April 21: Strips of Linen
♫ Music:
Monday, April 21—Day 48
Now on the first day of the week Mary Magdalene came early to the tomb, while it was still dark, and saw the stone already taken away from the tomb. So she ran and came to Simon Peter and to the other disciple whom Jesus loved, and said to them, “They have taken away the Lord out of the tomb, and we do not know where they have laid Him.” So Peter and the other disciple went forth, and they were going to the tomb. The two were running together; and the other disciple ran ahead faster than Peter and came to the tomb first; and stooping and looking in, he saw the linen wrappings lying there; but he did not go in. And so Simon Peter also came, following him, and entered the tomb; and he saw the linen wrappings lying there, and the face-cloth which had been on His head, not lying with the linen wrappings, but rolled up in a place by itself. So the other disciple who had first come to the tomb then also entered, and he saw and believed. For as yet they did not understand the Scripture, that He must rise again from the dead. So the disciples went away again to their own homes.
John 20: 1-10
Strips of Linen
Over the years I’ve read and reread this exhilarating John 20 resurrection story, but it was not until preparing for this Lenten reflection that I noticed the cloth. Peter and two other disciples reached the tomb first after Mary Magdalene broke the news to them that the body was gone. As the first to arrive—perhaps the beloved John—bent down to look in, he saw first the strips of linen, the grave clothes with no body to clothe. Peter, the next to arrive, also noticed first the linen strips and the cloth used to wrap the head of the deceased.
I wonder if the cloths lying in the empty grave was an “aha” moment for these disciples indicating that Jesus was indeed alive. Mary Magdalene assumed he was stolen, not risen, and she said she didn’t “know where they had put him.” But when the third disciple arrived at the grave, the story doesn’t say he saw the grave clothes. The story says that he “saw and he believed.” Why would the strips of linen and the cloth be a clue for the disciples to believe that Jesus was indeed alive?
The clue is found nine chapters earlier, just a few weeks before the discovery of Jesus’ empty tomb. It was by another tomb, the crypt where Jesus’ friend Lazarus lay dead. The story in the Gospel of John chapter 11 says that when Jesus heard that Lazarus, the brother of Mary and Martha, was gravely ill he waited a few days before going to Bethany to see him. By the time he arrived, Lazarus was not just dead, he was really dead. Jewish tradition of the ancient Middle East held that after four days, bodies were officially and irrevocably dead. Jesus came on day four, of course.
When he arrived, he asked Martha the question at the heart of the story, “Did I not tell you that if you believed you would see the glory of God?” Martha had minutes early declared her creedal belief that Jesus was the Messiah, the Son of God. But Jesus was asking her to believe more than in what he said was true, for when he asked her this question Lazarus was still dead. He wanted her to believe that he had power over death.
So Jesus called Martha and the disciples to an act of faith by having them roll away the stone covering Lazarus’ grave. Jesus prayed in verse 42 that what the disciples were about to see would cause them to believe. And then with a loud voice Jesus roared, “Lazarus, come out.” And the dead man began walking, “his hands and feet wrapped with strips of linen, and a grave cloth around his face.”
And Jesus said to his followers, “Take off the grave clothes, and let him go.”
Strips of linen. The disciples who saw the strips of linen unraveled at Lazarus’ feet saw them also in the tomb that held the body of their Redeemer. And when one of the disciples noticed, the Scriptures said he saw and believed. Jesus, who weeks earlier had demonstrated his power over death by raising Lazarus from the dead, also walked out of the tomb. And the strips of linen gave the truth away. They saw and they believed.
Barry Corey, President, Biola University
Prayer
We thank Thee for the beauty of this day, for the glorious message that all nature proclaims:
The Easter lilies with their waxen throats eloquently singing the good news;
The birds, so early this morning, impatient to begin their song;
Every flowering tree, shrub, and flaming bush, a living proclamation from Thee!
Open our hearts that we may hear it too!
Lead us, we pray Thee, to the grave that is empty, into the garden of the Resurrection where we may meet our risen Lord. May we never again live as if Thou were dead! In Thy presence restore our faith, our hope, our joy. Grant to our spirits refreshment, rest, and peace. Maintain within our hearts an unruffled calm, an unbroken serenity that no storms of life shall ever be able to take from us. From this moment on, O living Christ, we ask Thee to go with us wherever we go; be our Companion in all that we do. And for this greatest of all gifts, we offer Thee our sacrifices of thanksgiving. Amen.
