March 25
:
“Keep Them in Your Name”

♫ Music:

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Day 37 - Thursday, March 25
Title: “KEEP THEM IN YOUR NAME”
Scripture: John 17:1-12
Jesus spoke these things; and lifting up His eyes to heaven, He said, “Father, the hour has come; glorify Your Son, that the Son may glorify You, even as You gave Him authority over all flesh, that to all whom You have given Him, He may give eternal life. This is eternal life, that they may know You, the only true God, and Jesus Christ whom You have sent. I glorified You on the earth, having accomplished the work which You have given Me to do.  Now, Father, glorify Me together with Yourself, with the glory which I had with You before the world was. “I have manifested Your name to the men whom You gave Me out of the world; they were Yours and You gave them to Me, and they have kept Your word. Now they have come to know that everything You have given Me is from You; for the words which You gave Me I have given to them; and they received them and truly understood that I came forth from You, and they believed that You sent Me. I ask on their behalf; I do not ask on behalf of the world, but of those whom You have given Me; for they are Yours; and all things that are Mine are Yours, and Yours are Mine; and I have been glorified in them. I am no longer in the world; and yet they themselves are in the world, and I come to You. Holy Father, keep them in Your name, the name which You have given Me, that they may be one even as We are. While I was with them, I was keeping them in Your name which You have given Me; and I guarded them and not one of them perished but the son of perdition.”

Poetry:
A Better Resurrection
by Christina Rossetti

I have no wit, no words, no tears;
My heart within me like a stone
Is numb'd too much for hopes or fears;
Look right, look left, I dwell alone;

I lift mine eyes, but dimm'd with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.

My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall—the sap of Spring;
O Jesus, rise in me.

My life is like a broken bowl,
A broken bowl that cannot hold
One drop of water for my soul
Or cordial in the searching cold;
Cast in the fire the perish'd thing;
Melt and remould it, till it be
A royal cup for Him, my King:
O Jesus, drink of me.

GLORIFY YOUR SON

Jesus prays that his heavenly Father will glorify him. It’s an odd prayer to our ears, this prayer for glory. Yet, as Jesus anticipates his own suffering death, he looks forward to, even longs for, the glory that he will once again share with God the Father.

Human beings sometimes long for such a glimpse of glory. Never mind the idol worship and power grabs and sensationalism that Western culture often mistakes for glory. There’s a sincere desire that people often have to see what is ultimately real, and to experience that reality without the filters of mundane human existence that obscures reality like smog against the mountains.

Moses wanted to experience that kind of glory, and he understood that such glory belonged solely to the one true God who had rescued the Hebrew people from enslavement in Egypt (see Exodus 33). So Moses asked to see God’s glory, to see his face. But God refused, explaining that such revelation would cost Moses his life. Instead, God allowed Moses to catch a glimpse of God’s back as he passed by, not an image of a human form, but rather the evidence of God’s passing presence. God said that Moses would not see God’s glory, but he would see God’s goodness.

In Jerzy Duda-Gracz’s work, Resurrection, Jesus is ascending in a semi-transparent form against the backdrop of countless numbers of people. But in his post-crucifixion, post-burial, post-resurrection state, Jesus does not appear particularly glorious. He remains unremarkably human even as he is in the process of ascending to the Father.

His right hand is raised in a traditional gesture of blessing. Jesus has been battered, humiliated, and tortured to death as the cheers of the crowds celebrated his demise. Yet, as he proceeds toward glory, he blesses everyone, including his killers and their cheerleaders.

The only unobstructed view of glory that the world will receive is that of the person of Jesus, the glory “as of a father’s only son, full of grace and truth” (John 1:14). The world will not see God’s glory, for to do so we would all perish. But, in Jesus, they will see God’s goodness. All that Jesus brought to Israel—words, signs and wonders, blessing, and a fresh understanding of the character of God—he also brought to the whole world. And the world can see the evidence of God’s glory in the goodness of Jesus.

The Father has granted Jesus authority over all people, and yet Jesus is praying only for his closest followers. As he prepares to depart from them, Jesus leaves them with a commission to provide evidence of the glory of God by declaring and demonstrating his goodness.

In this Lenten season, we who follow Jesus are challenged to reflect on how God’s goodness is demonstrated through us. To be kept in the name that God has given to Jesus is to live in this world as ones who offer evidence of God’s glory. And when we receive that gift of goodness, we will live.

Prayer:
God, our Father.
Keep us in your name, the name you have given to your Son. May we be a people who point the world toward your glory as we declare and demonstrate your goodness. And thank you for Jesus, full of grace and truth, whose very human face has reflected your goodness and offered to us a glimpse of your glory.
Amen.


Michael McNichols, D.Min.
Affiliate Assistant Professor of Intercultural Studies 
Fuller Theological Seminary

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab. 
 

