April 6: The Compassion of Christ
♫ Music:
WEEK 6—JOURNEY TO THE CROSS
Sunday, April 6—Day 33
Jesus was going through all the cities and villages, teaching in their synagogues and proclaiming the gospel of the kingdom, and healing every kind of disease and every kind of sickness. Seeing the people, He felt compassion for them, because they were distressed and dispirited like sheep without a shepherd. Then He said to His disciples, “The harvest is plentiful, but the workers are few. Therefore beseech the Lord of the harvest to send out workers into His harvest.”
Matthew 9: 35-38
The Compassion of Christ
Edward Knippers’ imaginary painting, The Pest House, graphically portrays our Lord in the midst of a “fever shed,” or quarantined building, set aside for those suffering from communicable diseases. These makeshift hospitals were popular in the nineteenth century, when epidemics swept through villages and cities with decimating destruction. In the painting it appears that Christ has invaded an iniquitous den of leprosy where death reigns unchallenged. He is seen with His back towards the viewer, extending His hand in a gesture of curative mercy.
Christ’s healing ministry resulted in holistic restoration, not only of the subject’s diseased body but of their mind and spirit as well. I can only imagine what it must have been like, being the recipient of one of His earthly miracles. Those Gospel stories are some of the most powerful narratives of compassion and self-denying love ever recorded. Day in and day out He brought hope to the hopeless as He poured himself into serving those in need. There was no one that Christ refused to help; no place that He would not go. And wherever Christ went, dramatic change followed in His wake.
The Risk
Marcella Marie Holloway
You take a risk when you invite the Lord
Whether to dine or talk the afternoon
Away, for always the unexpected soon
Turns up: a woman breaks her precious nard,
A sinner does the task you should assume,
A leper who is cleansed must show his proof:
Suddenly you see your very roof removed
And a cripple clutters up your living room.
There’s no telling what to expect when Christ
Walks in your door. The table set for four
Must often be enlarged and decorum
Thrown to the wind. It’s His voice that calls them
And it’s no use to bolt and bar the door:
His kingdom knows no bounds of roof, or wall, or floor.
Sometimes in our own day, through fervent intercession or an unexplained benevolence, what we refer to as a miracle takes place. Many of these occurrences seem to transpire in parts of the world where hardship, suffering and an intense, childlike faith collide. We also know that since Christ’s return to Heaven, His followers have been called upon to be His witnesses and healing hands. Miracles were/are not acts performed by Christ alone (John 14:12), but by His disciples as well. There is a beautiful story from 19th century Christian history that poignantly illustrates this truth.
Father Damien (1840-1888), felt the call of God to leave his native Belgium and become a missionary to the Hawaiian Islands. Arriving in 1864, he ministered in several churches on the island of Oahu before sensing a second call to serve a colony of 600 lepers on the remote island of Molokai where they lived in bleak isolation. The first thing Damien did was to build a church so that his new flock could worship. One source says, “This colony of death soon became a colony of life as grass shacks turned into painted houses, neglected land was organized into farms and the jobless were taught construction. He was not only their priest, but had to be their doctor, too. He dressed their ulcers, made their beds, built their coffins and dug their graves.” Damien’s healing devotion infected everyone, winning them to Christ. In 1884 he contracted leprosy himself, dying four years later. Today Father Damien is remembered as a lover of lepers, outcasts, and all who suffered from incurable diseases. God used him in profound ways to bring spiritual and emotional healing to those no one else cared about.
Healing is risky business. Miss Holloway’s poem indicates that to be in the presence of Christ transforms everything. The Lord does not leave until each chamber of one’s dwelling/being is made new. Annie Herring passionately sings, “I’m like the man who was crippled from birth, crippled until you walked in. You not only healed me and made me whole, but you took away my sin!” In response I cry with all that is in me, “Lord, Heal this desperate sinner of all his diseases, so that in some small way I might become an agent of healing to others.”
Barry Krammes, CCCA Staff
Prayer
Healing power of Jesus Christ,
fall afresh on me,
Healing power of Jesus Christ,
fall afresh on me.
Touch me, stir me, unfold me, love me.
Healing power of Jesus Christ,
fall afresh on me.
