of human suffering and pain for us as Isaiah prophesied, “Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted.” (Isaiah 53:4)

In Jesus, we have a Savior who intimately knows our suffering and despair because He “dwelt among us” and can truly empathize with our weaknesses and frailties, Hebrews 4:14-16 reassures us that “For we do not have a high priest who is unable to empathize with our weaknesses, but we have one who has been tempted in every way, just as we are––yet he did not sin. Let us then approach God’s throne of grace with confidence, so that we may receive mercy and find grace to help us in our time of need.” Jesus models the way to handle suffering by seeking His Father–– we are not meant to walk alone in our pain and suffering, we were created to seek Him in our time of need.

As a nurse of thirty years, I have witnessed much suffering. The piercing loss and grief of a stillborn baby or the message of infertility are painful and dashed hopes for an anticipated future––a heart wounded. The miracle of each life is a perfect reminder in an imperfect world of the tender love of the Father for His children and His great desire to be in fellowship with us, mere mortals. The suffering and death of the Lamb makes possible new life and hope. It is only in trusting and seeking God in the midst of suffering that we open ourselves to be comforted, healed, and ultimately transformed by the One who abounds in mercy, grace, and love. 

Today’s poem by Suanne Underwood Rhodes entitled “The Gardener” presents another garden. The poem describes the beginning of new plant life and the unfortunate results of a neglected garden. The image of a thriving garden is a frequent and apt allegory for our spiritual growth and health. The clearing away of ugly rubble and nutrient-stealing weeds in a garden for optimal growing may be seen as a metaphor for tending the state of our soul by rooting out sin and cultivating a flourishing spiritual life. There’s something almost supernatural and captivating about planting and tending a seed and knowing that it will grow to provide nourishment for the body or bloom to delight the soul. Just as a garden needs our care to thrive, so we must take the time to cultivate and deepen our relationship with the Father through reflective reading, active repentance, and prayer with one clear goal in mind––to draw nearer to God in the love, relief, peace, and rest that He alone can provide.

Prayer
Father, thank you for your great love for us.
When I contemplate that you rejoice over your people with gladness and will quiet us with your love and that you exult over us with loud singing my heart is full to overflowing. I am so undeserving of this inheritance and praise your name for the gift of life with you now and for eternity.
Blessed be your holy name.
Amen.

Dr. Penny Bacon DNP, RN, FNP
Associate Professor of Nursing
Biola University
Edited by the CCCA

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.


 

 

 

 

 

About the Artwork: 
Christ in the Gethsemane Garden
Arkhip Kuindzhi           
1901
Oil on canvas
107.5 x 143.5 cm
Alupka State Palace and Park MuseumAlupka, Ukraine

Considered the most philosophical and mysterious work of Russian artist Arkhip Kuindzhi, his painting Christ in the Garden of Gethsemane illustrates Jesus walking in the Garden of Gethsemane after the Last Supper. After taking only three of his disciples with him, Jesus left them several times to venture into the depths of the garden and pray alone. Framed by an archway, Kuindzhi paints Christ standing alone in the radiance of the moon just before he enters a dark passageway of the garden. 
http://www.kd35trojor.club/landscapes-and-more/painting-christ-in-the-garden-of-gethsemane-arkhip/

About the Artist:
Arkhip Kuindzhi
(1842–1910) was a Russian landscape painter of Greek descent. Kuindzhi was only six years old when he lost his parents, so he was forced to make a living working at a church building site, grazing domestic animals, and working at a merchant's shop. During the five years from 1860 to 1865, Kuindzhi worked as a retoucher in a photography studio. Subsequently, Kuindzhi lived in Saint Petersburg, where he studied painting at the St. Petersburg Academy of Arts. In 1872 the artist left the academy and worked as a freelance artist. In his mature period Kuindzhi aspired to capture the most expressive, illuminative aspect of the natural environment possible. Using light effects and intense colors in the main tones of his compositions, he skillfully depicted the illusion of illumination and depth. His later works are also remarkable for their decorative effects of color. Kuindzhi lectured at the St. Petersburg Academy of Arts for several years but was fired in 1897 for supporting student protests. 
https://en.wikipedia.org/wiki/Arkhip_Kuindzhi

About the Music: 
“Psalm 109” from the album His Victory We Sing

Lyrics: 
Dare not, keep silent,
Oh God of my praise.

For the mouth of the wicked and deceitful.
Have opened against me.

In return for my love they are my accusers,
but I give myself to prayer.

Thus they have rewarded me evil for good,
and hatred for my love.

Help me, Oh Lord my God,
Save me according to your mercy.

That they may know that this is your hand
That You My Lord, and in your grace I stand.

My heart is wounded, 
I’m almost gone.

For I am poor and needy,  
Hurt and alone

My knees are weak,
Weak from all this fasting.

And my flesh cries out as well,
Yes, I have become a reproach to them all.

They shake their heads instead

Help me, oh Lord my God;
Save me according to your mercy.

That they may know that this is your hand,
That you, oh Lord, in your grace I stand.

Help me, oh Lord my God;
Save me according to your mercy.

That they may know that this is your hand,
That you oh Lord in your grace I stand.

That they may know that this is your hand,
That you, oh Lord in your grace I stand.

About the Performer/Composer: 
Ben Travis is a Nashville-based audio engineer, producer, and musician, as well as an independent artist and songwriter. Owner of Two Cats Music, a recording studio in Nashville, Tennessee, Travis specializes in helping singer/songwriters and local bands create a professional musical product that matches their unique vision, whether it be country, folk, Americana, bluegrass, or indie. Travis attended Belmont University in Nashville and graduated with a degree in music in 1996. Since then, he has written and recorded several albums for himself and others, played keyboards, and sung background vocals for many other Nashville artists, while still performing his own music live around town.
https://twocatsmusic.com/

About the Poet: 
Suzanne Underwood Rhodes
lives, writes, and teaches in the mountains of Fayetteville, Arkansas. She received a B.A. in English from James Madison University and a M.A. degree from Johns Hopkins University. She has taught creative writing at King University and St. Leo University, and has given poetry workshops to students ages five to eighty. Currently, she conducts remote poetry workshops and classes at the Muse Writers Center in Norfolk, Virginia. Her poems explore personal history and family, the allure of the natural world, the psychological contradictions and complexities of human personality, and Christian spirituality. Her poems have won acclaim through several awards and prizes, including two Pushcart Prize nominations, a Library of Virginia nomination for A Welcome Shore, the Virginia Highlands Creative Writing Contest, a Writer's Digest competition, and honorable mentions for poems in Now and Then and the Sow's Ear Poetry Review. Her poems have been widely published in journals and magazines, including The Christian Century, Poetry East, Image, Shenandoah, Spiritus, Anglican Theological Review, Southern Poetry Review, ARTS, St. Katherine Review, Spoon River Poetry Review, Alaska Quarterly Review, Edgar Allan Poe Review, Urban Spaghetti, ArtScene, Radix, The Sow's Ear Poetry Review, Appalachian Journal, Lullwater Review, A! Magazine, and others. Suzanne is married to Wayne Rhodes, a landscape photographer. Their mutual love of the natural world with its birds and beasts, mountains and shores feeds and complements their artistic passions.
https://www.suzanneunderwoodrhodes.com/the-band/

About the Devotion Author:  
Dr. Penny Bacon
Associate Professor of Nursing
Biola University

Penny has taught in the nursing department at Biola for the last ten years. Her areas of teaching interest include maternal child health, physical assessment, application of evidence-based practice and ethics. When not in the classroom she enjoys time in the garden, restoring furniture, and cooking with her family. 

 

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