 

 

 

About the Artwork #1:
Resurrection
Jasna Góra Calvary Series
Jerzy Duda-Gracz
2000–2001
Oil on canvas
Jasna Góra Monastery
Czestochowa, Poland

Artist Jerzy Duda-Gracz’ monumental work, the Jasna Góra Calvary, is displayed in the Jasna Góra Monastery in Czestochowa, Poland. Created in 2000-2001, it consists of images from the Stations of the Cross, a series of images depicting Jesus Christ on the day of his crucifixion. Traditionally, the Stations of the Cross features fourteen images that are arranged in order allowing the viewer to make a spiritual “pilgrimage” by contemplating the Passion of Christ. Breaking with tradition, Duda-Gracz created 18 paintings for the series – including this painting depicting the Resurrection. In this painting Jesus, his right hand raised in an attitude of blessing, ascends to the heavens above the thousands of people assembled, a reminder that he came to save all. The Jasna Góra Monastery has been a pilgrimage destination for hundreds of years, and it contains the icon known as the Black Madonna of Czestochowa.
https://culture.pl/en/artist/jerzy-duda-gracz

About the Artist #1
Jerzy Duda-Gracz (1941-2004) was a Polish painter, illustrator, graphic artist, and theatre designer. He graduated from the Kraków Academy of Fine Arts. Duda-Gracz's art contains elements of the grotesque and irony mixed with elements of sentimentalism and nostalgia. He is known primarily for works with bitter overtones which comment on the socio-political reality of the past decades, beginning with Poland under the Communist regime and ending with the beginnings of a democratic political system. At the age of fifty-eight, Duda-Gracz fell seriously ill. However, during his road to recovery, he found faith in Jesus Christ. After this salvation encounter, he began to paint this series as a sign of his gratitude for regaining his health and for his salvation.
https://culture.pl/en/artist/jerzy-duda-gracz
http://webcatolicodejavier.org/GolgotaJasnaGora.htm

Artwork #2: 
I Am the True Vine
Ostap Lozinski
2015
Acrylic on panel

About the Artist #2
Ostap Lozinski (b. 1983) is one of the new contemporary Ukrainian iconographers who draws upon the traditions of icon painting, but also brings a more abstract treatment and personal style to this sacred art form. Lozinski is a graduate of the Sacral Art Department at the Lviv National Academy of Arts known for expanding the boundaries of a conservative art form based on traditionally historic prototypes, forms, and colors. Since 2006 has been working at the National Museum named after Andrey Sheptytsky in Lviv.  
http://sacredartpilgrim.com/schools/view/40
http://nowaikona.pl/en/artysta/ostap-lozynsky/

About the Music:
“I Am”
from the album The Cross: My Gaze

Lyrics:
I am
That I am
I am
That I am

I am that I am-o
There is something about Your name-o
I am that I am-o
Agu-nechemba one-o
Na You be I am that I am o
(I am that I am eh eh)
There is something about Your name o
(Something about Your name)
Na You be I am that I am o
(I am that I am eh eh)
Agu-nechemba one
(Agu-nechemba one)

I salute, I salute, I salute, I salute, Your Majesty (Igwe)
From the east to the west I have searched yet I found no other God
(Nobody like You)
You don’t ever leave me lonely
(Ever leave me lonely)
Your Grace and Your mercy dey upon me
(Mercy dey upon me)
Anywhere You enter things dey happen
(Enter things dey happen)
Odogwu-akataka my defender
(My defender)

Only You be God-o
I no get another
Only You be God-o
I no get another God-o

I am, I am, I am
I am, I am, I am
I am, I am, I am that I am-o

At the mention of Your name
Demons tremble at Your feet 
I am 
Jesus, at the mention of Your name
Anywhere dem gather them dey scatter away
I am

Because of Your Grace
Because of Your love
Things don’t turn around
Every level He don’t change

Now dem dey call me
Dey ask me what’s up
I tell dem not by my power
Now by Your grace 

Only You be God
I no get another
Only You be God
I no get another God
I am, I am, I am that I am

About the Lyricist/Composer/Performer: 
Mercy Chinwo (b. 1990) is a Nigerian gospel musician, singer, and songwriter. She is known for winning Nigerian Idol: Season 2 in 2012. Chinwo got involved in music at a very early age, being a member of the children’s choir in her church and transitioning to the adult choir prior to launching her musical career. Chinwo released her first single, “Testimony,” in 2015 and “Igwe” a year later. A year after winning Nigerian Idol, Chinwo landed her first film role in Yvonne Nelson’s film, House of Gold, starring alongside Yvonne Nelson, Majid Michel, and Omawumi, among others. 
https://en.wikipedia.org/wiki/Mercy_Chinwo

About the Poet: 
Christina Rossetti
(1830–1894) was a Victorian poet who is known for her simple, lyrical work. She published poems in the feminist periodicals The English Woman’s Journal and Victoria Magazine, as well as in various other anthologies. Today her poetry is regarded as some of the most beautiful and innovative of the period. Critical interest in Rossetti’s poetry was renewed in the last decades of the twentieth century, a resurgence largely generated by the emergence of feminist criticism. Her work strongly influenced the work of writers such as Ford Madox Ford, Virginia Woolf, Gerard Manley Hopkins, Elizabeth Jennings, and Philip Larkin. Critic Basil de Selincourt stated that she was “all but our greatest woman poet…incomparably our greatest craftswoman…probably in the first twelve of the masters of English verse.” Rossetti’s Christmas poem “In the Bleak Midwinter” became widely known after her death when set as a Christmas carol, first by Gustav Holst and then by Harold Darke. Her poem “Love Came Down at Christmas” has also been widely arranged as a carol.
https://www.poetryfoundation.org/poets/christina-rossetti
https://en.wikipedia.org/wiki/Christina_Rossettihttps://www.poetryfoundation.org/poets/christina-rossetti

About the Devotion Author: 
Michael McNichols, D.Min.

Affiliate Assistant Professor of Intercultural Studies
Fuller Theological Seminary

Mike McNichols is a former pastor and served as Director of Fuller Seminary’s regional campus in Irvine, California, for over thirteen years. McNichols currently teaches at Fuller Theological Seminary as an Affiliate Assistant Professor of Intercultural Studies. He and his wife, Emily, live in Orange County, California.

 

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