March 7: “Rejoice and Be Glad, For Your Reward in Heaven is Great”
♫ Music:
WEEK FOUR INTRODUCTION
TITLE: THE HARD SAYINGS OF JESUS
March 7 - March 13
Christ appeared on the scene as a radical prophet proclaiming a bold new message. This risk-taking Messiah was fearless in confronting prevalent religious teachings. Challenging the legalistic rituals of his day, he did not back down. With conviction and power Christ rose above the fray of earthly dross, directing his followers to seek the difficult way that led to everlasting life. Author Phillip Yancey eloquently writes, “Thunderously, inarguably, the Sermon on the Mount proves that before God we all stand on level ground: murderers and temper-throwers, adulterers and lusters, thieves and coveters. We are all desperate, and that is in fact the only state appropriate to a human being who wants to know God. Having fallen from the absolute Ideal, we have nowhere to land but in the safety net of absolute grace.”
This week we examine the hard sayings of Jesus found in the Gospel of Matthew, chapters 5-7. Imagine sitting at Christ’s feet as he first preached the spiritual truths contained in the Sermon on the Mount. What must have flashed through the heads and hearts of those who were hungering and thirsting after righteousness? Over two thousand years later, with resounding truth, these sayings ring clear and pure in the midst of heavy-handed media control, outrageous lies, and unbelievable deceit at every level of society. As followers of Christ, we must cling to his message endeavoring to live out his teachings as never before.
Hindu dissident Mahatma Gandhi who was guided through life by Christ’s Sermon on the Mount as he led India’s non-violent independence movement once stated, "I believe in the teachings of Christ, but you on the other side of the world do not. I read the Bible faithfully and see little in Christendom that those who profess faith pretend to see. Christians above all others are seeking after wealth. Their prosperity is far more essential to them than the life, liberty, and happiness of others.” May Gandhi’s words ring in our ears as we ponder Christ’s challenging message on how to live our lives as his followers.
Day 19 - Sunday, March 7
Title: “REJOICE AND BE GLAD, FOR YOUR REWARD IN HEAVEN IS GREAT”
Scripture: Matthew 5:3-11;13-16
“Blessed are the poor in spirit, for theirs is the kingdom of heaven. Blessed are those who mourn, for they shall be comforted. Blessed are the gentle, for they shall inherit the earth. Blessed are those who hunger and thirst for righteousness, for they shall be satisfied. Blessed are the merciful, for they shall receive mercy. Blessed are the pure in heart, for they shall see God. Blessed are the peacemakers, for they shall be called sons of God. Blessed are those who have been persecuted for the sake of righteousness, for theirs is the kingdom of heaven. Blessed are you when people insult you and persecute you, and falsely say all kinds of evil against you because of Me. Rejoice and be glad, for your reward in heaven is great; for in the same way they persecuted the prophets who were before you. You are the salt of the earth; but if the salt has become tasteless, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled under foot by men. You are the light of the world. A city set on a hill cannot be hidden; nor does anyone light a lamp and put it under a basket, but on the lampstand, and it gives light to all who are in the house. Let your light shine before men in such a way that they may see your good works, and glorify your Father who is in heaven.”
Poetry:
“I am happy living simply"
by Marina Tsvetaeva; translated by Stephen Edgar
I am happy living simply:
like a clock, or a calendar.
Worldly pilgrim, thin,
wise—as any creature. To know
the spirit is my beloved. To come to things—swift
as a ray of light, or a look.
To live as I write: spare—the way
God asks me—and friends do not.
REJOICE AND BE GLAD, FOR YOUR REWARD IN HEAVEN IS GREAT
I moved in 2020. I had lived in a tiny studio apartment for four years, and with quarantine and the start of remote teaching I was home almost 24-7 working and living in a small space and feeling like I needed something bigger. Then, when I found a new place and moved, I was struck by the strangeness of it and the grief I felt. Marina Tsvetaeva writes in her poem, “I am happy living simply: like a clock or a calendar.” In those months following my move, I wondered if in my desire for something bigger I had lost the simplicity of that small space that I called home.
One of the things I miss about my tiny studio apartment is the light that would come in through the kitchen window. My kitchen window faced east and in the morning there was a warm orange-hue of light that filled my little kitchen. It greeted me in the morning like a hug; its dappled notes falling like grace-filled melodies across my stack of drying dishes. Marina Tsvetaeva’s poem continues: “To know the Spirit as my beloved. To come to things--swift as a ray of light, or a look.” There was an embodied knowing in those moments; the little girl in me who jumped out of bed to go to the kitchen, to playfully twirl and move her hand through the light noticing how it bathed in the orange hue saying, “Jesus, look!” “Yes, my daughter, I see!”
