April 9: Maundy Thursday
♫ Music:
Day 44 - Thursday, April 9
MAUNDY THURSDAY
Hymn for Holy Thursday: Receive me today, Son of God, as a partaker of Your mystical Supper. I will not reveal Your mystery to Your adversaries. Neither will I give You a kiss as did Judas. But as the thief I confess to You: Lord, remember me in Your Kingdom.
Scripture: 1 Corinthians 11:23-32
For I received from the Lord that which I also delivered to you, that the Lord Jesus in the night in which He was betrayed took bread; and when He had given thanks, He broke it and said, “This is My body, which is for you; do this in remembrance of Me.” In the same way He took the cup also after supper, saying, “This cup is the new covenant in My blood; do this, as often as you drink it, in remembrance of Me.” For as often as you eat this bread and drink the cup, you proclaim the Lord’s death until He comes.
Poetry:
The Last Supper
By Rainer Maria Rilke
Translated by Albert Ernest Flemming
They are assembled, astonished and disturbed
round him, who like a sage resolved his fate,
and now leaves those to whom he most belonged,
leaving and passing by them like a stranger.
The loneliness of old comes over him
which helped mature him for his deepest acts;
now will he once again walk through the olive grove,
and those who love him still will flee before his sight.
To this last supper he has summoned them,
and (like a shot that scatters birds from trees)
their hands draw back from reaching for the loaves
upon his word: they fly across to him;
they flutter, frightened, round the supper table
searching for an escape. But he is present
everywhere like an all-pervading twilight-hour.
[On seeing Leonardo da Vinci's Last Supper, Milan 1904.]
MAUNDY THURSDAY
As we reflect on the Passion of Christ each year during this Lenten season, we are invited to imagine what it might have been like to walk with our Lord in his suffering, death, and resurrection. And on this particular Maundy Thursday, as we find ourselves in the midst of a global pandemic unlike any this generation has experienced, we don’t need to work hard to enter into the fear and confusion of the disciples that night. We don’t need to work hard to taste the all-encompassing brokenness of this world the way Jesus did.
As he recounts for the Corinthian churches the events of Jesus’ Last Supper with his disciples, Paul specifically chooses language of betrayal, sorrow, and death to counter a kind of spiritual triumphalism that had developed among the Corinthian churches. This spiritual triumphalism resulted in divisive status-seeking behaviors that leaked into their practice of the Lord’s Supper. Some in the community fostered an elitist concern for the pleasure of their own meal eaten exclusively with their friends, resulting in excess and drunkenness. This left the late-arriving working-class with nothing - hungry and humiliated (11:17-22).
This horrific behavior, says Paul, is entirely counter to this meal’s meaning; Jesus’ last meal with the disciples was far from a drunken party with close friends. Let me remind you what it was like, says Paul. This meal happened on the night that Jesus was betrayed. The bread and wine foreshadow Jesus’ broken body and shed blood. When we eat this broken bread and drink the cup, we proclaim Jesus’ death until his return. This meal, says Paul, is shadowed by betrayal, sorrow, and death.
Fairouz’s sacred song “Wa Habibi” and Rilke’s “The Last Supper” echo Paul’s somber tone and capture the melancholy of that night on which Jesus was betrayed. On this present Maundy Thursday, it is not difficult to understand the fear and confusion of the disciples as they “flutter, frightened, round the supper table / searching for an escape.” As we collectively seek to “slow the spread” through social distancing, we are betrayed by our God-given need and desire to be personally present with each other in this moment of crisis. As we think of those essential workers who are attending to our communities’ basic needs of food, health and safety, the sorrow of Jesus in Gethsemane as he faces death for the sake of those he loves seems all the more real. The grief of lost jobs, ravaged livelihoods, overrun medical facilities and uncertainty of how it will all end makes the overwhelming sorrow of Jesus and grief of the disciples that night all the more present.
On this Maundy Thursday, we are invited to sit in the somber reality of that night. We are invited to allow the collective global grief of our own time to come to the surface. We are invited to name the loneliness and distress that gives us a taste of Jesus’ own passion. We are invited into these very present emotions because when we can name the betrayal, sorrow and death of this present moment and of that night so long ago, the rejoicing of Sunday’s Salvation will be all the more profound.
Prayer:
Lord Jesus, on the night when you were betrayed, fear, confusion, sorrow and death seemed to reign. And so they seem to reign for us today. Thank you for this taste of the grief you embodied that night so long ago, and for this understanding of the disciples’ confusion and fear as they watched you head toward the cross. Do not let us forget the horror you willingly entered that night. And even as we name the fear, confusion, sorrow and death of this present moment, remind us that in the end, Lord, your death brought life.
