February 21: The Temptation of Christ
♫ Music:
WEEK TWO INTRODUCTION
TITLE: THE SPIRITUAL BATTLE BETWEEN CHRIST AND SATAN
February 21 - February 27
The famous Canadian psychologist Jordan Peterson suggests that “Life is tragic.” He goes on to say “You are tiny and flawed and ignorant and weak and everything else is huge, complex, and overwhelming.” “We are in a constant state of existential threat,” Peterson states, and “the worst ‘snake’ of all is malevolence.” In the early chapters of Genesis, Adam and Eve are seduced by the devil, who comes to them in the guise of a snake. This yielding to sin, resulted in their removal from God’s perfect garden and then being cast into a deeply flawed world of disease and death--cut off from the God they had walked with in Eden. Since then, as St. Paul tells us in Ephesians chapter 6, “Our struggle [is] against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.” A centuries-old life and death battle between the enemy, Satan, and Christ continues to this day. But Genesis 3:15 says regarding Satan, “I will put enmity between you and the woman. You will bruise his heel but ultimately He [Christ] will crush your head.”
The spiritual life involves ongoing malevolence at the hand of the one who wishes to defeat and destroy all followers of Christ. Yet God gives believers “victory through our Lord Jesus Christ” (1 Corinthians 15:57). Pastor Louie Giglio puts it this way, “In the great [wilderness] testing, the enemy comes with torpedoes at [Christ’s] weakest moment. And Jesus is like, ‘You don’t understand, I’m going to crush your head; I’m going to shut you up; I’m on a mission from the very first word spoken in the Garden of Eden; you’re about to give me some body blows but I’m going to take you out.’” Giglio goes on to say, “Jesus stormed the gates of hell. There was a war on the cross, there was a war in the tomb, there was a war when Jesus went down into the depths of the earth, there was a war when he arose from the grave. Christ put the victory flag in the ground. Christ conquered sin and death. From Christ’s great victory we can move out from victory into victory.” Indeed, Christ is power, authority, and victory--a truth we very much need to cling to in these troubling times. This week we study Christ’s interactions with Satan as we prostrate ourselves before the throne of God--contemplating our own temptations, struggles, and shortcomings. Yet more importantly we must truly believe what Christ has accomplished for us through his life and death and resurrection!
Day 5 - Sunday, February 21
Title: THE TEMPTATION OF CHRIST
Scripture: Matthew 4:1-11
Then Jesus was led up by the Spirit into the wilderness to be tempted by the devil. And after He had fasted forty days and forty nights, He then became hungry. And the tempter came and said to Him, “If You are the Son of God, command that these stones become bread.” But He answered and said, “It is written, ‘Man shall not live on bread alone, but on every word that proceeds out of the mouth of God.’” Then the devil took Him into the holy city and had Him stand on the pinnacle of the temple, and said to Him, “If You are the Son of God, throw Yourself down; for it is written, ‘He will command His angels concerning You’; and ‘On their hands they will bear You up so that You will not strike Your foot against a stone.’” Jesus said to him, “On the other hand, it is written, ‘You shall not put the Lord your God to the test.’” Again, the devil took Him to a very high mountain and showed Him all the kingdoms of the world and their glory; and he said to Him, “All these things I will give You, if You fall down and worship me.” Then Jesus said to him, “Go, Satan! For it is written, ‘You shall worship the Lord your God, and serve Him only.’” Then the devil left Him; and behold, angels came and began to minister to Him.
Poetry:
Stones into Bread
by Malcolm Guite
The Fountain thirsts, the Bread is hungry here,
The Light is dark, the Word without a voice.
When darkness speaks it seems so light and clear.
Now He must dare, with us, to make a choice.
In a distended belly’s cruel curve
He feels the famine of the ones who lose,
He starves for those whom we have forced to starve,
He chooses now for those who cannot choose.
He is the staff and sustenance of life,
He lives for all from one Sustaining Word.
His love still breaks and pierces like a knife
The stony ground of hearts that never shared.
God gives through Him what Satan never could—
The broken bread that is our only food.
THE TEMPTATION OF CHRIST
The voice might come from anyone, from everyone. It whispers, cajoles, reasons, and suggests. There is just enough logic in the lulling words to create microscopic cracks that permeate a conviction and threaten to fracture it into pieces.
In J. Kirk Richards’ painting, The Temptation, the figure near Jesus appears to be human, yet is shrouded in shadow. It stands behind Jesus’ back and points off into the distance where the dramas and opportunities lay, just waiting to be claimed by a young messiah if he would just pay attention.
