April 24
:
St. Thomas Didymus

♫ Music:

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Thursday, April 24—Day 51

So when it was evening on that day, the first day of the week, and when the doors were shut where the disciples were, for fear of the Jews, Jesus came and stood in their midst and *said to them, “Peace be with you.” And when He had said this, He showed them both His hands and His side. The disciples then rejoiced when they saw the Lord. So Jesus said to them again, “Peace be with you; as the Father has sent Me, I also send you.” And when He had said this, He breathed on them and said to them, “Receive the Holy Spirit. If you forgive the sins of any, their sins have been forgiven them; if you retain the sins of any, they have been retained.”

But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. So the other disciples were saying to him, “We have seen the Lord!” But he said to them, “Unless I see in His hands the imprint of the nails, and put my finger into the place of the nails, and put my hand into His side, I will not believe.”

After eight days His disciples were again inside, and Thomas with them. Jesus came, the doors having been shut, and stood in their midst and said, “Peace be with you.” Then He said to Thomas, “Reach here with your finger, and see My hands; and reach here your hand and put it into My side; and do not be unbelieving, but believing.” Thomas answered and said to Him, “My Lord and my God!” Jesus said to him, “Because you have seen Me, have you believed? Blessed are they who did not see, and yet believed.”
John 20: 19-29


ST. THOMAS DIDYMUS
Denise Levertov

In the hot street at noon I saw him
a small man
gray but vivid, standing forth
beyond the crowd’s buzzing
holding in desperate grip his shaking
teeth-gnashing son,

and thought him my brother.
I heard him cry out, weeping, and speak
those words,
Lord, I believe you, help thou
mine unbelief,

and knew him my twin:
a man whose entire being
had knotted itself
into the tight drawn question,
Why,
why has this child lost his childhood in suffering,
why is this child who will soon be a man
tormented, torn, twisted?
Why is he cruelly punished
who has done nothing except be born?

The twin of my birth
was not so close
as that man I heard
say what my heart
sighed with each beat, my breath silently
cried in and out,
in and out.

After the healing,
he with his wondering
newly peaceful boy, receded;
no one
dwells in the gratitude, the astonished joy,
the swift
acceptance and forgetting.
I did not follow
to see their changed lives.

What I retained
was the flash of kinship.
Despite
all that I witnessed,
his question remained
my question, throbbed like a stealthy cancer,
known
only to doctor and patient. To others
I seemed well enough.

So it was
that after Golgotha
my spirit in secret
lurched in the same convulsed writhings
that tore that child
before he was healed.

And after the empty tomb
when they told me He lived, had spoken to Magdalen,
told me
that though He had passed through the door like a ghost
He had breathed on them
the breath of a living man—

even then
when hope tried with a flutter of wings
to lift me--
still, alone with myself,
my heavy cry was the same: Lord,
I believe,
help thou mine unbelief.

I needed
blood to tell me the truth,
the touch
of blood. Even
my sight of the dark crust of it
round the nailholes
didn’t thrust its meaning all the way through
to that manifold knot in me
that willed to possess all knowledge,
refusing to loosen
unless that insistence won
the battle I fought with life

But when my hand
led by His hand’s firm clasp
entered the unhealed wound,
my fingers encountering
rib-bone and pulsing heat,
what I felt was not
scalding pain, shame for my
obstinate need,
but light, light streaming
into me, over me, filling the room
as if I had lived till then
in a cold cave, and now
coming forth for the first time,
the knot that bound me unraveling,
I witnessed
all things quicken to color, to form,
my question
not answered but given
is part
in a vast unfolding design lit
by a risen sun.

Levertov, Denise,The Stream & the Sapphire: Selected Poems on Religious Themes, (New York: New Directions Publishing, 1997), 81-84.

The Appearance of Thomas
Tanja Butler
Oil on Canvas

About the Artist and Art
Tanja Butler is a painter and liturgical artist whose studio is located in Beverly, Massachusets. Her work is included in the following collections: the Vatican Museum of Contemporary Religious Art, the Billy Graham Center Museum at Wheaton, the Boston Public Library, the DeCordova Museum, and the Armand Hammer Museum of Art, UCLA. Publications include Icon: Visual Images for Every Sunday, a CD-Rom of 600 images based on the church year and lectionary readings, published by Augsburg Fortress. She is currently an associate professor of art at Gordon College in Wenham, Massachusetts, where she teaches painting, drawing, liturgical art and illustration. Nativity is an unforgettable painting reflecting an influence found in traditional German Expressionism. The bold brush strokes and vivid, stylistic color reflects an overwhelming joy and celebratory spirit at the coming of Christ.

About the Music

What Love is This lyrics

You never change, You are the God You say You are 
When I'm afraid You calm and still my beating heart 
You stay the same, when hope is just a distant thought 
You take my pain 
And You lead me to the cross 

What love is this, that You gave Your life for me 
And made a way for me to know You 
And I confess You're always enough for me 
You're all I need 

I look to You 
I see the scars upon Your hands 
And hold the truth 
That when I can't You always can 
I'm standing here beneath the shadow of the cross, I'm overwhelmed that I 
Keep finding open arms 

What love is this that You gave Your life for me and made a way for me to 
Know You 
And I confess, You're always enough for me 
You're all I need 

Jesus in Your suffering, You were reaching; You thought of me 
Jesus in Your suffering, You were reaching; You thought of me 

What love is this, that You gave Your life for me 
And made a way for me to know You 
And I confess, You're always enough for me 
You're all I need 

What love is this, that You gave Your life for me 
And made a way for me to know You 
And I confess, You're always enough for me 
Always enough for me 
Always enough for me

About the Performer
After being established as one of the industry’s premier worship leaders with her Dove Award-winning, self-titled debut, Kari Jobe continues to serve as a worship pastor at Gateway Church in Southlake, Texas, and released her highly anticipated follow-up album, Where I Find You (Sparrow), in January 2012. This album earned Kari her first GRAMMY-nomination for Best Contemporary Christian Music Album. Jobe’s spirit-filled rendition of the old familiar hymn, Take My Life seems to echo Mary’s response to the angel Gabriel. It should be our response as well.
http://www.karijobe.com

About the Poet
Denise Levertov (1923 –1997) was a British-born American poet who wrote and published 24 books of poetry, as well as criticism and translations. From a very young age Levertov was influenced by her faith, and when she began writing, it was a major theme in her poetry. Through her father she was exposed to both Judaism and Christianity and her conversion to Christianity in 1984 became the main influence thereafter on her writing. In 1997, she brought together 38 poems from seven of her earlier volumes in The Stream & the Sapphire.  Levertov explains in the foreword to the collection, that to "trace my slow movement from agnosticism to Christian faith, a movement incorporating much doubt and questioning as well as affirmation." Among her many awards and honors, she received the Shelley Memorial Award, the Robert Frost Medal the Lenore Marshall Prize, the Lannan Award, a Catherine Luck Memorial Grant, a grant from the National Institute of Arts and Letters, and a Guggenheim Fellowship.

 

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