During January and February of this year, Pastor Jeff Tacklind at Church by the Sea has been preaching on the Beatitudes from Christ’s Sermon on the Mount. He has taught on how there is a progression to the Beatitudes: those who are poor in spirit are able to grieve and be in a space of mourning. Those who mourn are enabled to become meek. And those who are meek are capable of positioning themselves in the posture of humility needed to hunger and thirst for righteousness. Then, through that humble posture, mercy, purity of heart, peace, and a willingness to be persecuted for the sake of the Kingdom of Heaven will pour out of us and we will see God. It is interesting how Jesus’ teaching on the Beatitudes then segues into Him speaking metaphorically about salt and light: Be like salt and be wary of losing your saltiness; be like light, like a city on a hill that is not hidden.
In Denise Weyhrich’s work Beacon, the salt shakers are instruments being used to make light visible and pour out salt. Denise’s work is an installation of 99 illuminated salt shakers lovingly collected and gathered over a period of two years, purchased from thrift stores or flea-markets, or gifted to her from friends. The salt shakers are arranged upon a blanket-like mound of salt and stand as vessels that vary in height and character and age; some ornate, antique, and others more contemporary or simple in form. The work invites each of us to be like salt, to be vessels that bring forth goodness and preserve and honor the richness that is within each of us; and to be like light, vessels that shine forth Christ’s light through the darkness, standing together in faith and unity and transmitting the light that darkness cannot overcome.
These beacons of salt and light invite us into what Christ’s Beatitudes invite us to: the poverty of spirit that allows us to recognize we are limited in our humanness and need help, and to feel what it feels like to be emptied out, like how we have experienced a collective emptying out and grieving this past year on so many levels. Then, when we reach that place of humility, our Maker lovingly pours His salt into us and illuminates us with His light, and in turn, we may pour ourselves out for others. His light shines through our imperfect and broken vessels and He says, “My children, glorify your Father in Heaven. Rejoice and be glad! For your reward in Heaven is great.” To which we can reply with gladness, “Yes, God, now we see you. Blessed are we.”
Prayer:
Lord, make me an instrument of your peace:
Where there is hatred, let me sow love;
Where there is injury, pardon;
Where there is doubt, faith;
Where there is despair, hope;
Where there is darkness, light;
Where this is sadness, joy.
O divine Master, grant that I may not so much seek
To be consoled as to console,
To be understood as to understand,
To be loved as to love.
For it is in giving that we receive,
It is in pardoning that we are pardoned,
And it is in dying that we are born to eternal life.
Amen.
(Prayer of St. Francis)
Kari Dunham
Adjunct Professor of Art
Biola University
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Artwork:
Beacon
Denise Kufus Weyhrich
2016 Installation
99 illuminated antique saltshakers, custom clay housings, kosher salt, rock salt, Christmas lights
8′ x 8′ x 10″
Beacon is an installation art piece that features ninety-nine antique saltshakers filled with salt and illuminated from within by a single Christmas-tree light. The project recalls the Scriptures, “You are the salt of the earth” (Matthew 5:13) and “You are the light of the world” (Matt. 5:14-16). Weyhrich uses the ninety-nine used saltshakers to metaphorically represent believers within the body of Christ. This metaphor of believers being bearers of light speaks of how the Lord uses each one of us—with our different lives, varying gifts, and personal experiences—to convey our faith as ambassadors of his Kingdom to the world. The varying degrees of “light,” represented by the amount of salt contained within each shaker, indicates each individual’s unique journey of faith.
https://worship.calvin.edu/resources/resource-library/denise-weyhrich-on-creating-her-beacon-installation-art/
About the Artist:
Denise Kufus Weyhrich is an artist, curator, and educator in Orange, California. She taught graphic design at California State University at Long Beach and Chapman University in Orange, California, until her retirement in 2004. Weyhrich was the founding professor of the B.F.A. program at Chapman University. Since 2003, she has been the co-curator of SEEDS Fine Art Exhibits, a nonprofit that supports artists of faith by transforming galleries into sacred spaces with fine art exhibitions. In her personal work, Weyhrich explores themes of the balance of life, health, and healing. By exploring those places of suffering and sharing common human experiences through authentic forms, her art resonates with the quest for authenticity and honesty. Human forms are often substituted with used found objects that bear the markings of a life well-lived.