Amen
Lisa Igram
Dean of Student Wellness
Biola University
For more information about the artwork, music, poetry, and devotional writer selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab
About the Art:
Freude, schöner Götterfunken (An die Freude or Ode to Joy)
From the Ode to Joy Series
Ernst Barlach
1927
Woodcut
9 7/8” x 14”
Ernst Barlach was a master of the sublime, with the ability to capture transcendent experience through soaring lines, simplicity of composition, and body language. This figure seems like he is about to lift off in supreme joy as he leans out, cup extended, into open space. This print belongs to a cycle of nine woodcuts to Friedrich Schiller’s poem Ode to Joy (1785, revised 1808), published both as a portfolio and a book in 1927. It has been described as an anthem to peace and universal brotherhood that ends with the lines, “Brothers, above the starry canopy there must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.” The later version of Schiller’s poem also inspired the fourth (and last) movement of Beethoven’s Ninth Symphony, completed in 1824. Ernst Barlach’s woodblock prints continue in the tradition of German old masters and the folk arts and crafts. He considered himself “an artist of German birth and roots,” saying, “I know that I belong nowhere else.”
About the Artist:
Ernst Barlach (1870-1938) was a German expressionist sculptor, printmaker, and writer. Famed for his sculptures of religious and mystical figures influenced by Gothic wood carvings, and for his depictions of bulky peasant figures, he used emphatic gestures and angular poses to convey emotion and movement. Although he was a supporter of the war in the years leading to World War I, his participation in the war made him change his position, and he became known for his sculptures protesting against the war. This created many conflicts during the rise of the Nazi Party, when most of his works were confiscated as Degenerate Art. The Nazis removed 381 of his works from museums and churches, destroying some. Additionally, he was barred from exhibiting and staging his plays.
https://en.wikipedia.org/wiki/Ernst_Barlach
http://www.artnet.com/artists/ernst-barlach/
About the Music:
“Wa Habibi” from the album Good Friday - Eastern Sacred Songs
The Lyrics (Transliteration from Arabic):
Wa habibi u habiby 'ay hal 'ant fih
min rak fashajak 'ant 'ant almuftadi
ya habibi 'ay dhanb hammal aleadl banih
fa'azaduk jrahaan lays fiha min shifa'
hin fi albistan lylaan sajjid alfady al'iil
kanat alddunya tasli lilladhi 'aghnaa alssala
shajar alzzaytun yabki w tunadih alshshifa'
ya habibi kayf tamdi 'atraa dae alwafa'
Lyrics Translation:
Oh my love, my love what a sad state you are in
Anyone who sees you will cry in melancholy, you gave your life for us
My love, what guilt you carry
What wounds they put on you, no cure has been found for
When in the field at night you, our god; kneel for praying
The world was praying with you for you made prayer a great thing
The olives whipped they called you name
My love, how you leave like this, no fidelity is left in the world
About the Composer/LyrIcist:
Traditional Syrian
About the Performer:
Fairouz (b. 1934) is a Lebanese singer and actress widely considered to be one of the most celebrated Arab singers of the 20th century. Fairouz’s husband was Assi Rahbani, who along with his brother Mansour Rahbani—known together as the Rahbani Brothers—wrote and composed the majority of the songs and plays that Fairouz performed from the mid-1950s until Assi suffered a debilitating stroke in 1973. Subsequently, Fairouz began collaborating separately with her son and daughter, Ziad and Rima Rahbani. She is also known as an icon in modern Arabic music and has sold over 150 million records worldwide, making her one of the best-selling Middle-Eastern artists of all time.
https://www.britannica.com/biography/Fairouz
About the Poet:
Rainer Maria Rilke (1875–1926) was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets,'' writing in both verse and highly lyrical prose. Several critics have described Rilke's work as inherently "mystical." His writings include one novel, several collections of poetry, and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety. In the later 20th century, his work found new audiences through frequently being quoted or referenced in television programs, motion pictures, music and other works. In the United States, Rilke remains among the more popular, best-selling poets.
https://www.poetryfoundation.org/poets/rainer-maria-rilke
https://en.wikipedia.org/wiki/Rainer_Maria_Rilke
About the Devotion Writer:
Lisa Igram
Dean of Student Wellness
Biola University
Lisa Igram’s work in higher education includes a variety of classroom-teaching and co-curricular programming experiences in the U.S. and abroad. She was recently appointed Dean of Student Wellness, where she works with a team dedicated to developing proactive and preventative strategies to support students’ holistic well-being towards academic persistence and thriving. Lisa is currently pursuing a PhD in New Testament Studies at the University of Aberdeen, Scotland.