December 29
:
The Servant Undeterred

♫ Music:

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Day 27 - Friday, December 29
Title:  THE SERVANT UNDETERRED

Scripture: Isaiah 50:1b–11 (NKJV)

“Where is the certificate of your mother’s divorce, whom I have put away? or which of My creditors is it to whom I have sold you? For your iniquities you have sold yourselves, and for your transgressions your mother has been put away. Why, when I came, was there no man? Why, when I called, was there none to answer? Is My hand shortened at all that it cannot redeem? Or have I no power to deliver? Indeed with My rebuke I dry up the sea, I make the rivers a wilderness; their fish stink because there is no water, and die of thirst. I clothe the heavens with blackness, and I make sackcloth their covering.” “The Lord God has given Me the tongue of the learned, that I should know how to speak a word in season to him who is weary. He awakens Me morning by morning, He awakens My ear to hear as the learned. The Lord God has opened My ear; and I was not rebellious, nor did I turn away. I gave My back to those who struck Me, and My cheeks to those who plucked out the beard; I did not hide My face from shame and spitting. For the Lord God will help Me; therefore I will not be disgraced; therefore I have set My face like a flint, and I know that I will not be ashamed. He is near who justifies Me; Who will contend with Me? Let us stand together. Who is My adversary? Let him come near Me. Surely the Lord God will help Me; who is he who will condemn Me? Indeed they will all grow old like a garment; the moth will eat them up. Who among you fears the Lord? Who obeys the voice of His Servant? Who walks in darkness and has no light? Let him trust in the name of the Lord and rely upon his God. Look, all you who kindle a fire, who encircle yourselves with sparks: walk in the light of your fire and in the sparks you have kindled—this you shall have from My hand: You shall lie down in torment.”

Poetry & Poet:
“2047 Grace Street”

by Christian Wiman

But the world is more often refuge
than evidence, comfort and covert
for the flinching will, rather than the sharp
particulate instants through which God's being burns
into ours. I say God and mean more 
than the bright abyss that opens in that word.
I say world and mean less
than the abstract oblivion of atoms
out of which every intact thing emerges,
into which every intact thing finally goes.
I do not know how to come closer to God
except by standing where a world is ending
for one man. It is still dark,
and for an hour I have listened
to the breathing of the woman I love beyond
my ability to love. Praise to the pain
scalding us toward each other, the grief
beyond which, please God, she will live
and thrive. And praise to the light that is not
yet, the dawn in which one bird believes,
crying not as if there had been no night
but as if there were no night in which it had not been.

THE SERVANT UNDETERRED

The word gargoyle usually conjures up images of monsters, chimeras, fantastical creatures with long necks whose primary purpose is to serve as a waterspout to drain rainwater from ancient buildings. There are others that have frightening visages, crafted to scare away evil spirits that might want to haunt or terrorize the inhabitants.          

But the image we are given of the gargoyle of Arundel Cathedral does neither of those things. There is no evidence of a drain for water, nor is the carved face frightening in any way. It is the face of a man, resolute and unmoving, postured dispassionately before the threat of evil like a Gandalf before the Balrog, claiming “You shall not pass!”    

The servant revealed in Isaiah 50 is resolute, postured before the inevitability of evil and suffering, even when such suffering is a result of the unfaithfulness of the people of God. The kind of unfaithfulness that the servant appears to be addressing is not necessarily limited to idolatry or capitulation to the religious practices of their pagan neighbors or Gentile oppressors. It is unfaithfulness generated by fear, the fear that the Lord is not able to save. The Lord speaks through the servant, reminding them of the Lord’s power:

“Why, when I called, was there none to answer? Is My hand shortened at all that it cannot redeem? Or have I no power to deliver?”    

The servant is resolute, standing firm against the fear that the Lord has no power to redeem his people, that their only hope is to “walk in the light of your fire and in the sparks you have kindled.” The servant claims that such fear shall not pass.           

When Jesus was born, the people—his kin and fellow Israelites—had plenty to fear. They feared the Romans, their current occupiers and oppressors. They feared losing their traditions and distinctiveness as Jews. They feared the corruption of their ancient faith by compromise and collusion with their Gentile overseers. So, the religious leaders demanded strict adherence to the Jewish Law. The Zealots promoted violence against Rome. The Essenes retreated to the desert. People had all kinds of ways of kindling their own fires.           

But Jesus—in whom the fullness of God dwelt—would embody not only the resolute nature of the servant described by Isaiah; he would also embody the very intentions and desires of God. Even when they struck him and plucked out his beard and spit in his face, he would stand confident in the power of his heavenly Father to redeem his people. Such redemption would not come as they expected, as a fire kindled by their own hands, as legalism or violence or retreat. It would come by trust in the God who had demonstrated his faithfulness in the past, trust in the power of God’s love and in his call to them to be his own people for the sake and blessing of the world. It would come by trust in the way of Jesus.           

We do, at times, kindle our own fires because we forget that the Lord is always faithful, that his arm might be too short to save us, that he lacks power to deliver us. But in Jesus we see the face of the One who is resolute in trust. And we are called to follow him.

Prayer
Lord, we confess that we have sometimes put more trust in the sparks of our own fires than we have in you. We often learn too late that these sparks serve only to sear our flesh and blind our eyes. Grant us, by your Holy Spirit, the strength to stand resolute in trust; the compassion to be expansive in grace; and the power to love as you have loved us.
Amen.

Michael McNichols, D.Min.
Pastor and Author

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.  

