April 18: Good Friday
Good Friday, April 18—Day 45
Then they brought Him to the place Golgotha, which is translated, Place of a Skull. They tried to give Him wine mixed with myrrh; but He did not take it. And they crucified Him, and divided up His garments among themselves, casting lots for them to decide what each man should take. It was the third hour when they crucified Him. The inscription of the charge against Him read, “THE KING OF THE JEWS.”
They crucified two robbers with Him, one on His right and one on His left. And the Scripture was fulfilled which says, “And He was numbered with transgressors.” Those passing by were hurling abuse at Him, wagging their heads, and saying, “Ha! You who are going to destroy the temple and rebuild it in three days, save Yourself, and come down from the cross!” In the same way the chief priests also, along with the scribes, were mocking Him among themselves and saying, “He saved others; He cannot save Himself. Let this Christ, the King of Israel, now come down from the cross, so that we may see and believe!” Those who were crucified with Him were also insulting Him.
When the sixth hour came, darkness fell over the whole land until the ninth hour. At the ninth hour Jesus cried out with a loud voice, “Eloi, Eloi, lama sabachthani?” which is translated, “My God, My God, why have You forsaken Me?” When some of the bystanders heard it, they began saying, “Behold, He is calling for Elijah.” Someone ran and filled a sponge with sour wine, put it on a reed, and gave Him a drink, saying, “Let us see whether Elijah will come to take Him down.” And Jesus uttered a loud cry, and breathed His last. And the veil of the temple was torn in two from top to bottom. When the centurion, who was standing right in front of Him, saw the way He breathed His last, he said, “Truly this man was the Son of God!”
Mark 15: 22-39
Prayer from a Stryker Frame
E. Margaret Clarkson
Lord, I lie here,
Strapped down, motionless, almost insensible,
Skewered to this strange board
By the cruel, incredible pain;
Unable to move hand, foot, or head
Because of pain’s intensity
And the exigencies of the Stryker.
Pain wracks my body through and through;
I lie on a bed of pointed, red-hot nails,
Invisible forces pressing, pressing me down
Harder, harder into them. . . .
I scarcely knew such pain could be.
Once You lay on a bed of coals,
Spiked to a stake by pain
Far beyond anything I experience now
Or can possibly imagine.
They lifted You up
Till the nails must have seared Your very soul,
Tearing Your body with the awful thud
Of a cross dumped roughly deep in a pit,
And You impaled upon it.
I lie here of my own necessity,
Hoping to be made well in time
By mystery of surgery;
Willing to be purified by pain
For my own advantage.
You hung there
Out of pure love,
Willing to be crucified, to die
For my sake;
Hoping to gain nothing for Yourself
But Heaven for me.
Your anguished cry, “Forsaken!”
Wrung from parched, sinless lips,
Goes echoing down the ages; finds me here
And meets my need.
No “Why?” torments my fevered brain today
For I am not alone:
You answered all the questions
Of tortured human hearts
Once and for all.
Your risen life
Within, around, above, beneath,
Supports me
In my pain,
And in Your peace I rest.
They turn me over now. Circulation
And other physical requirements dictate
This painful thrust
Three times each day.
Here I lie, prostrate,
Throbbing, rigid,
Face to the dust,
Humble before Your feet.
Face to the dust, I worship You, my Lord,
In this strange, love-lit sanctuary,
Bowed by compulsion, true,
But also by new love
Freshly born of pain,
Adoring You in wonder and in awe
Who for my sake
Hung on Your cross.
Clarkson, E. Margaret, The Country of the Risen King: An Anthology of Christian Poetry (Grand Rapids, Michigan: Baker Book House, 1978), p 42-43
Prayer
God, the Father of Heaven, have mercy on us.
God the Son, Redeemer of the world, have mercy on us.
God, the Holy Spirit, have mercy on us.
Holy Trinity, One God, have mercy on us.
Amen.
Video Art
John Stivers
About the Filmmaker
Jeffrey Stivers has a Baroque-themed channel on YouTube and Vimeo for which he makes Baroque "music videos" combining great music and art. By combining art and music, Stivers tries to create a new art form that will hopefully enhance the listener's experience of the music. The videos are all created on iMovie. More of his videos can be seen at http://www.youtube.com/user/
About the Artists and Art
Art used in the video:
Diego Velázquez (1599-1660)
Bartolomé Esteban Murillo (1617-1682)
Francisco de Zurbarán (1598-1664)
Peter Paul Rubens (1577-1640)
Philippe de Champaigne (1602-1674)
Antonio Ciseri (1821-1891)
Peter Paul Rubens (1577-1640)
Mihály Munkácsy (1844-1900)
Matthias Stom (c. 1600-1652)
Anton Raphael Mengs (1728-1779)
Peter Paul Rubens (1577-1640)
Jusepe de Ribera (1591-1652)
Annibale Carracci (1560-1609)
Annibale Carracci (1560-1609)
About the Music
Crucifix lyrics
[He was] crucified even for us, under Pontius Pilate
[He] suffered and was buried
About the Composer
Johannes Sebastian Bach (1685-1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organization, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the Well-Tempered Clavier, two Passions, keyboard works, and more than 300 cantatas, of which nearly 100 cantatas have been lost to posterity. His music is revered for its intellectual depth, technical command, and artistic beauty.
About the Performer
Collegium Vocale Gent a classical ensemble specializing in historical performances of vocal Renaissance and Baroque music, founded and conducted by Philippe Herreweghe in 1970. It is one of the world's most prestigious choirs, and is best known for its performances of Johann Sebastian Bach's vocal music. It is based in Ghent (Belgium.)
http://www.collegiumvocale.com/en