April 12: A Reproach
♫ Music:
Day 42 - Tuesday, April 12
Title: A REPROACH
Scripture: Psalm 69:1-4, 7-12, 14-21, 29-33
Save me, O God!
For the waters have come up to my neck.
I sink in deep mire,
Where there is no standing;
I have come into deep waters,
Where the floods overflow me.
I am weary with my crying;
My throat is dry;
My eyes fail while I wait for my God.
Those who hate me without a cause
Are more than the hairs of my head;
They are mighty who would destroy me,
Being my enemies wrongfully;
Though I have stolen nothing,
I still must restore it.
Because for Your sake I have borne reproach;
Shame has covered my face.
I have become a stranger to my brothers,
And an alien to my mother’s children;
Because zeal for Your house has eaten me up,
And the reproaches of those who reproach You have fallen on me.
When I wept and chastened my soul with fasting,
That became my reproach.
I also made sackcloth my garment;
I became a byword to them.
Those who sit in the gate speak against me,
And I am the song of the drunkards.
Deliver me out of the mire,
And let me not sink;
Let me be delivered from those who hate me,
And out of the deep waters.
Let not the floodwater overflow me,
Nor let the deep swallow me up;
And let not the pit shut its mouth on me.
Hear me, O Lord, for Your lovingkindness is good;
Turn to me according to the multitude of Your tender mercies.
And do not hide Your face from Your servant,
For I am in trouble;
Hear me speedily.
Draw near to my soul, and redeem it;
Deliver me because of my enemies.
You know my reproach, my shame, and my dishonor;
My adversaries are all before You.
Reproach has broken my heart,
And I am full of heaviness;
I looked for someone to take pity, but there was none;
And for comforters, but I found none.
They also gave me gall for my food,
And for my thirst they gave me vinegar to drink.
I am poor and sorrowful;
Let Your salvation, O God, set me up on high.
I will praise the name of God with a song,
And will magnify Him with thanksgiving.
This also shall please the Lord better than an ox or bull,
Which has horns and hooves.
The humble shall see this and be glad;
And you who seek God, your hearts shall live.
For the Lord hears the poor,
And does not despise His prisoners.
Poetry:
Changing Places in the Fire,
by Li-Young Lee
The wind in the trees
arrives all night at a word.
And the man who can’t sleep
and the man who can’t wake up
are the same man.
A memory of the ocean
torments the trees, a homesickness.
And the man who watches shadows of windblown leaves
and branches on the curtains,
the man who believes
a single page of the falling leaves restored
may be carried back to the living,
can’t tell God’s blind hand from God’s seeing hand.
The wind, stranded in the branches,
like a memory of fire,
tells the oldest stories of Death
disguised as traveler, or overlooked familiar,
friend we shunned for less
faithful playmates.
And the man who’s afraid of the dark
and the man who loves the dark
are the same man.
A man who’s afraid to die,
he would piece the tree back together,
each part numbered and labeled:
branch, leaf, breath, cry, glance.
A man who’s afraid to live,
he thinks to himself: Postpone all morning bells.
The ore lies awake inside the rock, a dream
of origin pealing.
The bread that rises in a house that fails,
a man weeping.
The happy grain who elects the oven,
a man laughing.
And it isn’t until the wind pauses
that he thinks he knows what it says.
It isn’t until the man dismantles
wind, trees, listening, does he know
there is wind, there are trees, and no listening
but a dream of listening, a dream
with infinite moving parts,
hems, pleats, train cars, recurring stairs,
an imperfect past, a rumored present,
figures multiplied inside a mirror.
It isn’t until he begins to wish
to sing
the whole flower
of his breathing, does he recognize
himself, a blossom mortally wounded in its stem.
SUBMERGED IN DEEP WATERS
When you clicked on the link to today’s devotional, were you startled? The image of the sinking woman is disturbing, even ominous, and yet it captures the psalmist’s opening declaration: the waters have come up to my neck, I sink…
Ruben Orozco Loza installed this fiberglass sculpture in the currents of the Nervión River overnight last September; a social awareness campaign highlighting the uncertainty of our youth’s future. As residents of northern Spain awoke to this arresting figure implanted in their town, her presence provided a foreboding resonance with the currents of our times. The troubles of this life—including the tragic global losses of these last weeks, of these recent years—are devastating. At times it’s too much to bear. Do we identify with the sinking woman? Are we ever tempted to let go?