http://deniseweyhrich.com/k/Denise_Weyhrich.html
www.seedsfineart.org
About the Music:
“Beatitudes” from the album Live at Carnegie Hall
Lyrics:
Blessed are the poor in spirit, for theirs is the kingdom of heaven;
Blessed are they that mourn, for they shall be comforted;
Blessed are the meek and lowly, for they shall inherit the earth;
Blessed are they who are hungry and thirsty, who seekest after righteousness, for they shall be filled;
Blessed are the merciful, for they shall obtain mercy;
Blessed are the poor in heart, for they shall see God;
Blessed are the peacemakers, for they shall be called the children of God;
Blessed are they who shall be torn down, who are persecuted for righteousness’ sake, for theirs is the kingdom of heaven
Blessed are ye when men shall revile you and persecute you, and shall say all manner of evil against you all for my sake;
Rejoice and be be exceedingly glad, for great is your reward in heaven, so persecuted they the prophets which were before you.
About the Composer:
Bernice Johnson Reagon (b. 1942) is a song leader, composer, scholar, and social activist, who in the early 1960s was a founding member of the Student Non-violent Coordinating Committee’s (SNCC) Freedom Singers in Georgia. In 1973, she founded the all-black female a cappella ensemble Sweet Honey in the Rock, based in Washington, D.C. Reagon, along with other members of the SNCC Freedom Singers, realized the power of collective singing to unify the disparate groups who began to work together in the 1964 protests in the South. “After a song,” Reagon recalled, “the differences between us were not so great. Somehow, making a song required an expression of that which was common to us all...This music was like an instrument, like holding a tool in your hand.” She earned her Ph.D. from Howard University, becoming a historian centered on the role of music in culture, and is an emeritus faculty member in the history department at The American University. She has also been a scholar-in-residence at Stanford and received an honorary doctorate of music from Berklee College of Music.
https://en.wikipedia.org/wiki/Bernice_Johnson_Reagon
https://www.bernicejohnsonreagon.com/about/
About the Performer:
Sweet Honey in the Rock is a performance ensemble rooted in African American history and culture and remains among the most vibrant, versatile, and ever-relevant musical collectives in music today. As both a performance ensemble and as an ambassadorial African American organization, they are founded on the triumvirate missions of empowerment, education, and entertainment. The ensemble educates, entertains, and empowers its audience and community through the dynamic vehicles of a cappella singing and American Sign Language interpretation for the deaf and hearing impaired. Sweet Honey’s audience and community comes from diverse backgrounds and cultures throughout the United States and around the world, and includes people of all ages, economic/education/social backgrounds, political persuasions, religious affiliations, and differing abilities. Recently, Sweet Honey in the Rock was invited by the South African Embassy to be a featured performer at the National Memorial Service for Nelson Mandela.
https://sweethoneyintherock.org/about
About the Poet:
Marina Ivanovna Tsvetaeva (1892–1941) was a Russian Empire poet. Her work is considered among some of the greatest in twentieth-century Russian literature. She lived through and wrote about the Russian Revolution of 1917 and the Moscow famine that followed it. In an attempt to save her daughter Irina from starvation, she placed her in a state orphanage in 1919, where she died of hunger. Tsvetaeva left Russia in 1922 and lived with her family in increasing poverty in Paris, Berlin, and Prague before returning to Moscow in 1939. Her husband Sergei Efron and her daughter Ariadna Èfron (Alya) were arrested on espionage charges in 1941. Her husband was executed and Tsvetaeva committed suicide in 1941. As a lyrical poet, her passion and daring linguistic experimentation mark her as a striking chronicler of her times and the depths of the human condition.
https://en.wikipedia.org/wiki/Marina_Tsvetaeva
https://www.poetryfoundation.org/poets/marina-tsvetaeva
About the Devotion Author:
Kari Dunham
Adjunct Professor of Art
Biola University
Kari Dunham is an adjunct art professor at Biola University, Concordia University in Irvine, and Irvine Valley College. Dunham earned her M.F.A. in painting from Laguna College of Art + Design. Through her practice of painting ordinary inanimate objects, she gives voice to the quiet corners and objects of the home, describing the “thingness” that is these objects and how they embody human presence and absence. Kari has also written for SEEN, the semi-annual publication of CIVA (Christians in the Visual Arts).