The voice seems to make sense at first. If Jesus, who is clearly a gifted prophet, wants people to hear his message, then the best way to get the word out is to do some spectacular things, like turning stones to bread to feed the masses or jumping off the pinnacle of the Temple only to land unscathed in the arms of angels. There’s no reason to waste time doing these miraculous tricks among just the local people who have desperate needs. Advertise your skills broadly and with fanfare! Who could resist following a messiah of that caliber? A bigger platform is what’s required. If he’d only join up with a winning team—a kind of act of worship—then he’d have the whole world eating out of his hand.
In Scripture, the voice of Satan—the devil, the tempter, the accuser, the adversary—is a voice that seeks to draw people away from God’s intentions and purposes. It may come through enemies both visible and invisible but also through those who think that they mean well. The voice may enter a mind as a sighing breath and then take root like a plant rich with toxins, its sap oozing with the poisonous suggestion, Did God say . . .?
In the Richards painting, there is a line that cuts across the scene, slicing through the tallest of buildings and passing through both the figures of the tempter and Jesus. It has the appearance of a far horizon that separates land and sea from sky. The devil gestures over the line and toward the city, the place where Jesus’ fame and power might be put on display. But Jesus’ face rests on that horizon line, his chin brushing it just so. His mind is not captured by the lure of the city, but rather by the distant joy that awaits him on the horizon of God’s intentions. He knows this horizon because he hears and lives by the word that God speaks. He will not test God with acrobatic parlor tricks. And it is this God who alone will be worshipped and served.
The devil has exhausted his resources for a time. He has whispered his diversions, he has breathed his foul temptations, he has dangled the baubles of celebrity, all to no avail. So he departs as the unwelcome guest who was not invited in the first place.
And the angels who were said to be at the ready to catch Jesus if he were to leap from the Temple’s pinnacle now gather to catch him as he falls into the place of restful prayer in communion with the God who has never forsaken him.
Prayer:
Security: an idol we bow to and work for and dream of.
Security: an illusion we imagine and discuss and plan for.
Security: a gift we find here and now and in memories and in hopes.
O God of ever-present love, help us to embrace true security, fleeing from idols and exposing illusions. All things are passing, God never changes.
Amen.
Let it be so.
(Lina Toth, in Celtic Daily Prayer Book II)
Michael McNichols, D.Min.
Affiliate Assistant Professor of Intercultural Studies
Fuller Theological Seminary
For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.
About the Artwork:
The Temptation (overall and closeup)
J. Kirk Richards
1999
Oil on canvas
Figurative artist J. Kirk Richards is known for his accomplishments as a painter of Judeo-Christian themes and narratives. High atop a mountain precipice in the Judean wilderness, the shrouded figure of Satan offers Jesus a third temptation by enticing him with possessing all the kingdoms and riches of the world, if Christ will only bow down in submission to him. Notice how the artist bisects the composition with light and dark and how the two figures contrast with each other—one concealed in the shadows, the other revealed in the light. Christ patiently holds his hands with perfect calm as he contemplates his answer to this temptation while Satan desperately claws at the air. We live in a world of temptation but through faith, prayer, humility, and strength from our eternal God, we may resist temptation.
About the Artist:
J. Kirk Richards is a favorite among admirers of contemporary spiritual artwork. His love of the textural, the poetic, and the mysterious has translated into a unique take on traditional Judeo-Christian themes. Richards attributes much of his love for the arts to an early emphasis on musical training in his parents’ home. Turning then from music to visual arts, Kirk studied with painters Clayton Williams, Patrick Devonas, Gary and Jennifer Barton, James Christensen, Joe Ostraff, and others. Two years in Rome influenced Richards’ palette, which often consists of subdued browns and rusts. Historical influences upon his art include Bastien-Lepage, Dagnan-Bouveret, Gustav Klimt, Edgar Maxence, Carl Bloch, Rembrandt, and Georges de La Tour. Of his work Richards says; “Within my artwork, I explore the nature and narratives of the human soul: the spiritual and the physical. My hope is that those who view my work will leave with a sense of wonder about the unseen world and an optimism about their own spiritual journey.” Kirk and his wife, Amy, have four creative children. They split their time between their home in Woodland Hills, California, and their country studio in the small town of Redmond, Utah. Richards’ work is mostly found in private collections throughout the country.
http://www.jkirkrichards.com/
About the Music:
“Tracing Mississippi: I. Taloowa (Song)” from the album Tate, J.I.: Tracing Mississippi / Iholba'
About the Composer:
Jerod Impichchaachaaha' Tate (b. 1968) is a Chickasaw classical composer and pianist. His compositions are inspired by American Indian history and culture, and he makes use of traditional instruments. He has composed several commissioned works, which have been performed by major orchestras in Washington, DC, San Francisco, Detroit, and Minneapolis, among others. Tate has also worked to develop younger musicians and composers. He is founder and artistic director of the Chickasaw Chamber Music Festival and the co-founder and composition instructor for the Chickasaw Summer Arts Academy. Since 2011 he has been an adjunct instructor on the music faculty of Oklahoma City University.