The psalmist offers insight into the adversities that may have preceded her demise. This metaphorical sinking represents the culmination of a struggle. Enemies assailed her without cause. Perhaps she is one faithful to God yet the object of scorn, the laughingstock of the town, reproached even by family into stranger-status. Misunderstood, she was forced to restore what she did not steal. While in the throes of hope she called out at the top of her lungs—someone, save me! —but her throat grew parched. Maybe no one is coming. Her surrender to the deep waters reflects that she is out of strength. So, she lets go, her expressionless face signaling a loss of hope.
Today’s poem captures a similar theme but with a ray of hope: Li-Young Lee articulates a refugee’s disorienting exploration of identity. The prospects of life are simultaneously shadowed by the trauma of upsetting memory. Both are unavoidably intermingled; he is haunted and hopeful, “wish[ing] to sing the whole flower of his breathing,” while “recogniz[ing] himself, a blossom mortally wounded in its stem.”
The psalmist reminds us that all is not lost. This apparent surrender to the deep has not drowned out a final cry: Hear me, O Lord! Praise for God reflects unyielding determination: I will praise the name of God with a song and will magnify Him with thanksgiving. God hears the cries of the psalmist, of the desperate, of the vulnerable, of the hopeless, of us.
Jesus’ embodiment of this psalm is why the psalmist’s cries are not futile. In his final week especially, Jesus walked the paces of the horrific realities we encounter in this broken world. Amid his consuming zeal for God he was unjustly accused, misunderstood, and lonely in suffering, derision, and rejection.
Jesus’ ascension to the cross in glory was—following today’s metaphor—how he sank to the depths, conquering death on our behalf. When we sink, He is why we can keep calling for rescue. The future of our world feels uncertain: we are witnessing lands decimated by war, people ravaged by pestilence, and communities fractured by division. But God in Christ saved us: pulling us from the depths he set us on high with Him. His lovingkindness came through and is coming through. We must not give up.
Prayer
God, as we reflect on the suffering Jesus encountered, we are grateful for Your salvation.
We seek you today in troubled times. We need you.
Save those who are sinking. Draw near to the hopeless.
Inhabit us with your compassion toward those who need You.
Amen.
Dr. Jeannine Hanger
Assistant Professor
Talbot School of Theology
Biola University
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Artwork:
Bihar (Tomorrow)
Ruben Orozco Loza
2021
Fiberglass sculpture
River Nervion
Bilbao, Spain
In the middle of the night, artist Ruben Orozco Loza and his team placed a 264-pound fiberglass sculpture in the middle of the River Nervion in Bilbao, Spain. The figure, entitled Bihar, which means “tomorrow” in the Basque language, is the face of a young girl—her eyes wide open—who appears to be drowning. As the tides of the murky river rise and fall, more or less of the haunting face is revealed. The art was created as part of a social awareness campaign to provoke conversations about sustainability and climate change. Orozco Loza told a Spanish news outlet that he wants people to consider how, "their actions can sink us or keep us afloat.”
https://www.reuters.com/world/europe/drowning-girl-statue-causes-stir-bilbao-2021-09-28/
About the Artist:
Ruben Orozco Loza (b. 1979) is a Mexican artist working primarily in hyper-realistic depictions of celebrities and famous individuals. His works portray great figures of artistic and public life, including José Clemente Orozco, Frida Kahlo, Juan Gabriel, David Bowie, Pope Francis, Guillermo del Toro, Freddie Mercury, and himself, among many others. He creates his realistic depictions of human beings by using silicone, wood, resin, marble, and even real hair. His hyper-realistic art earned the 2006 State Prize for Youth and an honorable mention for the Juan Soriano Education Sculpture Award in 2015. He attended the University of Guadalajara to study visual arts with an interest in sculpture.
https://www.albawaba.com/editors-choice/creepy-statue-drowning-girl-freaks-people-out-spanish-city-bilbao-1448756
About the Music:
“Looking for God (Psalm 69)” from the album Resurrection
Lyrics:
Save me O my God
For the waters have
Come up to my neck
I sink in the depths
Where there is no foothold.
