February 27
:
The Persecuted

♫ Music:

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Saturday, February 27
Scripture: Matthew 5:10-12

“Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven. Blessed are you when others revile you and persecute you and utter all kinds of evil against you falsely on my account. Rejoice and be glad, for your reward is great in heaven, for so they persecuted the prophets who were before you.”

THE PERSECUTED

Blessedness is a sought-after condition that means joy, abundance, and satisfaction. What Jesus tells us here seems paradoxical.  How should we react to being ridiculed, marginalized, imprisoned, or tortured for following Him? Our flesh or logic would retaliate or talk back in the face of unjust persecution. “Mutual respect, acceptance!” our western worldview would retort. But Jesus teaches otherwise.

Jesus knew that His followers would be persecuted just as He was. He cautions us that we will be hated because we are not of this world (John 15:19). Whether we live in a closed or free society, abroad or in the States, we are not ultimately citizens of this world and we should not be surprised when we are faced with “fiery trials” (1 Peter 4:12). Persecution is not something that we need to seek out – surely Jesus is not encouraging a masochistic or ascetic approach to life – but suffering is a natural consequence of being united to Christ in his life and death.

Indeed, the family of God, which now spans nations, tongues, and tribes grew from a handful of disciples who suffered painful and gruesome deaths, following in Jesus’ footsteps. But in God’s design, the suffering of believers never exists for its own sake; it is always for His greater plan. Being able to endure sustained testing of faith, as visualized by Viola’s Martyrs video installation, purifies and strengthens our beliefs. When we are asked to articulate or defend our faith, Jesus promises the Spirit will supply the words and strength necessary for the task.  The Greek word for “martyr” is simply “witness” – and this is what we are called to be, wherever we are. But where persecution exists, the church is purified and often grows exponentially. As Tertullian, the early church Father wrote, “The blood of martyrs is the seed of the Church.”

Persecution may seem like something that happens in far-off locales. But are we prepared to count the cost in our daily lives, choosing to identify with a suffering savior? Do we stand with our persecuted brothers and sisters, remembering those in chains (Heb. 13:3)? Do we, like the early apostles, rejoice at the prospect of being “counted worthy to suffer shame for His name” (Acts 5:41)?

This type of blessedness is one that the world cannot explain. This type of blessedness bears much fruit – not only in spiritual reward, but in the building of God’s kingdom.

PRAYER

Thou God of my end,
All I want in life is such circumstances
As may best enable me to serve thee in the world…
Enable me to undertake some task for thee,
For this refreshes and animates my soul,
So that I could endure all hardships and labours,
A
nd willingly suffer for thy name.
But, O what a death it is to strive and labour,
T
o be always in a hurry and yet do nothing! …
Fit me to exult in distresses of every kind
If they but promote the advancement of thy kingdom.
Fit me to quit all hopes of the world’s friendship,
And give me a deeper sense of my sinfulness…
Fit me to pray with a sense of the joy of divine communion,
To find all times happy seasons to my soul,
To see my own nothingness,
And wonder that I am allowed to serve thee.
Fit me to enter the blessed world where no unclean thing is,
And to know thee with me always.
- excerpted from the Valley of Vision

Hannah Varamini, CCCA Staff  

Martyrs (Earth, Air, Fire, Water)
Bill Viola
Video
St. Paul’s Cathedral, London, England

About the Artist and Art
Bill Viola (b. 1951) is widely recognized as one of the leading video artists on the international scene. For over 30 years he has created videotapes, architectural video installations, sound environments, electronic music performances, and works for television broadcast. Viola’s video installations—total environments that envelop the viewer in image and sound—employ state-of-the-art technologies and are distinguished by their precision and direct simplicity. His works focus on universal human experiences—birth, death, the unfolding of consciousness—and have roots in both eastern and western art as well as spiritual traditions, including Zen Buddhism, Islamic Sufism, and Christian mysticism. St. Paul’s Cathedral in London commissioned Bill Viola to create Martyrs, which shows four individuals, across four plasma screens, being martyred by the four classic elements. The soundless video lasts seven minutes. This video installation has been gifted to the Tate Museum of Art but is on long-term loan to St. Paul’s Cathedral.
www.billviola.com

About the Music
“The Beatitudes”

Lyrics

Blessed are the poor in spirit: for theirs is the kingdom of heaven.
Blessed are they that mourn: for they shall be comforted.
Blessed are the meek: for they shall inherit the earth.
Blessed are they which do hunger and thirst after righteousness: for they shall be filled.
Blessed are the merciful: for they shall obtain mercy.
Blessed are the pure in heart: for they shall see God.
Blessed are the peacemakers: for they shall be called the children of God.
Blessed are they which are persecuted for righteousness' sake: for theirs is the kingdom of heaven.
Blessed are ye, when men shall revile you, and persecute you and say all manner of evil against You falsely, for my sake.
Rejoice, and be exceeding glad: for great is your reward in heaven:
For so persecuted they the prophets which were before you. Amen.

About the Composer/Performer
Arvo Pärt (b. 1935) is an Estonian composer of classical and sacred music. He is an Eastern Orthodox Christian. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Since 2013, Pärt has had the distinction of being the most performed contemporary composer in the world. Although the recipient of numerous awards and honors from nations around the globe, the humble maestro strives to keep out of the limelight, endeavoring to give God credit for his many accomplishments. “The Beatitudes,” written in 1990, utilizes novel techniques of rhythm and dissonance. The melodic lines resemble Gregorian chant, lending a mysterious and spiritual quality to the ensemble of human voices, climaxing with the intensity of the organ.
www.arvopart.org

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