http://jerodtate.com/
https://en.wikipedia.org/wiki/Jerod_Impichchaachaaha%27_Tate
About the Performers:
Christine Bailey Davis, Edwin Outwater and the San Francisco Symphony
Christine Bailey Davis (b. 1974) has been the principal flutist of the Buffalo Philharmonic Orchestra since 1995, winning the job at age twenty-one. Today’s music, which Ms. Bailey commissioned from American Indian composer Jerod Impichchaachaaha’ Tate, takes its audience on a musical journey through Chickasaw heritage. The piece, as well as the performance, were so successful that they were named by the Buffalo News in its list of top ten concerts of 2002. In 2007, Davis traveled to San Francisco to record the concerto with the San Francisco Symphony under the baton of Edwin Outwater. Ms. Davis can also be heard on more than forty studio and live recordings as principal flutist of the Buffalo Philharmonic Orchestra; as soloist with Ars Nova Musicians Chamber Orchestra; as well as on Performance Today broadcasts around the world. She has dedicated herself to educating the next generation of flutists in her private studio.
https://christinedavisflute.com/about/
Edwin Outwater (b. 1971) is a visionary conductor who is reinventing the concert experience with major orchestras and institutions throughout the world. Equally adept at interpreting canonical masterworks, premiering new commissions, and connecting audiences with repertoire beyond the mainstream, he is, in the words of conductor Michael Tilson Thomas, “one of the most innovative conductors on the scene today.” A native of California, Outwater graduated in English literature from Harvard University, where he was music director of the Bach Society Orchestra and the a cappella group Harvard Din and Tonics. He received his degree in conducting from UC Santa Barbara. In 2008, his SFS recording of music by Jerod Impichchaachaaha’ Tate was released to wide acclaim. In the United States, Outwater has conducted the New York and Los Angeles Philharmonic Orchestras, as well as the major symphony orchestras in Baltimore, Chicago, Detroit, St. Louis, Houston, and Seattle. International appearances include the Tokyo Metropolitan Orchestra, Tokyo Symphony, Kyoto Symphony, Nagoya Philharmonic, BBCNOW, the Brussels Philharmonic, the New Zealand Symphony, Malmö Symphony, Mexico City Philharmonic, Orquesta Sinfónica de Xalapa, and many others.
http://www.edwinoutwater.com/biography/
http://www.edwinoutwater.com/biography/http://www.edwinoutwater.com/biography/http://www.edwinoutwater.com/biography/
The San Francisco Symphony (SFS), founded in 1911, is an American orchestra based in San Francisco, California. The orchestra has resided at the Louise M. Davies Symphony Hall since 1980. The San Francisco Symphony Youth Orchestra (1981) and the San Francisco Symphony Chorus (1972) are also part of the organization. Michael Tilson Thomas has been the orchestra’s music director since 1995 and is scheduled to conclude his tenure as the orchestra’s music director in 2020, when conductor Esa-Pekka Salonen is scheduled to become the orchestra’s next music director. In the past twenty-six years, the orchestra’s awards and honors have included an Emmy Award and fifteen Grammy Awards.
https://www.sfsymphony.org/
About the Poet:
Malcolm Guite (b. 1957) is a poet, author, Anglican priest, teacher, and singer/songwriter based in Cambridge, England. He has published six collections of poetry: Saying the Names, The Magic Apple Tree, Sounding the Seasons: Poetry for the Christian Year, The Singing Bowl, Waiting on the Word, and the recently released Parable and Paradox: Sonnets on the Sayings of Jesus and Other Poems. Rowan Williams and Luci Shaw have both acclaimed his writing, and his Antiphons appeared in Penguin’s Best Spiritual Writing, 2013. Guite’s theological works include What Do Christians Believe? and Faith, Hope, and Poetry: Theology and the Poetic Imagination. Guite is a scholar of J. R. R. Tolkien, C. S. Lewis, and the British poets, and serves as the Bye-Fellow and chaplain at Girton College at the University of Cambridge, while supervising students in English and theology. He lectures widely in England and the USA, and in 2015 he was the CCCA Visionary-in-Residence at Biola University. Guite plays in the Cambridge rock band Mystery Train and his albums include The Green Man and Dancing Through the Fire.
https://malcolmguite.wordpress.com/
https://en.wikipedia.org/wiki/Malcolm_Guite
About the Devotion Author:
Michael McNichols, D.Min.
Affiliate Assistant Professor of Intercultural Studies
Fuller Theological Seminary
Mike McNichols is a former pastor and served as Director of Fuller Seminary’s regional campus in Irvine, California, for over thirteen years. McNichols currently teaches at Fuller Theological Seminary as an Affiliate Assistant Professor of Intercultural Studies. He and his wife Emily live in Orange County, California.