I have come into deep waters,
The floods engulf me now
My throat is parched
And I am worn out
From calling out for help
My eyes fail looking for you
My eyes fail looking for you
LORD you know my sin,
My guilt is not hidden from you
May those whose hope
Is in you LORD
Not be disgraced
Because of me
My eyes fail looking for you
My eyes fail looking for you
My eyes fail looking for you
My eyes fail looking for you
I am a stranger to my brothers,
To my own family
For zeal for your house,
It consumes me,
And the insults to you
Fall on me
About the Performers:
Sons of Korah is an Australia-based band devoted to giving a fresh voice to the Psalms. With their unique acoustic, multiethnic sound, Sons of Korah has given this biblical songbook of the Psalms a dynamic and emotive new musical expression. They endeavor to lead their listeners into an impacting encounter with the Psalms that are often described as the “heart” of the Bible. From lamentation to songs of jubilant praise, from battle cry to benediction, from exclamation of awe and wonder to reflections of tranquility and perfect wisdom, Sons of Korah seeks to provide a compelling portrait of the world and experience of the Psalms. Believing that the Psalms contain a particularly pertinent message for today, Sons of Korah invites their listeners to discover—through their music—the way in which the Psalms can impact our everyday lives. Sons of Korah is composed of Matthew Jacoby, Spike Avery, Mike Follent, Rod Wilson, and Anna Waters. The name “Sons of Korah” comes from a group of Old Testament Levitical musicians to whom at least thirteen of the Psalms are attributed.
https://sonsofkorah.com/
About the Composer:
Matthew Jacoby is the leading member of Sons of Korah. He co-writes the music, plays guitar and resonator, and sings lead vocals. Matthew has a doctorate in philosophy/theology from the University of Melbourne, Australia. He teaches often on the spirituality of the Psalms and his concise commentaries on the settings of the Psalms is a feature that is woven through most Sons of Korah’s concert events.
https://sonsofkorah.com/
https://www.onehope.org.au/profile/matt/
About the Poet:
Li-Young Lee (b. 1957) is an Asian-American poet. His maternal great-grandfather was Yuan Shikai, China’s first Republican president, who attempted to make himself emperor. Lee’s father, who was a personal physician to Mao Zedong, was exiled from China and relocated his family to Indonesia, where he helped found a Christian university called Gamaliel University. In 1959, the Lee family fled Indonesia to escape widespread anti-Chinese sentiment and, after a five-year trek through Hong Kong and Japan, they settled in the United States in 1964. Li-Young Lee attended the University of Pittsburgh, the University of Arizona, and the State University of New York at Brockport. Lee’s writing has been influenced by classic Chinese poets, such as Li Bai and Du Fu. Lee’s poetry is noted for its use of silence and, according to poet Alex Lemon in the Minneapolis Star Tribune, its “near mysticism” which is nonetheless “fully engaged in life and memory while building and shaping the self from words.” Though sometimes described as a supremely lyric poet, Lee’s poems often use narrative and personal experience or memories to launch their investigations of the universal.
https://en.wikipedia.org/wiki/Li-Young_Lee
https://www.poetryfoundation.org/poets/li-young-lee
https://scholarblogs.emory.edu/postcolonialstudies/2014/06/11/lee-li-young/
About the Devotion Author:
Dr. Jeannine Hanger
Assistant Professor
Talbot School of Theology
Biola University
Jeannine Hanger has been teaching at Biola since 2009, as an adjunct in Biblical Studies (NT) and moving to full-time this past fall. Her teaching and writing interests seek to inspire others in their pursuit of God through the Word. She has been married for twenty-three years to Garrick, a pastor in the South Bay, and together they live with their three teens in Torrance, California.