About the Art:
Gargoyle Stone Head
Cathedral Church of Our Lady and St Philip Howard
Arundel, West Sussex
England

The Cathedral Church of Our Lady and St Philip Howard is a Roman Catholic cathedral in Arundel, West Sussex. The cathedral’s location, construction, design, and dedication owe much to the Howard family, who, as Dukes of Norfolk and Earls of Arundel, are a prominent English Catholic family. The building is regarded as one of the finest examples of Gothic Revival architecture in the French Gothic style in Britain. Elements of Gothic architecture include high walls, vaulted ceilings, and flying buttresses that provide support for the structures. Another famous element of Gothic architecture is gargoyles on buildings. Gothic gargoyles usually look like strange little creatures or faces perched on buildings, usually carved from granite or other stone. Gargoyles also were created to ward off evil spirits and to symbolically warn people about hell. A gargoyle's purpose is also practical—gargoyles divert water away from buildings to reduce erosion damage to the building.
https://study.com/academy/lesson/gargoyles-in-gothic-architecture.html#:~:text=A%20gargoyle%20is%20an%20ornate,found%20on%20cathedrals%20in%20Europe.

About the Music:
“Isaiah 50:7” from the album Gethsemane, Vol. 1

WARSYLIVE’s album entitled Gethsemane, Vol. 1 presents a drastic emotional contrast from his earlier work. A lifelong pianist and composer, he happened upon a sonic signature in The Jesus Anthem (2013), and explored it further in his genre-bending album, Get In This Cloud (2018). These releases were marked by their dense instrumentation, complex arrangements, high energy, and strong influences from his diverse musical background. But in Gethsemane, Vol. 1, WARSYLIVE trades the confidence of soaring synthesizers and guitar riffs for the intimacy of a string quartet (“Isaiah 50:7”) and the vulnerability of a naked vocal and a seven-foot Steinway grand piano. While the project certainly carries the artist’s trademark triumphant air at times, he seems to bridle the complexity of the music in favor of the lyrics, which reveal the raw, honest, and heartbreaking complexity of suffering itself.
https://www.warsylive.com/

Lyrics:
For the Lord God will help me.
Therefore I will not be disgraced.
Therefore have I set my face like flint,
For I know that I won’t be ashamed.
Oh, I won't be ashamed.

Divorced from the glory of former days.
Still I will wait,
For the joy set before me I will obey.
You’re coming near to vindicate.

And the Lord God will help me.
Therefore I will not be disgraced.
Therefore have I set my face like flint,
For I know that I won’t—
Oh, I won't be ashamed.

Divorced from the glory of former days.
Still I will wait,
For the joy set before me I will obey.
Oh, You'll plead my case.
Surrender’s a price I will gladly pay,
Though I despise the shame.
But for the joy set before me I will obey,
My God is here to vindicate.

And through my scars I still believe.
Blessing will seek out the man,
The man who has put his trust in You,
For You promised that he won’t be ashamed.

And the Lord God will help me,
Therefore I will not be disgraced.
Therefore have I set my face like flint,
I’ll set my face like flint, I set my face like flint.

I set my face like flint,
I set my face like flint,
I set my face like flint,
I set my face like flint,  I will
Set my face like flint,
I set my face like flint
I set my face like—
And I won’t be ashamed

My face like flint,
I set my face like flint,
I set my face like flint,
I set my face like flint, I will
Set my face like flint,
I set my face like flint,
I set my face like—
And I won’t be ashamed

My face like flint,
I set my face like flint,
I set my face like flint,
I set my face like flint, I will
Set my face like flint,
I set my face like flint,
I set my face like—
And I won’t be ashamed.

About the Performer/Composer: 
After a season marked with much hardship and loss, Spokane-based recording artist and megaphone-wielding worship leader Warren Sylvester has emerged with both a beautiful lesson and “a new name for a new era”––WARSYLIVE [‘worsai ‘laiv]. The pseudonym represents a fresh commitment to share the gospel of Jesus Christ without compromise through the medium of live music, while embracing radical, rule-breaking creativity along the journey. WARSYLIVE shared during an official statement about the name change, “We felt really strongly that it was time to turn a corner and hone in on the trajectory of our ministry, which is New Covenant worship—that we would baptize gospel music with the reality of God’s presence, and not His absence.” In the midst of grief and uncertainty, Sylvester felt a strong impression from the Holy Spirit to keep the release date for WARSYLIVE’s album Gethsemane, Vol. 1, which was set for the spring of 2020. “We had no clue,” he shares, “what the world would look like when we released this project. But Jesus knew.” Named for the garden where Christ agonized before his crucifixion, Gethsemane, Vol. 1 is a collection of songs that were written by WARSYLIVE, often spontaneously, in the midst of an emotionally turbulent year.

About the Poetry and Poet:
Christian Wiman
(b. 1966) is an American author, editor, and translator of eleven books including, most recently, Joy: 100 Poems. He graduated from Washington and Lee University in Lexington, Virginia, and has taught at Northwestern University, Stanford University, and Lynchburg College. Currently, he teaches literature and religion at Yale Divinity School and the Yale Institute of Sacred Music. Wiman has written for The New Yorker, The New York Times Book Review, The Atlantic, and numerous other publications. He is a former Guggenheim Fellow. Wiman explores themes of spiritual faith and doubt in his sparse, precise poems. Praising Wiman’s “ear for silence” in a book review of Every Riven Thing for the Smartish Pace, blog writer John Poch observed, “Repeatedly in this collection, in his careful way, he presses his ear against the hive of belief. It takes a renewed childlike faith, and Wiman achieves it through memory and imagination and, one gets the feeling, grace.” 
https://www.poetryfoundation.org/poets/christian-wiman
https://imagejournal.org/artist/christian-wiman/

About the Devotion Author: 
Michael McNichols, D.Min.
Pastor and Author

Mike McNichols is a pastor and served as director of Fuller Seminary’s regional campus in Irvine, California, for over thirteen years. He and his wife, Emily, live in Orange County, California.

 

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