(Peter Marshall)
About the Video
This scene is from Stellet Lijcht (Silent Light), a 2007 film written and directed by Mexican filmmaker Carlos Reygadas. Filmed in a Mennonite colony close to Cuauhtémoc, Chihuahua State, Northern Mexico, Silent Light is set in a Mennonite community. Carlos Reygadas's films are known for their long sequences, slow rhythm, and use of nonprofessional actors. All the performers in Silent Light are Mennonites from communities in Mexico, Germany and Canada. The dialogue is in Plautdietsch, the language of the low-German Mennonites. It was awarded the Jury Prize at the 2007 Cannes Film Festival. The New York Times called the film "an apparently simple story about forgiving" in which "the images are of extraordinary beauty", and that "The characters seem to be illuminated from the inside." This sunrise scene opens the film, while the final few minutes of Silent Light come full circle to another tracking shot of the sun setting.
John & Peter Running to the Tomb
Eugene Burnand
Musee d’Orsay, Paris
Oil on Canvas
And
The Three Marys
Henry Ossawa Tanner
Fisk University, Pennsylvania
Oil on Canvas
About the Artist and Art (Piece 1)
Eugene Burnand (1850-1921) was a Swiss painter, born in the municipality of Moudon in the Swiss canton Vaud. Before moving to Paris in 1872 he studied with Barthélemy Menn at the Ecole des Beaux-Arts in Geneva. In Paris he joined Jean-Léon Gérôme's studio, and was known primarily as a landscape painter. Burnand was greatly influenced by the Realism of such artists as Jean-François Millet and Gustave Courbet. This is reflected in perhaps his best known work, The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection c.1898.
About the Artist and Art (Piece 2)
Henry Ossawa Tanner (1859 –1937) was one of the first great African-American artists. He was certainly the first to gain international acclaim. The son of a minister in the African Methodist Episcopal Church, Tanner enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia in 1879. He was the only black student and became a favorite of the painter Thomas Eakins, who taught at the academy. He moved to Paris in 1891 and decided to stay there, being readily accepted in French artistic circles. His painting entitled Daniel in the Lions Den was accepted into the 1896 Salon. In 1897 Philadelphia department store magnate, Rodman Wanamaker paid his way to the Holy Land because Wanamaker was so impressed by Tanner’s biblical imagery.
About the Music
Easter Song lyrics:
Hear the bells ringing
They're singing that you can be born again
Hear the bells ringing
They're singing Christ is risen from the dead
The angel up on the tombstone
Said He has risen, just as He said
Quickly now, go tell his disciples
That Jesus Christ is no longer dead
Joy to the world, He has risen, hallelujah
He's risen, hallelujah
He's risen, hallelujah
Hear the bells ringing
They're singing that you can be healed right now
Hear the bells ringing, they're singing
Christ, He will reveal it now
The angels, they all surround us
And they are ministering Jesus' power
Quickly now, reach out and receive it
For this could be your glorious hour
Joy to the world, He has risen, hallelujah
He's risen, hallelujah
He's risen, hallelujah, hallelujah
The angel up on the tombstone
Said He has risen, just as He said
Quickly now, go tell his disciples
That Jesus Christ is no longer dead
Joy to the world, He has risen, hallelujah
He's risen, hallelujah
He's risen, hallelujah
Hallelujah
About the Composers:
The 2nd Chapter of Acts was a Jesus Music and early Contemporary Christian Music group composed of sisters Annie Herring and Nelly Greisen and brother Matthew Ward. They began performing in 1973 and enjoyed their period of greatest success during the 1970s. The group disbanded in 1988.
Website: http://www.2ndchapterofacts.com/
About the Performer
Keith Green (1953 – 1982) was an American contemporary Christian music pianist, singer and songwriter originally from Sheepshead Bay, Brooklyn, New York. Beyond his music, Green is best known for his strong devotion to Christian evangelism and challenging others to the same. Often considered controversial for his frequently confrontational lyrics and spoken messages, he wrote some notable songs alone and with his wife, Melody Green, including "Your Love Broke Through", "You Put This Love in My Heart", and "Asleep in the Light". Green is also known for numerous popular modern hymns, including "O Lord, You're Beautiful" and "There is a Redeemer."
http://www.lastdaysministries.org