December 13
:
Rest in Christ

♫ Music:

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Friday, December 13
Title: REST IN CHRIST
Scripture: Matthew 11:28-30, John 14:27
Come to Me, all who are weary and heavy-laden, and I will give you rest. Take My yoke upon you and learn from Me, for I am gentle and humble in heart, and you will find rest for your souls. For My yoke is easy and My burden is light. Peace I leave with you; My peace I give to you; not as the world gives do I give to you. Do not let your heart be troubled, nor let it be fearful.

Poetry:
Untitled 
by James Baldwin

 Lord,
      when you send the rain
              think about it, please,
              a little?
      Do
              not get carried away
              by the sound of falling water,
              the marvelous light
                        on the falling water.
          I
              am beneath that water.
              It falls with great force
              and the light
Blinds
              me to the light.

REST IN CHRIST

Click on Dustin Kensrue’s song, “Come All you Weary,”

As it plays, rest your eyes on Honoré Daumier’s painting The Third-Class Carriage, one of a number of paintings he did chronicling the industrialization of Paris in the mid-late 19th century.

How are the burdens of life, the wear and tear of it, manifest in the figures’ clothing, postures, expressions, articles, and the image and placements of others in the carriage?  How would you describe the faces of the two women? What do they ‘say’: hardship, resignation, emptiness, futility, patience, quiet fortitude, burden?  What troubles do you think they have had to bear?  What might they be bearing now?

Let the song and your gaze on the painting play out.

*                 *                       *

In our passage in Matthew (echoed in John), Jesus talks of burdens, yokes, weariness, troubles, but also lightness, peace and rest. 

If we were honest, a sense of heaviness is a part of our daily lives.  One of these ‘yokes’ is the burden of our aspirations. You see, because humans have an awareness of time, of ourselves and of better lives, we live in a gap.  It is the gap between how things are and what could be, of whom we might become and who, in our disappointment, we perceive that we are.

We could be wealthier, more attractive, more fit, more well-known, more talented, more accomplished, more intelligent, more articulate, more fun, and more entertaining.  Every day we see images of what other people (reputedly) have, enjoy, and are experiencing. Over time—even if we are above the poverty line—in our minds, we ride in the third-class carriage and feel we must struggle through the crowd, across the carriage gaps, so that we might somehow, some way, find a seat among those in first-class. Of course, commercialism is there to make sure we never feel like we’ve made it, so that we might ever spend our money and longings on so-called “goods” in pursuit of crossing the gap.  We might call this the cultural gap—in so far as many of these aspirations are those that arise from cultural standards.

If that’s not enough, Christians have a second gap, what we might call the growth gap.  We not only live in the gap of who we are and what ‘the world’ tells us we should be (the cultural gap), but we also live in the gap of who, according to Scripture, we should become.  These goods are there on nearly every page of the Bible, and we would say these are good goods. The “goods” commanded by culture are by no means binding. The Scriptures nowhere say, “thou shalt be more humorous (or entertaining or fit or accomplished).” However, we do need to be more generous, more forgiving, more patient, more zealous, more prayerful, more thankful, more kind, more courageous, more faithful, and more vigilant for justice. God’s commands are non-negotiable.  What we regularly realize, however, is that we fail.  And with this knowledge comes the felt burden of being a third-class Christian.

In Jesus’ day, the yoke was a scriptural symbol of the law well-known to the Jews.  However, these good goods, “the law,” the markers of our growth or transformation, were often placed upon the people as heavy yokes and the means by which those who sat in the pious first class [the Pharisees] kept those in third class in their place. This made Jesus angry, and Matthew quotes him as saying so later in the gospel:

Jesus says, “They [the Pharisees] tie up heavy burdens, hard to bear, and lay them on people's shoulders, but they themselves are not willing to move them with their finger.” (Mt. 23:4).   It is not the law that Jesus objects to. The law and its commands are a vision of the good life (can you imagine a community in which there is no lying, greed, injustice?), and Jesus plainly states that he has not come to change them.

But he has come to change how we live under them.  For it is true, while the law is good, we will always discover one way or another in which we fall short, and we will therefore be guilty of that, objectively speaking.  But Christ knew that the law by itself, and the burden of guilt could not make us more law-abiding.  Rather, the law now has become “a tutor” to lead us to Christ (Gal. 3:24).  What do we need to learn?  What do we need to “learn” from Jesus? 

·     That there is always forgiveness through Christ’s atonement (we call it ‘the gospel’), and because that we have peace with God. 

·     That rest will never be found in fighting our way to first-class, but in the love of God, from which we move toward obedience.

·      That an awareness of ‘the gap’ (how we “mind the gap” as the London trains admonish) need not lead us to fear or shame but rather to humility and a renewed openness to the Christ’s yoke, which is Christ himself.

·     In other words, we are loved into loving, in which all the commands are contained.

The advent of Jesus is the coming of a new way to live, guided yoke that keeps us traveling the way of life. 

Prayer:
Lord Jesus,
What gaps or burdens do I labor under today?  Of what am I weary? Which are my yokes to receive—those given to me by you for good—and which do I need to lay aside because you know nothing about them?  May your gentleness and patience keep me continually in the way, though I may feel I am very poor in walking it out.  Help me to take my guilt in the gaps back to the cross and let your kindness lead me to repentance.  Teach me to learn You, the new way in the new covenant for a renewed life.
Amen.

Todd Pickett
Dean of Spiritual Development
Biola University

For more information about the artwork, music, and poetry selected for this day, we have provided resources under the “About” tab located next to the “Devotional” tab.   

