December 21: Christ Born with the Animals
♫ Music:
Christ Born with the Animals
Luke 2: 6-7
And while they were there, the time came for her to give birth. And she gave birth to her firstborn son and wrapped him in swaddling cloths and laid him in a manger, because there was no place for them in the inn.
Make the House Ready for the Lord
by Mary Oliver
Dear Lord,
I have swept and I have washed but
Still nothing is as shining as it should be
For you.
Under the sink, for example, is an
uproar of mice – it is the season of their
many children.
What shall I do?
And under the eaves
and through the walls the squirrels
have gnawed their ragged entrances–
but it is the season
when they need shelter,
so what shall I do? And
the raccoon limps into the kitchen
and opens the cupboard
While the dog snores,
the cat hugs the pillow;
what shall I do?
Beautiful is the new snow falling
in the yard and the fox who is staring boldly
up the path, to the door.
And still I believe you will
come, Lord: you will,
when I speak to the fox,
the sparrow, the lost dog,
the shivering sea-goose, know
that really I am speaking to you
whenever I say,
As I do all morning and afternoon:
Come in, Come in.
LEARN FROM THE ANIMALS
Today's haunting music "O Magnum Mysterium" is an ancient hymn of the church that talks about the animals surrounding Christ at his birth. Few images of the nativity are complete without this menagerie of barnyard beasts. By the time our crèches are installed each year an ark-like peaceable kingdom has been created. Religion reporter John Allemang writes, "The manger scene evolves from a messy chaotic household with animals underfoot to a kind of petting zoo, and finally to an over-the-top tribute to the wonders of the natural world."
What a surprise to discover that many biblical scholars suggest there were no animals in the same space where Mary actually gave birth. According to them the couple did not seek lodging at a commercial inn. Instead they most likely stayed in the back portion of Joseph's ancestral compound since other relatives who’d arrived earlier probably occupied the guest rooms.
Ben Witherington, New Testament professor at Asbury Seminary says,
Archeology has shown that in such homes you had a partition wall between the main front part of the house and the place where you kept your prized animals. But these are Jews of course, so the animals would have been left outside, and the place quickly cleaned for Mary and the baby in view of ritual purity issues. This also explains Luke's reference to Mary doing the ritual purity procedures after giving birth, due to the possibility of uncleanness being contracted in such a locale.
Origen, an early church father (185-254), got the ball rolling by associating Isaiah 1:3 with the nativity manger, "The ox knows its owner, and the donkey its master's crib. Therefore, the animals, the ox and the ass, with him in their midst incessantly adored him." And Saint Francis, the animal-loving monk, is credited with creating the first living nativity in 1223; replete with smelly animals he fondly referred to as his "brothers and sisters."
Regardless of the presence or absence of animals at Christ's nativity, the mystery of salvation is that Christ came to redeem all of creation. One wonders if some part of the animal kingdom wasn't aware of God's incarnation on the night of his birth?
Over the past quarter century scientific researchers have confirmed that human intelligence isn't necessarily superior to other animals, it's merely different. Contrary to commonly held assumptions, Cambridge neuroscientist, Jenny Morton, has discovered that sheep, for example, are quite intelligent animals. “Sheep can perform executive cognitive tasks, are adaptable, can map out their surroundings mentally and may even be able to plan ahead.”
A beautiful verse found in the book of Job (12:7-10) states, "If you want to learn, then go and ask the wild animals and birds, the flowers and the fish. Any of them can tell you what the Lord has done. Every living creature is in the hands of God." As many can attest, the loyalty, faithfulness, friendship and humility of animals is often more intense and long lasting than some of our human relationships, and a poignant reminder to us all. Again quoting from John Allemang, "Animals mirror human values better than many humans, often seem to know us better than we know ourselves and live beautifully complex lives beyond our control and understanding."
Prayer
Christ God, source and sustainer of all life, we cherish the myriad works of your hands. Water, earth, and sky are yours as are all their inhabitants, wild and tame. We thank you for creatures that nourish and serve us, befriend, enrich, entertain, and protect us. May we who are made in your image care for them well, and your groaning yet wondrous creation rally and thrive, revealing to all who come after us your wise, redemptive and transforming love.
Amen.
Barry Krammes
Professor of Art
CCCA Program Coordinator
Video: King's College Cambridge 2015 #16 O Magnum Mysterium, Ola Gjeilo
About the Video:
This video is a musical selection from the 2015 Carols from King’s service, held in King's College Chapel in Cambridge, England. This annual Lessons and Carols service is broadcast by the BBC2 on Christmas Eve to millions of people around the world. The beautiful candlelight service replete with its famous boy choir has become a tradition for thousands of listeners. One of the highlights of the 2015 service was the performance of a new setting of “O Magnum Mysterium” by Norwegian composer Ola Gjelo. “O Magnum Mysterium” is an ancient Latin hymn of the church which has been set to music by a host of world-class composers throughout the history of Christianity.
Nativity at Night
David Gorriz
Collage with digital manipulation
About the Artist and Artwork:
David Gorriz (b. 1975) is a self-taught collage and mixed media artist from Zaragoza, Spain, with a degree in architectural technology. He has exhibited his artwork in Zaragoza, Barcelona, and London. His artistic practice has been influenced strongly by 20th century avant-garde art movements. His Nativity at Night is a playful rendering of the Bethlehem manger, complete with animals and bursts of cosmic color.
About the Music:
“Serenity: O Magnum Mysterium”
Lyrics:
O great mystery,
and wonderful sacrament,
that animals should see the new-born Lord,
lying in a manger!
Blessed is the Virgin whose womb
was worthy to bear
Christ the Lord.
Alleluia!
About the Composer:
Ola Gjeilo (b. 1978) was born in Norway and moved to the United States in 2001 to begin his studies in composition at the Juilliard School in New York City. He is currently composer-in-residence with Voces8 and DCINY and is a full-time concert music composer based in New York City. His music often draws inspiration from movies and cinematic music. Ola’s choral works are published by Walton Music, wind band works by Boosey & Hawkes, and piano pieces by Edition Peters.
http://olagjeilo.com/
About the Performers:
The Phoenix Chorale is regarded as one of the finest choral ensembles in North America. The 28-voice chorus has done live performances across the U.S. and in Canada, along with a series of recordings played by radio stations around the world. The Phoenix Chorale was founded in 1958 and at that time focused on the music of the Renaissance and Baroque periods. The Chorale’s recordings have earned a total of ten Grammy nominations and three Grammy wins.
http://www.phoenixchorale.org/
About the Poet:
Mary Oliver (b. 1935) is an American poet who has won the National Book Award and the Pulitzer Prize. Oliver's poetry is grounded in memories of Ohio and her adopted home of New England. Influenced by both Walt Whitman and Henry David Thoreau, she is known for her clear and poignant observances of the natural world. Her poems are filled with imagery from her daily walks near her home: shore birds, water snakes, the phases of the moon and humpback whales. Oliver has been compared to Emily Dickinson, with whom she shares an affinity for solitude and inner monologues. “Mary Oliver’s poetry is an excellent antidote for the excesses of civilization," wrote one reviewer for the Harvard Review, “for too much flurry and inattention, and the baroque conventions of our social and professional lives. She is a poet of wisdom and generosity whose vision allows us to look intimately at a world not of our making.”
http://maryoliver.beacon.org/