March 21
:
Defeating Vices & Acquiring Virtues

♫ Music:

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Day 25 - Saturday, March 21
Rung #18: ON SPIRITUAL LAZINESS & STAGNATION 
Scriptures:  Revelation 2:1-3:22; 2 Corinthians 9:8; 2 Peter 1: 5-7
To the angel of the church in Ephesus write: “The words of him who holds the seven stars in his right hand, who walks among the seven golden lampstands. I know your works, your toil and your patient endurance, and how you cannot bear with those who are evil, but have tested those who call themselves apostles and are not, and found them to be false. I know you are enduring patiently and bearing up for my name's sake, and you have not grown weary. But I have this against you, that you have abandoned the love you had at first. Remember therefore from where you have fallen; repent, and do the works you did at first. If not, I will come to you and remove your lampstand from its place, unless you repent.” And God is able to make all grace abound to you, so that having all sufficiency in all things at all times, you may abound in every good work. Make every effort to supplement your faith with virtue, and virtue with knowledge, and knowledge with self-control, and self-control with steadfastness, and steadfastness with godliness, and godliness with brotherly affection, and brotherly affection with love.

Poetry:
On the Beach at Night

by Walt Whitman

On the beach at night, 
Stands a child with her father, 
Watching the east, the autumn sky. 

Up through the darkness, 
While ravening clouds, the burial clouds, in black masses spreading, 
Lower sullen and fast athwart and down the sky, 
Amid a transparent clear belt of ether yet left in the east, 
Ascends large and calm the lord-star Jupiter, 
And nigh at hand, only a very little above, 
Swim the delicate sisters the Pleiades. 

From the beach the child holding the hand of her father, 
Those burial-clouds that lower victorious soon to devour all, 
Watching, silently weeps. 

Weep not, child, 
Weep not, my darling, 
With these kisses let me remove your tears, 
The ravening clouds shall not long be victorious, 
They shall not long possess the sky, they devour the stars only in apparition, 
Jupiter shall emerge, be patient, watch again another night, the Pleiades shall emerge, 
They are immortal, all those stars both silvery and golden shall shine out again, 
The great stars and the little ones shall shine out again, they endure, 
The vast immortal suns and the long-enduring pensive moons shall again shine. 

Then dearest child mournest thou only for Jupiter? 
Considerest thou alone the burial of the stars? 

Something there is, 
(With my lips soothing thee, adding I whisper, 
I give thee the first suggestion, the problem and indirection,) 
Something there is more immortal even than the stars, 
(Many the burials, many the days and nights, passing away,) 
Something that shall endure longer even than lustrous Jupiter 
Longer than sun or any revolving satellite, 
Or the radiant sisters the Pleiades.

DEFEATING VICES & ACQUIRING VIRTUES                                                          

In 1978, the high wire artist Karl Wallenda fell to his death during a show in San Juan, Puerto Rico. His wife said that, after decades of success by focusing on walking the high wire, Wallenda did something he had never done before. In the three months prior to his death, he became obsessed with not falling.

This focus on failure (known in leadership literature as “The Wallenda Factor”) is a form of forgetting, forgetting about what is most important and what is central in one’s work or even in one’s life.

Sin, while described in various ways, whether personal or corporate, is at its heart a form of forgetting. Sin emerges through forgetting about God and allowing our eyes to relocate their attention to potential fears and failures, and to attractions that glitter like gold. As Isaiah admonished the people of Israel,

You have forgotten the Lord, your Maker, who stretched out the heavens and laid the foundations of the earth. You fear continually all day long because of the fury of the oppressor, who is bent on destruction. But where is the fury of the oppressor? (51:13)

In the first three chapters of the book of Revelation, John responds to the call of Jesus and writes letters to the seven churches in Asia. The church in Ephesus is lauded for its endurance and good works, and yet is chastised because “you have abandoned the love you had at first” (2:4). Even in the midst of doing good, the church had forgotten its first love. Perhaps good works had become the church’s first love.

In our personal lives, we can easily forget our first love through something called “sin management.” We become acutely aware of our sins and our potential for failure, and our focus on not falling causes us to forget about God, who first loved us (I John 4:19). 

In Hong Yu’s work, Ladder to Heaven, we see a variety of people ascending and descending the ladder, most of them either distracted or weighted down by possessions. A few have fallen, and even then some do not seem overly concerned about their fate. Only the three at the top of the ladder appear to be focused on the journey to the ultimate destination.

Yes, sin is real. It comes out of the magnetic attraction to things that are not God. Even virtues like faith, goodness, knowledge, and self control (2 Peter 1:5-7) can become distractions when they are acted out in the absence of our first love. Virtues can turn into idols that become ultimate values in and of themselves. They can turn into harnesses and safety nets that mitigate our fear of falling. True virtues are expressions of our first love rather than accomplishments that qualify us for that love.

We need not live in fear (“Do not fear” is a common admonition in scripture), because God, our first love, continuously pours out his grace upon us (2 Corinthians 9:8). When we remember the God who first loved us, we are assured that there is no fear in love (I John 4:18).