(Howard Booth)
Holloway, Marcella Marie, “The Risk,” Robert Atwan, George Dardess, & Peggy Rosenthal, editors, Divine Inspiration: The Life of Jesus in World Poetry (Oxford: Oxford University Press, 1998) p 362-63
The Pest House
Edward Knippers
Oil on Canvas
About the Artist and Art
Edward Knippers is a painter and speaker, widely regarded as one of the founding fathers of the interdisciplinary conversation between Christian faith and contemporary visual art. He is a nationally exhibited artist, with over 100 one-man and invitational exhibitions including a four-person show at the Los Angeles County Museum. Knippers' work has been published widely, can be found in Life magazine and Christianity Today and in numerous public and private collections including The Vatican Museum, Rome; Armand Hammer Museum, Los Angeles; the University of Oklahoma, Norman; and the Billy Graham Center, Wheaton, IL. His work is primarily described as figurative paintings of Biblical narratives - dramatic tableaux that are Baroque in their expressive intensity. Knipper recognizes the importance of the flesh and blood body to the Biblical narratives of Creation, Incarnation, and Resurrection. His work aims to restore the human body to its central place as the locus of the divine/human encounter.
http://edwardknippers.com/
About the Poet
Sister Marcella Marie Holloway (1914-2003) was an author, poet, and longtime professor at Fontbonne University. Born in St. Louis, Sister Holloway entered the convent of the Sisters of St. Joseph of Carondolet in 1932 and professed her final vows in 1938. She graduated magna cum laude in June 1938 from Fontbonne College, now Fontbonne University, with a bachelor's degree in English. Beginning in 1938, she taught at two high schools in Georgia before returning to Missouri, where she received a master's degree from the University of Missouri at Columbia in 1945 before returning to Fontbonne as a professor.
About the Music (Piece 1)
I Worship You lyrics
I’m like the woman at the well
Drawing water for him
Broken inside by the ways of the world
Until I saw you
I am like the woman with the long hair
Washing your feet with my tears
So overwhelmed you’ve forgiven me
Of all the sin-stained years
Chorus:
So I worship you
I worship you
I worship you
With all of my heart
I am like the woman who cried day and night,
Won’t somebody heal me?
Then I touched the hem of your garment and found
All I’ll ever need
I am like the woman who buried her face
And cried at Calvary
Knowing that you were the spotless lamb
Sent to die for me
You’ve always been there
When nobody else cared
You’re more than a father to me
Whenever I feel lost
You show me the cross
And what you have done for me
I’m like the man who came in from the field
And didn’t even think twice
To sell all he owned,
So that he could purchase
The pearl of great price
I’m like the man who was crippled from birth
Crippled until you walked in
You not only healed me and made me whole,
But took away my sin!
About the Performer
Annie Herring (b 1945) is one of the pioneers of the Jesus music genre, later to be called Contemporary Christian music. She was more notably a part of the trio, 2nd Chapter of Acts in which she wrote most of the songs and sang lead and harmony vocals with her brother Matthew Ward and sister Nelly (Ward) Greisen. During her musical career with the 2nd Chapter of Acts from 1973 to 1988, she also recorded solo albums. She continues to record and perform her solo work to the present time.
http://www.annieherring.com/
About the Music (Piece 2)
At His Feet
lyrics
A Fearful, desperate father
Pleads for his dying daughter
Comes, exhausted from sorrow
And falls at his feet
Pale, bleeding, her intent
To touch the fringe of his garment
But, found out, fearfully now,
She falls at his feet
Life and healing in him meet
The dark demonic must retreat
All they’d hoped for and more
They found at his feet
Bruised, bleeding and unclean
He’d lived the life of a bad dream
From the tombs he came trembling
And fell at his feet
With his own voice he was pleading
A darker voice, threatened, deceiving
He sought impossible freedom,
There at his feet
Life and healing in him meet
The dark demonic must retreat
All they’d hoped for and more
They found at his feet
One rose, one healed of her bleeding
One delivered of thousands of demons
Everyone of them found freedom,
There at his feet
Life and healing in him meet
The dark demonic must retreat
All they’d hoped for and more
They found at his feet
About the Performer
In a career that spans over 30 years, Michael Card has recorded over 31 albums, authored or co-authored over 24 books, hosted a radio program, and written for a wide range of magazines. He has penned such favorites as El Shaddai, Love Crucified Arose, and Immanuel. He has sold over 4 million albums and written over 19 #1 hits on the Christian music charts. Despite the popularity of his work, Card’s primary goal remains to simply and quietly teach the Bible and proclaim Christ.
http://www.michaelcard.com/