About the Artwork: 
The Third-Class Carriage
by Honoré Daumier 
c. 1862–1864
65.40 cm x 90.20 cm
Oil on canvas
Metropolitan Museum of Art
New York, New York

As a graphic artist and painter, Honoré Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Daumier was well-known for his caustic caricatures of Parisian bourgeoisie and politicians, but here he has created a compassionate portrayal of impoverished working-class railway travelers. Third-class railway carriages were dirty and crowded compartments with hard benches. Here, bathed in light, a nursing mother, an elderly woman, and a sleeping boy face away from other rows of passengers. Daumier sought to portray the harsh circumstances and quiet fortitude of the third-class travelers while imbuing them with a profound sense of dignity and peace. 

About the Artist:
Honoré Daumier
(1808–1879) was a prolific French printmaker, painter, and sculptor, best known for his caricatures critiquing and satirizing society and politics in 19th-century France. During the rule of Louis Phillipe, Daumier was imprisoned for his infamous depiction of the King as Gargantua, the gluttonous giant from Francois Rabelais’ novel, in the magazine La Caricature. Daumier produced more than 500 paintings, 4000 lithographs, 1000 wood engravings, 1000 drawings and 100 sculptures. Posthumously the value of his paintings has also been recognized. Daumier’s works are in the collections of the Louvre Museum in Paris, The Metropolitan Museum of Art in New York, the Rijksmuseum in Amsterdam, the Hermitage Museum in St. Petersburg, the National Gallery in London, and the Neue Pinakothek in Munich. 
https://www.theartstory.org/artist/daumier-honore/

About the Music:
“Come All You Weary” from the album The Alchemy Index, Vol. 3 & 4: Air & Earth 

Lyrics:
Come all you weary with your heavy loads
Lay down your burdens find rest for your souls
Cause my yoke is easy and my burden is kind
I'll take yours upon me and you can take mine

Come all you weary, move through the earth,
You've been spurned at fine restaurants and kicked out of church,
I've got a couple of loaves, so sit down at my feet,
Lend me your ears and we'll break bread and eat

Come all you weary
Come gather round near me
Find rest for your souls

Come all you weary, crippled you lay
I'll help you along you can lay down your canes
We've got a long way to go but we'll travel as friends
The lights growing bright further up, further in

Come all you weary
Come gather round near me
Find rest for your souls

Rest for your souls

Come all you weary
Come gather round near me

Come all you weary
Come gather round near me
Find rest for your souls

Rest for your souls
Rest for your souls

About the Composer:
Dustin Michael Kensrue (b. 1980) is a musician, singer-songwriter, and former worship leader. In addition to his solo work, he is the lead vocalist and rhythm guitarist for the rock band Thrice. Many of his song lyrics are drawn from the Bible and are found both in Thrice and in his solo work. From 2012 to 2014, he served as worship pastor of Mars Hill Church in Orange County, California. In 2013, Kensrue released his third studio album The Water & the Blood. The project is a collection of mostly original corporate worship songs written while he was a worship pastor at Mars Hill Church. According to Kensrue, "all the lyrics of the record are very, very rooted in Scripture,” and added: "There is power in the Word of God. As much as you stick close to that, there is power in the lyrics as well.”
https://en.wikipedia.org/wiki/Dustin_Kensrue

About the Performers:
Thrice
is an American rock band from Irvine, California founded by guitarist/vocalist Dustin Kensrue and guitarist Teppei Teranishi while they were in high school. Early in their career, the band was known for music based in heavily distorted guitars, prominent lead guitar lines, and frequent changes in complex time signatures. In 2007, Thrice released The Alchemy Index, consisting of two studio albums that together make a four-part, 24-song cycle. Each of the four six-song EPs of The Alchemy Index features significantly different style, based on different aspects of the band's musical esthetic reflecting the elemental themes of fire, water, air, and earth. In 2011, Thrice announced a final tour and hiatus. Kensrue and Teranishi decided to reform the band and in 2016 Thrice released their first post-reunion album, To Be Everywhere Is to Be Nowhere. The band's tenth album, Palms, was released in 2018.
http://thrice.net/

About the Poet:
James Arthur Baldwin (1924–1987) was an African-American novelist, playwright, and activist. His essays, collected in Notes of a Native Son (1955), explore the intricacies of racial, sexual, and class distinctions in mid-twentieth century Western societies. Some of Baldwin's essays are book-length, including The Fire Next Time (1963), No Name in the Street (1972), and The Devil Finds Work (1976). One of his novels, If Beale Street Could Talk, was adapted into an Academy Award-winning film in 2018. Baldwin's novels and plays fictionalize fundamental personal questions and dilemmas amid the complex social and psychological pressures of modern culture. In a posthumous profile for The Washington Post, poet Juan Williams wrote, “The success of Baldwin’s effort as the witness is evidenced time and again by the people, black and white, gay and straight, famous and anonymous, whose humanity he unveiled in his writings. America and the literary world are far richer for his witness. The proof of a shared humanity across the divides of race, class and more is the testament that the preacher’s son, James Arthur Baldwin, has left us.”
https://www.biography.com/writer/james-baldwin

About the Devotion Writer:
Todd Pickett

Dean of Spiritual Development
Biola University

A native Californian, Todd Pickett has been an English professor for many years and is now the Dean of Spiritual Development at Biola University. He has degrees in classical languages and literature from Stanford University and Trinity College in Dublin, Ireland, an MA in Spiritual Formation and Soul Care from Biola University, and a PhD in English from the University of California, Irvine. He leads retreats, undertakes group and individual spiritual direction, preaches regularly, and speaks frequently to groups on Christian spiritual formation from an evangelical perspective. He lives in Costa Mesa, California, and is married to Dottie Cox Pickett, a marriage and family therapist.

 

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