Prayer: 
Lord,
We are surrounded by the memories and voices of so many faithful ones who have gone before us, ones who, like us, have struggled through sin and brokenness on their way to faithfulness. Let us also put aside the weight and the sin that tries to wrap us like a robe, and turn our eyes to Jesus, who has broken the power of sin through his death and resurrection. May we always look up, where faithfulness is perfected in him.
Amen.
(Adapted from Hebrews 12:1-2):

Michael McNichols, DMin
Affiliate Assistant Professor of Intercultural Studies  
Fuller Theological Seminary

For more information about the artwork, music, poetry, and devotional writer selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab. 
To learn more about the themes of this year’s Lent Project, please go to:

https://ccca.biola.edu/lent/2020/#day-feb-25

 

 

 

About the Art:
Ladder to the Sky

Yu Hong
2008
Acrylic on canvas, 5 panels
600 cm × 600 cm 

Yu Hong’s Ladder to Sky (2008) draws on the twelfth-century icon Ladder of Divine Ascent in Saint Catherine’s Monastery, Mount Sinai, Egypt (see Day 6, March 2), that depicts the spiritual ascent to Heaven by monks. She has said, “You only need to change your perspective to discover that this world is very unfamiliar.” Using friends as models for the figures, Yu presents an assortment of people one might encounter in China today, “characters of varying ages and social standings [who] climb up or fall off an extended ladder with no beginning or end” that suggest the dynamic and often precarious nature of life in contemporary China. They include a young girl seated on the first rung with an open laptop, a shirtless man holding a birdcage which is a common sight in city parks, an old bearded man in traditional everyday garb and a straw hat seated to light his pipe, and a young man in a long silk traditional Chinese robe. Interestingly, the last three figures, who reflect aspects of traditional Chinese culture, face outward and look down or back, while the others turn to face the ladder to ascend upwards. A bride dressed in a white western bridal gown and others, young and old, tumble down to an unseen end. The composite nature of the work resembles a puzzle while the gold suggests wealth and prosperity, the pursuit of which may be a double-edged sword. Hong has said about this and related works, “I am bringing the traditional and modern together stylistically. My perspective is Asian, but the human condition is universal so my themes are universal. It is only natural that over time we understand this.”
https://www.artspace.com/magazine/art_101/book_report/phaidon-p3-china-painters-54362
https://gbtimes.com/yu-hong-paintings-show-passage-time

About the Artist: 
Yu Hong
was born in 1966 in Xi’an, China. In the 1980s she studied oil painting at the Central Academy of Fine Arts (CAFA) in Beijing and graduated with a postgraduate degree from the oil painting department in 1996. Since 1988 she has been a teacher in CAFA’s oil painting department. From the start, Yu Hong received training in realist painting, which over time would translate into her own individual aesthetic language. Her compositions typically include vivid color schemes and bold brush strokes. Her works characteristically portray, as described by Britta Erickson, the "poetry of day-to-day existence" from a female perspective in all stages of life. The core subject of Yu Hong’s paintings has always been human nature and how human beings grow and exist in this society, in this world. Her works also explore the relationship between the individual and the rapid social change taking place in China. Her work has been collected by numerous institutions worldwide.
http://longmarchspace.com/en/category/yu-hong/yu-hong-biography/ https://www.askart.com/artist/Hong_Yu/11140769/Hong_Yu.aspx

About the Music:
“Every Rise Every Fall” from the album Find Your Rest Here

The Lyrics:
I'm running in circles
It's a steep hill to climb
My own understanding won't cut it this time
I'm feeling the pressure
Believing the lies
But I want to believe this life is not mine

I'm left undone
By the seas You have split
My fear-waging a battle, I'm left more equipped
It's like we're face to face
This heaven on land
Even when I fight, it's from the palm of Your hand

Here's my mountain
Now break down my walls
I am confident Your hand's in every rise
And every fall

You shattered my scares
And drowned me in peace
I'm not tethered to fear, in Your presence they cease
My heart, it is won
You alone are enough
I am done with my searching, it's You that I want

Here's my mountain
Now break down my walls
I am confident Your hand's in every rise
And every fall

I hear You in the whispers
And in the sonnets of the waves
How I love the One who carries
How I love the One who saves
I see You in my trial
When my pain turns into song
How I love the One who tells me
Not to stray but I belong

And just like the tides
It's highs and it's lows
I know You're my constant, You won't waver or go

About the Composer/Performer/Lyricist: 
Olivia Georgia

About the Poet: 
Walt Whitman
(1819-1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the “Father of Free Verse.” In his major work, Leaves of Grass, he explored democracy, nature, love, and friendship. He continued expanding and revising Leaves of Grass until his death. His poetry often focused on both loss and healing. Two of his well known poems, "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd,” were written on the death of Abraham Lincoln. While his poetry failed to garner popular attention from American readership during his lifetime, Whitman is regarded as one of America’s most significant 19th-century poets and would later influence many poets including Ezra Pound, William Carlos Williams, Allen Ginsberg, C.K. Williams, and Martín Espada.
https://www.poetryfoundation.org/poets/walt-whitman


About the Devotion Writer:
Michael McNichols, DMin
Affiliate Assistant Professor of Intercultural Studies  
Fuller Theological Seminary

Mike McNichols is a former pastor and served as Director of Fuller Seminary's regional campus in Irvine, California, for over thirteen years. He currently teaches at Fuller Theological Seminary as an Affiliate Assistant Professor of Intercultural Studies. He and his wife, Emily, live in Orange County, California.

 

 

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