December 16: Miraculous Children
♫ Music:
Now in the sixth month the angel Gabriel was sent from God to a city in Galilee called Nazareth, to a virgin engaged to a man whose name was Joseph, of the descendants of David; and the virgin’s name was Mary. And coming in, he said to her, “Greetings, favored one! The Lord is with you.” But she was very perplexed at this statement, and kept pondering what kind of salutation this was. The angel said to her, “Do not be afraid, Mary; for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall name Him Jesus. He will be great and will be called the Son of the Most High; and the Lord God will give Him the throne of His father David; and He will reign over the house of Jacob forever, and His kingdom will have no end.” Mary said to the angel, “How can this be, since I am a virgin?” The angel answered and said to her, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you; and for that reason the holy Child shall be called the Son of God. And behold, even your relative Elizabeth has also conceived a son in her old age; and she who was called barren is now in her sixth month. For nothing will be impossible with God.”
Luke 1:26-37
MIRACULOUS CHILDREN
It is wonderful to me that in this utterly unique and transformative moment in the history of salvation, as Gabriel first speaks the good news of Christ’s arrival, he ends his message with a word about Elizabeth, Mary’s relative. As God is revealing the utterly new work he is about to accomplish, he again tells us the long familiar story: the woman who was barren will give birth.
In the life of Israel, God had established his character as one who makes fruitful that which was barren, and the children that he gave were always children of promise. Samson was born chosen and set apart to be a sign of the Lord’s strength and holiness, and in the end sacrificed his life in submission to God in order to destroy the enemies of Israel. Samuel grew “both in stature and in favor with the Lord and also with man” and heard the voice of the Lord. He became the prophet of Israel, and finally established the throne of David. Isaac had barely been given when God asked Abraham to sacrifice him back again, but when the heavy-hearted father took his son and gave him back to God, God provided a substitution and returned Isaac to his father in joy, and made Abraham the father of Israel. Joseph endured his brothers’ violence only to deliver them from death in a barren land, and bring them into a land of abundance.
This is the lineage of miraculous children that God had given, making fruitful what was barren. And now John would come, baptizing and calling the people to repent, “for the kingdom of heaven is at hand.” Like those other sons of promise, he would bear a striking resemblance to the man in whose pattern he had been born. For, of course, each of these miraculous children was a type and foretelling of the singularly miraculous child who had been promised at the very outset, the offspring of Eve who would crush the heel of the serpent. As their births were miraculous gifts of God, his birth would be the greater miracle. As their lives were filled with faithfulness, sacrifice, salvation and redemption, so they would each turn out to be a shadowy foretelling of Christ, the one whom they had been patterned after. In the mere mention of Elizabeth, Gabriel was revealing even more fully who this child was who had been foretold. He would be set apart, would hear the voice of the Lord, would be offered up to violence by his brothers, but would give up his life in self-sacrifice only to be returned again as a great deliverer of his people.
Christ is not only the pattern after which all the children of promise were molded, he is also after the pattern of his own Father. He, too, makes fruitful what is barren, both in the grand scale of the atonement and in the personal and hidden matters of those who, like Mary, embrace the promise that has been given.
As we encounter the image of the rose, which appears both in Michael Schrauzer’s The Annunciation and René Clausen’s carol, we may be familiar with this symbol only as it relates to Mary. However, just as the virgin birth was not an isolated symbol, but rather a culmination or completion of all the types which had gone before, so too the rose is a symbol not only of Mary, but of other holy women, the martyrs, the church and indeed in Dante’s comedy of the cosmos itself. Here, rather than serving as a culmination, Mary serves as a type which we all follow, seeking with humility and reverence to become a place where Christ may dwell.
Janelle Aijian, Assistant Professor of Philosophy, Torrey Honors Institute
MOST HIGH GOD, for you nothing is impossible. Through a poor young woman in a small town you gave birth to your realm of endless glory. By your Holy Spirit, fill us with new life and hope and overshadow us with your power and grace so that we, like Mary, might be your servants, bearing witness to the promise of your Word; through Jesus Christ our Lord.
Amen
The Annunciation, 1994
Michael Schrauzer
Oil on Panel
About the Art and the Artist:
Michael Schrauzer lives in Coronado, California and teaches at Point Loma Nazarene University in San Diego. His haunting paintings are rich and complex, incorporating ancient Christian understandings of sacrament, symbol, and ritual. As art critic Gordon Fuglie wrote in his essay on Schrauzer about The Annunciation, “In [his] fusion of Catholic spirituality with modernity, his update of the medieval/Renaissance tradition and his devotion to craft, [Schrauzer] seems to chart new territory between the historical past and the modernist present, as well as asking for a more contemplative viewing than most moderns are prepared to give.” Schrauzer uses the white rose--queen of the flowers, a Christian symbol that has been used for centuries to reference both the Virgin Mary and Christ. The gold leafed cross is a reference to the coming death of the holy infant.
Website: http://www.michaelschrauzer.com/
About the Composer
René Clausen (born 1953) is an American composer, conductor of The Concordia Choir, and professor of music at Concordia College in Moorhead, Minnesota. His works are widely performed and recorded by college and professional choirs. Among his many accolades, his recent recording, Life & Breath: Choral Works by René Clausen," received three grammy awards at the 55th Grammy Awards in 2013. Clausen is a frequent guest conductor, guest composer and lecturer, both nationally and internationally.
Website: http://www.reneclausen.com/
About the Performers
The Concordia Choir, under the direction of Dr. René Clausen, is widely considered one of the world’s premier undergraduate vocal ensembles. The 72-voice choir is a leader in interpreting and advancing the Lutheran choral tradition. The choir’s long and distinguished history dates back to its beginning in 1920. The group has performed in nearly every major concert hall in the United States including Carnegie Hall and the Kennedy Center.
Website: http://www.concordiacollege.edu/music/ensembles/choirs/
About the Music
There is No Rose of Such Virtue is a Christmas hymn written in the late Middle Ages (1420). It is written in both Middle English and Latin. The carol speaks of Mary’s womb as the “little space” between haven and earth. Many composers have creating musical settings for this lovely poem. Dr. René Clausen’s meditative rendition in combination with Schrauzer’s Annunciation painting makes a beautiful pairing as we contemplate the angel’s announcement to Mary.
There is No Rose of Such Virtue Lyrics:
There is no rose of such virtue
As is the rose that bare Jesu;
Alleluia.
For in this rose contained was
Heaven and earth in little space;
Res miranda.
By that rose we may well see
That he is God in persons three,
Pari forma.
The angels sungen the shepherds to:
Gloria in excelsis deo:
Gaudeamus.
Alleluia, res miranda,
Pares forma, gaudeamus,
Transeamus.
Leave we all this worldly mirth,
And follow we this joyful birth;
Transeamus.
Alleluia, res miranda,
Pares forma, gaudeamus,
Transeamus.